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Materials & Techniques etching (printing process)

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Period 18th century

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Subject Terms gown

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1. Night the Third. Narcissa; Title Page

Night the Third. Narcissa; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Night the First. On Life, Death, and Immortality; Title Page

Night the First. On Life, Death, and Immortality; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. 'Oft bursts my song beyond the bounds of life' (Page 16)

'Oft bursts my song beyond the bounds of life' (Page 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. 'Time, in advance, behind him hides his wings' (Page 24)

'Time, in advance, behind him hides his wings' (Page 24)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. 'O treacherous conscience! while she seems to sleep" (Page 27)

'O treacherous conscience! while she seems to sleep" (Page 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Night the Third. Narcissa; Title Page

Night the Third. Narcissa; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Barbadoes Mulatto Girl

The Barbadoes Mulatto Girl
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1779
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 19 9/16 x 12 5/8 inches (49.7 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Lady Pointing with a Stick

Lady Pointing with a Stick
Creator:
Print made by Charles Bretherton, ca. 1760–1783
Date:
1782
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/16 x 8 11/16 inches (30.7 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. A Modern Spread Eagle

A Modern Spread Eagle
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1782
Materials & Techniques:
Etching with hand coloring on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 6 3/4 inches (26.3 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Study of a Lady

Study of a Lady
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1781
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 8 15/16 inches (31.4 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Miss Crockatt as Julia de Roubigné

Miss Crockatt as Julia de Roubigné
Creator:
Print made by John Dean, 1754–1798
Date:
1786
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 13/16 x 11 7/16 inches (37.7 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12. Miss Eliza Farren

Miss Eliza Farren
Creator:
Print made by Joseph Collyer, 1748–1827
Date:
1788
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 9 9/16 inches (31.5 x 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

13. Miss Elizabeth Stephenson, later Elizabeth Savile, Countess of Mexborough

Miss Elizabeth Stephenson, later Elizabeth Savile, Countess of Mexborough
Creator:
Print made by William Dickinson, 1746–1823
Date:
1776
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/8 × 11 inches (38.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

14. Reading by a Paper-Bell Shade

Reading by a Paper-Bell Shade
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1768
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 7/8 x 11 1/8 inches (42.8 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

15. The Exposition of Cyrus

The Exposition of Cyrus
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1781
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 15/16 x 15 1/4 inches (30.3 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. Captain Conquest and His Baggage Wagon

Captain Conquest and His Baggage Wagon
Creator:
Print made by John Goldar, 1729–1795
Date:
1772
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/16 x 8 1/8 inches (28.1 x 20.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. A Macarony Alderman and His Rib

A Macarony Alderman and His Rib
Creator:
Print made by James Caldwall, 1739–1819
Date:
1772
Materials & Techniques:
Line engraving, stipple engraving, and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 x 7 13/16 inches (27.9 x 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. A View from Richmond Hill Up the River

A View from Richmond Hill Up the River
Creator:
Charles Grignion, 1717–1810
Date:
1794
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Discovery

The Discovery
Creator:
Print made by E. J. Dumée, active 1790
Date:
1788
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 11 3/16 inches (39 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Miss Mary Palmer

Miss Mary Palmer
Creator:
Print made by William Doughty, 1757–1782
Date:
1779
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/16 x 14 7/16 inches (48.4 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

21. Age of Innocence

Age of Innocence
Creator:
Print made by Joseph Grozer, ca. 1755–1798
Date:
ca. 1794
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/2 x 10 1/16 inches (34.3 x 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

22. Sensibility

Sensibility
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1789
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 9/16 × 11 7/16 inches (37 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

23. Mrs. Quarrington as St. Agnes

Mrs. Quarrington as St. Agnes
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
ca. 1787
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 16 15/16 x 13 11/16 inches (43 x 34.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

24. The Affectionate Daughter

The Affectionate Daughter
Creator:
John Eginton, active 1763–1800
Date:
1792
Materials & Techniques:
Stipple engraving, printed in color on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 15/16 × 11 7/16 inches (37.9 × 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Mrs. Fitzherbert

Mrs. Fitzherbert
Creator:
Print made by John Condé, 1765–1794
Date:
1792
Materials & Techniques:
Stipple engraving with etched border on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 11 7/8 inches (40.6 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Melania

Melania
Creator:
Print made by John Condé, 1765–1794
Date:
1792
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/16 x 4 9/16 inches (16.1 x 11.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Sensibility

Sensibility
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1789
Materials & Techniques:
Color-printed stipple engraving and etching with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 9 5/8 inches (31.5 × 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Sensibility

Sensibility
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1789
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/8 x 13 9/16 inches (44.2 x 34.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. View of Queen Square

View of Queen Square
Creator:
Engraved by Robert Pollard, 1755–1838
Date:
1789
Materials & Techniques:
Etching, line engraving, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/2 × 24 7/16 inches (49.5 × 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Clapham

No cover image available
Creator:
Print made by William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 7 5/8 inches (14.6 × 19.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection