Materials & Techniques: etching (printing process) / Period: 19th century / Width [cm]: 35

1. Moeris and Galatea

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched between 1880 and 1883; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/16 x 13 13/16 inches (29.1 x 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 3/4 inches (26.3 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Chain of Alps from Grenoble to Chamberi

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 3/4 inches (26 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Jason

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 13 7/8 inches (26.4 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Salutation Tavern

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1801
Materials & Techniques:: Etching on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/16 x 13 15/16 inches (25.5 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Fitting out. - Plate 1

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 13 15/16 inches (25.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Huntsmen in a Wood

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Finis

Creator:: Print made by William Heath, 1795–1840
Date:: 1829
Materials & Techniques:: Etching and soft-ground etching with hand coloring in watercolor
Dimensions:: Sheet: 9 1/2 x 13 7/8in. (24.1 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Miss Farren

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1803
Materials & Techniques:: Etching and stipple engraving (seventh state) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 7/8 × 13 7/8 inches (55.6 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

10. Thomas Carlyle

Creator:: Print made by Alphonse Legros, 1837–1911
Date:: between 1852 and 1877
Materials & Techniques:: Mezzotint, aquatint, etching, and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 15 1/4 inches (49.5 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

11. Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

Creator:: Sir George Hayter, 1792–1871
Date:: 1828
Materials & Techniques:: Etching and stipple engraving on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/4 x 13 15/16 inches (37.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Monk

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: between 1833 and 1853
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 15/16 x 13 9/16 inches (50.6 x 34.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Prince of Orange Landing at Torbay

Creator:: Print made by William Miller, 1796–1882
Date:: 1852
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 20 inches (34.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Balcony

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: between 1835 and 1854
Materials & Techniques:: Etching and line engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 x 13 11/16 inches (50.8 x 34.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Hamlet

Creator:: Print made by Charles Ansell, ca.1752–active 1790
Date:: 1809
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/16 x 15 3/16 inches (31.2 x 38.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

16. A Scene in the New Farce - as Performed at the Royalty Theatre!

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1821
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/2 × 13 5/8 inches (24.2 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

17. Costume of the Reign of King Henry III, 1250

Creator:: Print made by John Augustus Atkinson, 1775–1831
Date:: 1814
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/4 x 13 5/8 inches (26 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

18. Specimens of Waltzing

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1817
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 13 13/16 inches (24.7 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Pistol eating Fluellen's Leak - "Henry V"

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: between 1811 and 1815
Materials & Techniques:: Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 15 3/8 inches (26 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

20. Traveling in France -or, -Le départ de la diligence

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1818
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 17 5/8 inches (29.9 x 44.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles

Creator:: Print made by Robert Isaac Cruikshank, 1789–1856
Date:: 1824
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/8 x 14 1/2 inches (26.4 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Dandies Having a Treat

Creator:: Print made by Robert Isaac Cruikshank, 1789–1856
Date:: 1818
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/8 x 15 11/16 inches (25.7 x 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Venice from the Lido [North Italian Set: No. 17]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1896
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 14 inches (19.7 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

24. The Palace Doorway [North Italian Set: No. 22]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1895
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

25. New Weir on the Wye (replica reversed)

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1825
Materials & Techniques:: Mezzotint and etching with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 13 5/8 inches (29.2 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 9/16 × 13 7/8 inches (24.3 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 13 7/8 inches (24.7 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Sir Robert Chambers

Creator:: Print made by Frederick Bromley, active 1856–1860
Date:: 1862
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 5/8 x 13 13/16 inches (49.8 x 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

29. A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"

Creator:: James Gillray, 1756–1815
Date:: 1807
Materials & Techniques:: Etching on thin, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 15 inches (29.2 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 13/16 × 13 7/8 inches (25 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 13 7/8 inches (24.7 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 14 1/16 inches (24.5 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Dartmouth, on the River Dart

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1823 to 1827
Materials & Techniques:: Etching and mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Perth Bridge

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1889
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 13 3/4 inches (24.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Edwin M. Herr, Yale PhD 1884, Memorial Collection; Gift of Mrs. Herr, transfer from the Yale University Art Gallery

35. Plymouth Citadel

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/2 inches (28.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Plymouth Citadel

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 3/4 inches (25.4 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Dunwich

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1819-1826
Materials & Techniques:: Etching and engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 × 13 11/16 inches (25.6 × 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Shere Mill Pond, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 13 7/8 inches (20.9 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Yale Stevens from her father's (Richard Sharpe V, B.S. 1873) Collection

40. Whistler's House at Old Chelsea

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1863
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream Asian paper
Dimensions:: Sheet: 7 7/8 x 13 7/8 inches (20 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

