Materials & Techniques: etching (printing process) / Period: 18th century / Subject Terms: clouds

Print made by William Hogarth, 1697–1764

Tail Piece, or the Bathos

1764

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

Print made by William Blake, 1757–1827

Air (Plate 6)

1793

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

Print made by William Blake, 1757–1827

At Length for Hatching Ripe He Breaks the Shell (Plate 8)

1793

Print made by William Blake, 1757–1827

Help! Help! (Plate 12)

1793

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

1797

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

Print made by John Boydell, 1720–1804

A View of Erith, Looking Up the Thames

1750

Print made by John Boydell, 1720–1804

The Boscawen and Sheerness Privateers

1753

Print made by John Boydell, 1720–1804

A Calm

1754

Print made by Thomas Boydell, active 1750–1751

A Small Breeze

1753

Print made by John Boydell, 1720–1804

Morning

1753

Print made by John Boydell, 1720–1804

Evening

1755

Print made by John Boydell, 1720–1804

Greenland Fishery

1754

Print made by John Boydell, 1720–1804

Noon

1753

Print made by John Boydell, 1720–1804

The Wreck of the Nuestra Senora de los Remedios

1753

Print made by Henry William Bunbury, 1750–1811

The Judgment of Paris

1771

Print made by J. Carwitham, active 1720–1740

A New Drawing Book of Variety of Landskips

ca. 1730

Print made by Jean B. C. Chatelain, 1710–1771

Wooded Landscape with a River Leading to Distant Buildings

undated

Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1792

Print made by Pierre Charles Canot, ca. 1710–1777

A Strong Gale or Squall

1745

Print made by Pierre Charles Canot, ca. 1710–1777

Shipwreck

1745

Print made by Pierre Charles Canot, ca. 1710–1777

A Ship in Distress

1745

Print made by Simon Gribelin, 1662–1733

The Ceiling in the Banqueting House at Whitehall

ca. 1720

Print made by A. Birrell, ca.1770–ca. 1820

John Home, Esq

1799

Print made by unknown artist

St. Martin's Church

between 1731 and 1754

Print made by unknown artist

The South Sea House

between 1720 and 1728

Print made by unknown artist

The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

between 1720 and 1750

Print made by Thomas Bowles III, ca. 1712–1767

The Admiralty Office

1731

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 2

1773

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 1

1773

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 4

1773

Print made by Pierre Charles Canot, ca. 1710–1777

Marine Study No. 3

1773

Print made by Jean B. C. Chatelain, 1710–1771

Classical Landscape with Travellers, a Dog and House on the left

1741

Print made by William Byrne, 1743–1805

View of Leiston Abbey

1781

Print made by John Robert Cozens, 1752–1797

Bath: The Crescent

1773

Print made by John Robert Cozens, 1752–1797

Bath: The North Parade

1773

Print made by John Robert Cozens, 1752–1797

Bath: The South Parade

1773

Print made by Pierre Charles Canot, ca. 1710–1777

Sun Under a Cloud

1745

Engraved by William Woollett, 1735–1785

Celadon and Amelia

1766

Caroline Watson, 1760–1814

Garrick Reading the Ode at the Shakespeare Jubilee

1784

George Bickham the Younger Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..

Print made by George Bickham the Younger, ca. 1706–1771

Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing.

1751

Print made by Anthony Cardon, 1772–1813

Credulity

1796

Print made by M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 1

before 1786

Print made by M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

James Gillray, 1756–1815

Presages of the Millenium

1795

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Blockley Church

ca. 1793

Print made by Francesco Bartolozzi, 1728–1815

St. Cecilia

1784

Print made by George Bickham the Elder, 1683/4–1758

Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

undated

Print made by George Bickham the Elder, 1683/4–1758

A Man, a horse and two dogs, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 6)

undated

Print made by George Bickham the Elder, 1683/4–1758

Two Deer, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

undated

Print made by George Bickham the Elder, 1683/4–1758

Seven and a man, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

undated

Print made by George Bickham the Elder, 1683/4–1758

A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9)

undated

George Bickham the Elder A Vulture with prey, and a heron, a Pl. for 'A New Drawing Book...of various kinds of Birds, Drawn from life by Mr. Francis Barlow, 1731' (1 of 9)

Print made by George Bickham the Elder, 1683/4–1758

A Vulture with prey, and a heron, a Pl. for 'A New Drawing Book...of various kinds of Birds, Drawn from life by Mr. Francis Barlow, 1731' (1 of 9)

1731

George Bickham the Elder A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9)

Print made by George Bickham the Elder, 1683/4–1758

A Duck and an Eagle with prey, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn From the Life by Mr. Francis Barlow, 1731 (1 of 9)

1731

George Bickham the Elder Two Crested cranes and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)

Print made by George Bickham the Elder, 1683/4–1758

Two Crested cranes and four other birds, a Pl. for 'A New Drawing Book...of Various Kinds of Birds, Drawn from Life by Mr. Francis Barlow' 1731 (1 of 9)

1731

Figures engraved by William Sharp, 1749–1824

Niobe

1792

Pierre Charles Canot, ca. 1710–1777

The Great Bridge over the Taafe

1775

Print made by Francesco Bartolozzi, 1728–1815

Juvenis auscultans seni de divinis admonenti

1764

Print made by Francesco Bartolozzi, 1728–1815

Atalanta and Hippomanes

1763

Print made by Francesco Bartolozzi, 1728–1815

Hebe

1782

Print made by Francesco Bartolozzi, 1728–1815

Venus Chiding Cupid

1784

Print made by William Angus, 1752–1821

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

1793

Print made by James Caldwall, 1739–1819

Ham Court, the Seat of John Martin, Esq

undated

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Westminster Abbey

before 1791

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Games at Vauxhall: Playing at Cricket

ca. 1743

Print made by George Bickham the Elder, 1683/4–1758

Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)

undated

Peter P. Benazech The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

Print made by Peter P. Benazech, 1767–1794

The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

ca. 1760

Print made by Peter P. Benazech, 1767–1794

The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,...

ca. 1760

Print made by Peter P. Benazech, 1767–1794

The Glorious Defeat of the French Fleet under the Command of Marshal Conflans, off Belle-Isle, on the 20th of November, 1759, ..

ca. 1759

Print made by Thomas Chambars, ca. 1724–1789

Robert van Voerst

1771

Simon François Ravenet, 1706–1774

Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

1753

Print made by Lydia Bates, active 1784

Little Missenden Church from the Southeast

1784

Print made by Lydia Bates, active 1784

Coastal Scene

1784

Print made by William Byrne, 1743–1805

The Ruins of the College of Lincluden

1782

Print made by François M. la Cave, active 1726–1766

The Foundlings

undated

Print made by William Woollett, 1735–1785

The Fishery

1768

M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Blockley Church

1793

Print made by James Fittler, 1758–1835

Warwick Castle

1780

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

James Fittler, 1758–1835

Mail Coach

ca. 1787

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by William Dickinson, 1746–1823

Mary Robinson

1785

Print made by Francesco Bartolozzi, 1728–1815

Sheep-Sheering

1798

Print made by Francesco Bartolozzi, 1728–1815

February

1793

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Materials & Techniques etching (printing process)

Period 18th century

Subject Terms clouds

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Period 18th century

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