Materials & Techniques: etching (printing process) / Period: 19th century / Height [cm]: 38

Print made by William Miller, 1796–1882

The Grand Canal, Venice

1838

Print made by William Miller, 1796–1882

The Rhine - Osterspey and Feltzen

1838-1852

Print made by Robert Brandard, 1805–1862

The Rhine - Neuwied and Weissenthurm

1838-1852

Print made by John Horsburgh, 1791–1869

Abbeville

1836

Print made by Edward Goodall, 1795–1870

Florence

1830

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

Print made by Luigi Schiavonetti, 1765–1810

Christ Descending into the Grave

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Descent of Man into the Vale of Death

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

Robert Blair, The Grave, Title Page

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Meeting of a Family in Heaven

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Reunion of the Soul & the Body

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Day of Judgment

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

Death's Door

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

William Blake, Frontispiece

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Soul Exploring the Recesses of the Grave

1808, published 1813

Print made by Charles Brome, ca. 1774–1801

Emma, Lady Hamilton as 'Ariadne'

1801

Print made by Robert Wallis, 1794–1878

Rome, Castle of St. Angelo

1830

Print made by Edward Goodall, 1795–1870

The Campagna of Rome

1830

Samuel William Reynolds, 1773–1835

Thomas Girtin

1817

Print made by Thomas Mann Baynes, 1794–1854

The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

after 1835

Print made by Edward Goodall, 1795–1870

Galileo's Villa

1830

Print made by Henry Le Keux, 1787–1868

Villa Madama, Moonlight

1830

Print made by Edward Goodall, 1795–1870

The Forum

1830

Print made by Edward Goodall, 1795–1870

Perugia

1830

Print made by Robert Wallis, 1794–1878

Banditti

1830

Print made by John Pye, 1782–1874

Temples of Paestum

1830

Print made by Edward Goodall, 1795–1870

Naples

1830

Print made by John Pye, 1782–1874

Tivoli

1830

Print made by Edward Goodall, 1795–1870

A Villa on the Night of a Festa di Ballo

1830

Print made by Robert Wallis, 1794–1878

Amalfi

1830

Print made by Robert Wallis, 1794–1878

A Farewell - Lake of Como, II

1830

Print made by W. R. Smith, active 1819–1851

Hospice of the Great St. Bernard

1830

Print made by Robert Wallis, 1794–1878

St. Maurice

1827

Print made by William Bernard Cooke, 1778–1855

Martigny

1830

Print made by Edward Goodall, 1795–1870

Marengo

1830

Print made by Henry Le Keux, 1787–1868

Aosta

1830

Print made by Edward Goodall, 1795–1870

Venice

1830

Print made by Edward Goodall, 1795–1870

Lake of Como, I

1830

Print made by Edward Goodall, 1795–1870

Florence

1830

Print made by W. R. Smith, active 1819–1851

Hannibal Passing the Alps

1830

Robert Thew, 1758–1802

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

1803

Sir Francis Seymour Haden, 1818–1910

The Breaking Up of the Agamemnon, no. 2

after 1880

Print made by William Strang, 1859–1921

Shooting the Albatross

1896

Print made by Sir David Young Cameron, 1865–1945

Father Ambrose

1893

Print made by John Landseer, 1769–1852

Cascade of Terni

1819

Print made by Edward Goodall, 1795–1870

The Lake of Geneva

1830

Print made by Chevalier Ignace Joseph de Claussin, 1766–1844

James Northcote, R.A

1814

Print made by William Strang, 1859–1921

Francis S. Hayden

1883

Print made by Edward Goodall, 1795–1870

Tivoli, a Composition

1827

Etched by Samuel Middiman, ca. 1750–1831

The Temple of Jupiter in the Island of Aegina

1828

Etched by Samuel Middiman, ca. 1750–1831

Temple of Jupiter Panhellenius

1828

Print made by John Pye, 1782–1874

Temples of Paestum

1830

Print made by James C. Allen, active 1821–1831

Lowestoffe

ca. 1830

Print made by Samuel Middiman, ca. 1750–1831

High Street, Oxford

1811

Print made by William Bernard Cooke, 1778–1855

Weymouth, Dorsetshire

1813

Print made by William Bernard Cooke, 1778–1855

East and West Looe, Cornwall

1818

Print made by Edward Goodall, 1795–1870

Rye, Sussex

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

The Observatory at Rosehill, Sussex

1816

Print made by William Bernard Cooke, 1778–1855

The Spot where Harold Fell

1816

Print made by William Bernard Cooke, 1778–1855

Bodiham Castle, Sussex

1817

Print made by William Bernard Cooke, 1778–1855

Vale of Heathfield, Sussex

1818

Print made by Samuel Rawle, 1771–1860

Gibside, County of Durham

1819

Print made by William Bernard Cooke, 1778–1855

Dartmoor; Source of the Tamar and the Torridge

1816

Print made by George Cooke, 1781–1834

Antiquities at Pola, Frontispiece

1818

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Landseer, 1769–1852

High Force or Fall of Tees

1821

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by Henry Le Keux, 1787–1868

Simmer Lake, near Askrig

1822

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1822

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1818-1823

Print made by Henry Le Keux, 1787–1868

Heriot's Hospital

1822

Print made by Matthew Dubourg, active 1786–1838

Snipe Shooting

1822

Print made by B. Winkles, active 1830–1840

Longitudinal Section of Westminster Hall

ca. 1821

Print made by Henry Hoppner Meyer, ca. 1782–1847

Henry Tilson, Painter

between 1800 and 1840

Print made by G.F. Storm, active mid–19th century

Vol. 6, Plate XXVIII

1842

Print made by unknown artist

North East View of Henry VII Chapel Westminster

ca. 1813

James McNeill Whistler, 1834–1903

Jo

1861

Sir George Hayter, 1792–1871

Sir George Hayter

1822

Print made by Thomas Talbot Bury, 1811–1877

Elevation of the River Front

ca. 1835

Print made by William Heath, 1795–1840

A Naughty Boy Turn'd Out of School

1828

Print made by John Crome, 1768–1821

Composition: Sandy Road through Woodland

1813

Print made by James Tibbits Willmore, 1800–1863

The Golden Bough

1856

Print made by James Tibbits Willmore, 1800–1863

The Golden Bough

1856

Print made by William Miller, 1796–1882

The Bell Rock Lighthouse

1862

Print made by William Miller, 1796–1882

The Bell Rock Lighthouse

1862

Print made by Luigi Schiavonetti, 1765–1810

William Blake, Frontispiece

1808

Print made by Luigi Schiavonetti, 1765–1810

William Blake, Frontispiece

1808

Edward W. Trendall, active 1816–1848

Grandstand on the Race Ground at Epsom

undated

James Gillray, 1756–1815

Overthrow of the Republican-Babel

1809

James Gillray, 1756–1815

Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico

1805

Print made by Charles Williams, active 1796–1830

The Brazen Image erected on a Pedestal wrought by Himself

1802

Print made by unknown artist

The Tempest or Prospero Triumphant a Sketch from the Picture lately Exhibited at the National Gallery

1827

Print made by Henry H. Meyer, 1782–1847

Henry Lord Mulgrave

1811

Print made by John Samuel Agar, ca. 1773–1858

George, Earl of Egremont

1810

Print made by Charles Picart, c.1780–1837

Sir Thomas Bernard, Bart. L.L.D

1815

Print made by Henry H. Meyer, 1782–1847

George Granville Leveson Gower, Marquis of Stafford, K.G

1811

Print made by James Godby, 1767–1849

Sir Lucas Pepys, Bart

1809

Print made by William Bond, active 1772–1831, died 1842

General Sir George Augustus Eliott, K.B

1813

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Materials & Techniques etching (printing process)

Period 19th century

Height [cm] 38

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Materials & Techniques etching (printing process)

Period 19th century

Height [cm] 38

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