Materials & Techniques: etching (printing process) / Period: 18th century / Subject Terms: children

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 13, "The present moment terminates our sight"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

ca. 1797

Print made by William Blake, 1757–1827

I Found Him Beneath a Tree; Plate 3

1793

Print made by William Blake, 1757–1827

At Length for Hatching Ripe He Breaks the Shell; Plate 8

1793

Print made by William Blake, 1757–1827

Alas!; Plate 9

1793

Print made by William Blake, 1757–1827

I Want! I Want!; Plate 11

1793

Print made by William Blake, 1757–1827

Fear & Hope Are -- Vision; Plate 15

1793

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

ca. 1797

Print made by William Blake, 1757–1827

What is Man!, Frontispiece; Plate 1

1793

Print made by William Blake, 1757–1827

Aged Ignorance; Plate 13

1793

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

Print made by Agostino Brunias, 1728–1796

The West India Washer-Women

1779

Print made by François M. la Cave, active 1726–1766

The Foundlings

undated

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

undated

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by William Nelson Gardiner, 1766–1814

November

1788

Print made by unknown artist

The Palace of Mont Alto at Naples

undated

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by unknown artist

A View of the Piazza Navona in the City of Rome

undated

Print made by unknown artist

A View of Part of the Royal Gardens at Naples Towards the Sea

undated

Engraved by Robert Pollard, 1755–1838

View of Queen Square

1789

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Johann Jacobus Haid, 1704–1767

La bonheur du Mariage

undated

Print made by Lydia Bates, active 1784

Landscape with Classical Ruins

1784

Print made by Charles Wilkin, 1750–1814

Here Poor Boy

1796

Print made by Richard Earlom, 1743–1822

The Exposition of Cyrus

1781

Print made by Richard Brookshaw, 1736–1804

The Ragged Concert

1770

Print made by Luigi Schiavonetti, 1765–1810

Two Bunches of Penny Primroses, Two Bunches a Penny

1793

Print made by Luigi Schiavonetti, 1765–1810

Milk below Maids

1793

Print made by Lydia Bates, active 1784

Little Missenden Church from the Southeast

1784

Print made by Lydia Bates, active 1784

Deucalion and Pyrrha after the Flood

1784

Print made by Francesco Bartolozzi, 1728–1815

Peniston, William, and Frederick James Lamb: The Affectionate Brothers

1791

Print made by Francesco Bartolozzi, 1728–1815

Lady Smith and Her Children: George Henry, Louisa, and Charlotte

1789

Print made by Francesco Bartolozzi, 1728–1815

Jane, Countess of Harrington, with Her Children, Lord Petersham and Honorable Lincoln Stanhope

1789

Print made by Johann Jacobus Haid, 1704–1767

La benedicite

undated

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

William Dickinson, 1746–1823

The Relief

1781

Print made by unknown artist

St. Martin's Church

between 1731 and 1754

Print made by William Nelson Gardiner, 1766–1814

January

1788

Print made by James Gillray, 1756–1815

Shakespeare Sacrificed; or, The Offering to Avarice

1789

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Print made by Louisa Augusta Greville, 1743–active 1762

Rural Scene with Herdsboys and Three Cows, Large Tree in Foreground

1760

Paul Sandby, 1731–1809

The Horse Race at Rome During the Carnival

ca. 1781

Print made by Francesco Bartolozzi, 1728–1815

Venus Chiding Cupid

1784

Print made by William Skelton, 1763–1848

Richard III: Act IV, Scene III, Tower of London

1795

Print made by William Sharp, 1749–1824

Niobe

1792

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Westminster Abbey

before 1791

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Charles Grignion, 1717–1810

A Perspective View of the Foundling Hospital with Emblematic Figures

1749

Print made by Francesco Bartolozzi, 1728–1815

The Virgin

1778

Print made by Francesco Bartolozzi, 1728–1815

The Virgin and Child

1770

Print made by Francesco Bartolozzi, 1728–1815

Virtuous Love

1793

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Mr. Cox's Museum

1772

Print made by Placido Columbani, born ca. 1744, active 1801

At the Minerva at Rome

undated

Print made by Pietro Antonio Martini, 1738–1797

The Exhibition of the Royal Academy, 1787

1787

William Dickinson, 1746–1823

The Deserter

1784

Print made by Francesco Bartolozzi, 1728–1815

September

1793

Print made by Francesco Bartolozzi, 1728–1815

August

1793

Print made by Francesco Bartolozzi, 1728–1815

July

1789

Print made by Francesco Bartolozzi, 1728–1815

June

1789

Print made by Robert Pollard, 1755–1838

Boys Playing at Marbles

1786

Robert Dighton, 1752–1814

Mr. Deputy Dumpling and Family Enjoying a Summer Afternoon

1781

Print made by Francesco Bartolozzi, 1728–1815

Sheep-Sheering

1798

Print made by William Ellis, 1747–1810

Clapham

1792

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Materials & Techniques etching (printing process)

Period 18th century

Subject Terms children

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Materials & Techniques etching (printing process)

Period 18th century

Subject Terms children

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