Materials & Techniques: etching (printing process) / Period: 19th century / Height [cm]: 0

1. Little Devil's Bridge over the Russ above Altdorft, Switzerland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Florence

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and engraving, with graphite; touched engraver's proof (2) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 9 5/8 inches (37.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Between Quilleboeuf and Villequier

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Ferry Inn

Creator:: Print made by Robert Walker Macbeth, 1848–1910
Date:: 1881
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

5. The Lake of Geneva

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 9 7/8 inches (38.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Mail Coach in a Flood

Creator:: Print made by Frederick Rosenberg, active 1816–1832
Date:: 1827
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

Creator:: after Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 5/8 inches (39.7 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Westminster Abbey

Creator:: Print made by Charles William Sherborn, 1831–1912
Date:: 1877
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

9. Vol. 6, Plate XXVIII

Creator:: Print made by G.F. Storm, active mid–19th century
Date:: 1842
Materials & Techniques:: Etching on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. A Mistake

Creator:: Print made by William Heath, 1795–1840
Date:: 1829
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 5/8 × 16 1/2 inches (32.1 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

11. True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard.

Creator:: James Gillray, 1756–1815
Date:: 1809
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 19 1/2 inches (36.2 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Etchings by R. C. Lucas

Creator:: Print made by Richard Cockle Lucas, 1800–1883
Date:: between 1837 and 1874
Materials & Techniques:: Bound album of 108 etchings and 3 photographs on thin, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Arrival at Waterford, Commin's Hotel

Creator:: Print made by John Harris, 1811–1865
Date:: 1856
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

14. Architectural Remains removed to Farnley, by Walter Fawkes Esqr. from Different Ancient Hall Houses in his Possession

Creator:: Print made by unknown artist
Date:: 1814
Materials & Techniques:: Folio of etchings on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

15. Recrimination

Creator:: Print made by Giles Grinagain, active 1801–1807
Date:: 1801
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 9 1/4 inches (22.5 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

16. Running Away with an Heiress

Creator:: Print made by Giles Grinagain, active 1801–1807
Date:: 1802
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 9 1/4 inches (20.3 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

17. Boney and his Horse Talley - Returning to Paris with a Spanish Cargo

Creator:: Print made by Charles Williams, active 1796–1830
Date:: 1808
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 10 7/8 × 14 1/2 inches (27.6 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

18. Nap and his Partner Joe

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slight textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 1/2 inches (23.8 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

19. The Bond Street Battalion - or the Hospital Staff from Holland!!!

Creator:: Print made by John Cawse, 1779–1862
Date:: 1799
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 11 3/4 × 14 inches (29.8 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

20. His Majesty's Frigate the Shannon

Creator:: Print made by Joseph Jeakes, active 1796– ca. 1829
Date:: 1813
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery Collection

21. Deer in Repose, A View in the Isle of Arran

Creator:: Print made by Georg Zobel, 1810–1881
Date:: 1870
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery Collection

22. Portrait of Miss Fox, Daughter of Lord Holland, later Lady Lilford

Creator:: Print made by Moseley Isaac Danforth, 1800–1862
Date:: 1829
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, transfer from the Yale University Art Gallery Collection

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Materials & Techniques etching (printing process)

Period 19th century

Height [cm] 0

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1. Little Devil's Bridge over the Russ above Altdorft, Switzerland

2. Florence

3. Between Quilleboeuf and Villequier

4. The Ferry Inn

5. The Lake of Geneva

6. The Mail Coach in a Flood

7. On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

8. Westminster Abbey

9. Vol. 6, Plate XXVIII

10. A Mistake

11. True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard.

12. Etchings by R. C. Lucas

13. The Arrival at Waterford, Commin's Hotel

14. Architectural Remains removed to Farnley, by Walter Fawkes Esqr. from Different Ancient Hall Houses in his Possession

15. Recrimination

16. Running Away with an Heiress

17. Boney and his Horse Talley - Returning to Paris with a Spanish Cargo

18. Nap and his Partner Joe

19. The Bond Street Battalion - or the Hospital Staff from Holland!!!

20. His Majesty's Frigate the Shannon

21. Deer in Repose, A View in the Isle of Arran

22. Portrait of Miss Fox, Daughter of Lord Holland, later Lady Lilford