41. Whistler's House at Old Chelsea

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: 1863
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 15/16 x 13 7/8 inches (20.1 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910

42. A River in Ireland

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1864
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 11/16 x 15 1/8 inches (27.1 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

43. Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Plymouth Citadel

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1821
Materials & Techniques:: Etching and engraving; first published state on vellum, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Land's End, Cornwall

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and engraving with chine collé; between first and second states on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/16 × 13 13/16 inches (25.9 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Martello Towers at Bexhill

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 × 13 7/8 inches (23.7 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. St. Mawes, Cornwall

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 13 7/8 inches (26.4 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Tomb of Cecilia Metella

Creator:: Print made by John Byrne, 1786–1847
Date:: 1818-1820
Materials & Techniques:: Etching with chine collé; open etched state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 13 5/8 inches (26.8 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Mildmay Sea-Piece

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1886
Materials & Techniques:: Etching with mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Plate: 3 7/16 × 3 7/16 inches (8.7 × 8.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel and Pearl K. Bell

50. Etchings by John Sell Cotman, Volume II

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: 1811
Materials & Techniques:: Etching on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 7/16 x 13 3/4 inches (49.3 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

51. Grouse Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 5/8 x 20 7/8 inches (37.2 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Partridge Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/4 x 20 7/8 inches (37.4 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 13 15/16 inches (25.5 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The "Adam and Eve," Old Chelsea

Creator:: James McNeill Whistler, 1834–1903
Date:: 1879
Materials & Techniques:: Etching and drypoint, printed from canceled plate on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 x 13 3/4 inches (22.2 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

55. The Temple of Aphaia at Aegina: Sections

Creator:: Edmund Turrell, active 1835–1860
Date:: 1860
Materials & Techniques:: Etching with collaged graphite additions on slightly textured, moderately thick, cream wove paper with drawings in graphite on attached wove paper
Dimensions:: Sheet: 12 1/8 × 18 3/8 inches (30.8 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Out of Court. Auspicium Melioris Devi

Creator:: Print made by Henry Heath, active 1824–1835
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

57. Diogenes in Search of an Honest Ministry

Creator:: Print made by Henry Heath, active 1824–1835
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

58. A Parti Carré for a Crown

Creator:: Print made by Henry Heath, active 1824–1835
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 14 1/2 inches (28.6 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

59. A Mistake

Creator:: Print made by William Heath, 1795–1840
Date:: 1829
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 5/8 × 16 1/2 inches (32.1 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

60. St. Sepulchres, The Round Church

Creator:: John Hill, 1770–1850
Date:: 1814
Materials & Techniques:: Aquatint with etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 13 9/16 inches (27.2 x 34.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Rev. Peter Rodgers

61. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 13 7/8 inches (50.2 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Entrance to the Meuse: Orange Merchant on the Bar Going to Pieces

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1889
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 13 3/4 inches (23.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The "Victory" Coming Up Channel

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink, with graphite and pen and black ink (touched proof) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 13 7/8 inches (24.8 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

64. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/2 × 13 3/4 inches (49.5 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 13 3/4 inches (49.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Nursery, with, Britannia Reposing in Peace

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with hand-coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 14 inches (25.7 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber.

Creator:: James Gillray, 1756–1815
Date:: 1807
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Introduction of Citizen Volpone - and His Suite, at Paris

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 3/4 inches (25.1 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. German - Nonchalence: - or - The Vexation of Little Boney.

Creator:: James Gillray, 1756–1815
Date:: 1803
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 7/8 inches (25.4 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

Creator:: James Gillray, 1756–1815
Date:: 1807
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. St. Mary Redcliffe, Bristol

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1888
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Plate: 6 7/8 × 9 1/2 inches (17.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"

Creator:: James Gillray, 1756–1815
Date:: 1801
Materials & Techniques:: Etching with hand-coloring in watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger

Creator:: James Gillray, 1756–1815
Date:: 1801
Materials & Techniques:: Etching with hand-coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 13 7/8 inches (25.7 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Spanish-Bull-Fight - or - The Corsical-Matador in Danger

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching with hand-coloring in watercolor on medium, slightly textured, white wove paper
Dimensions:: Sheet: 10 3/8 × 15 inches (26.4 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching on medium, slightly textured, white wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/2 inches (26 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching on medium, slightly textured, white wove paper
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Luminous Don Key

Creator:: Charles Jameson Grant, active 1830–1852
Date:: ca. 1830
Materials & Techniques:: Line engraving with etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 16 1/4 inches (28.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Brian and Linda Gracie

