Materials & Techniques: etching (printing process) / Period: 18th century / Subject Terms: women

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 13, "The present moment terminates our sight"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 27, "O treacherous conscience!"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

ca. 1797

Print made by William Blake, 1757–1827

I Found Him Beneath a Tree; Plate 3

1793

Print made by William Blake, 1757–1827

Fear & Hope Are -- Vision; Plate 15

1793

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

ca. 1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

1797

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

Print made by Agostino Brunias, 1728–1796

The West India Washer-Women

1779

Print made by Joseph Farington, 1747–1821

Windsor Bridge

1792

Print made by Francesco Bartolozzi, 1728–1815

Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

1785

Print made by Paul Angier, active 1749

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

undated

Print made by George Barret, ca. 1728/32–1784

Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

undated

Print made by John Alexander, 1686–before 1768

Lot and His Family

ca. 1718

Print made by Francesco Bartolozzi, 1728–1815

A Lecture on Gadding

1789

John Goldar, 1729–1795

The Sacrifice

1767

John Goldar, 1729–1795

The Refusal

1768

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by Francesco Bartolozzi, 1728–1815

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Concert of Ancient Vocal and Instrumental Music

1786

Print made by unknown artist

A View of the Royal Palace at Naples

undated

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by unknown artist

A View of the Piazza Navona in the City of Rome

undated

Print made by unknown artist

A View of the Piazza del Popolo in the City of Rome

undated

Print made by unknown artist

Spanish Palace at Naples

undated

Print made by unknown artist

A View of Part of the Royal Gardens at Naples Towards the Sea

undated

Engraved by Robert Pollard, 1755–1838

View of Queen Square

1789

Print made by Francesco Bartolozzi, 1728–1815

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Charles Grignion, 1717–1810

Britannia Allegory

between 1743 and 1747

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745