78. A Scene from the Beggars Opera the Principal Characters by his Majesty's Servants

Creator:: Print made by Charles Williams, active 1796–1830
Date:: ca. 1805
Materials & Techniques:: Etching with hand coloring in watercolor on medium, textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 16 inches (26.7 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

79. Billy's Ghost, or, Seasonable Admonition

Creator:: Print made by Charles Williams, active 1796–1830
Date:: 1806
Materials & Techniques:: Etching with hand coloring in watercolor on thin, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

80. The Turkey at Bay

Creator:: Print made by Robert Seymour, 1798–1836
Date:: ca. 1825
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 18 inches (30.8 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

81. The Allied Gourmands Taking a Luncheon; or the Turkey in Danger

Creator:: Print made by Thomas Jones, active 1828
Date:: 1828
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

82. Tears of Repentance. Cabinet In's and Out's

Creator:: Print made by Charles Williams, active 1796–1830
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 × 18 1/4 inches (28.6 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson.

83. The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage

Creator:: Print made by John Phillips, active 1840–1852
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 18 inches (29.8 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

84. Transubstantiation -or Symptoms of Dictating- Cabaling- Conspiring- Overawing

Creator:: Print made by Thomas Jones, active 1828
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 17 7/8 inches (28.6 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

85. Sketches of Fairy-Land or a Comparison between England & Lilliput

Creator:: Print made by George Moutard Woodward, ca. 1760–1809
Date:: ca. 1819
Materials & Techniques:: Etching with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 16 7/8 inches (26.7 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

86. The Bond Street Battalion - or the Hospital Staff from Holland!!!

Creator:: Print made by John Cawse, 1779–1862
Date:: 1799
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 11 3/4 × 14 inches (29.8 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

87. George Granville Leveson Gower, Marquis of Stafford, K.G.

Creator:: Print made by Henry H. Meyer, 1782–1847
Date:: 1811
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 × 13 3/4 inches (44.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

88. General Sir George Augustus Eliott, K.B.

Creator:: Print made by William Bond, active 1772–1831, died 1842
Date:: 1813
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 × 13 7/8 inches (43.2 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

YCBA Collections Search

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Search Constraints

Materials & Techniques etching (printing process)

Period 19th century

Width [cm] 35

Search Results

1. Moeris and Galatea

2. The Rising Moon

3. Chain of Alps from Grenoble to Chamberi

4. Jason

5. The Salutation Tavern

6. Fitting out. - Plate 1

7. Huntsmen in a Wood

8. Finis

9. Miss Farren

10. Thomas Carlyle

11. Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

12. The Monk

13. The Prince of Orange Landing at Torbay

14. The Balcony

15. Hamlet

16. A Scene in the New Farce - as Performed at the Royalty Theatre!

17. Costume of the Reign of King Henry III, 1250

18. Specimens of Waltzing

19. Pistol eating Fluellen's Leak - "Henry V"

20. Traveling in France -or, -Le départ de la diligence

21. A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles

22. Dandies Having a Treat

23. Venice from the Lido [North Italian Set: No. 17]

24. The Palace Doorway [North Italian Set: No. 22]

25. New Weir on the Wye (replica reversed)

26. The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

27. The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

28. Sir Robert Chambers

29. A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"

30. The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

31. The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

32. The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

33. Dartmouth, on the River Dart

34. Perth Bridge

35. Plymouth Citadel

36. Plymouth Citadel

37. Aldborough

38. Dunwich

39. Shere Mill Pond, no. 2 (large plate)

40. Whistler's House at Old Chelsea

41. Whistler's House at Old Chelsea

42. A River in Ireland

43. Plymouth Sound

44. Plymouth Citadel

45. Land's End, Cornwall

46. Martello Towers at Bexhill

47. St. Mawes, Cornwall

48. Tomb of Cecilia Metella

49. The Mildmay Sea-Piece

50. Etchings by John Sell Cotman, Volume II

51. Grouse Shooting

52. Partridge Shooting

53. Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

54. The "Adam and Eve," Old Chelsea

55. The Temple of Aphaia at Aegina: Sections

56. Out of Court. Auspicium Melioris Devi

57. Diogenes in Search of an Honest Ministry

58. A Parti Carré for a Crown

59. A Mistake

60. St. Sepulchres, The Round Church

61. The Reunion of the Soul & the Body

62. Entrance to the Meuse: Orange Merchant on the Bar Going to Pieces

63. The "Victory" Coming Up Channel

64. Christ Descending into the Grave

65. Death's Door

66. The Nursery, with, Britannia Reposing in Peace

67. The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber.

68. Introduction of Citizen Volpone - and His Suite, at Paris

69. German - Nonchalence: - or - The Vexation of Little Boney.

70. British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

71. St. Mary Redcliffe, Bristol

72. Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"

73. Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger