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Materials & Techniques etching (printing process)

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Period 19th century

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Subject Terms field

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Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Sir David Young Cameron The Leaf Cart
Sir David Young Cameron, 1865–1945
The Leaf Cart
1894
Robert Havell Crofton Hall, Yorkshire
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
James McNeill Whistler The Storm
James McNeill Whistler, 1834–1903
The Storm
1861
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
Robert Havell Crofton
Robert Havell, 1769–1832
Crofton
1813
Robert Havell Crofton
Robert Havell, 1769–1832
Crofton
1813
Robert Havell Crofton Hall, Yorkshire
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
Sir Francis Seymour Haden Cottages behind Horsley's House
Sir Francis Seymour Haden, 1818–1910
Cottages behind Horsley's House
1865
Sir Francis Seymour Haden Cottages behind Horsley's House
Sir Francis Seymour Haden, 1818–1910
Cottages behind Horsley's House
1865
James Mitan Turin from the Portico of the Superga Church
Print made by James Mitan, 1776–1822
Turin from the Portico of the Superga Church
1820
W. R. Smith Leicester Abbey
Print made by W. R. Smith, active 1819–1851
Leicester Abbey
1834
W. R. Smith Leicester Abbey
Print made by W. R. Smith, active 1819–1851
Leicester Abbey
1834
George Cruikshank Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
Print made by George Cruikshank, 1792–1878
Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
after 1857
James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
Samuel David Colkett The Gipsy Encampment
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1830
George Baxter The Belle of the Village
Print made by George Baxter, 1804–1867
The Belle of the Village
1854
Sir Francis Seymour Haden Cowdray
Sir Francis Seymour Haden, 1818–1910
Cowdray
1882
Thomas Higham Benacre Hall, Suffolk
Thomas Higham, 1796–1844
Benacre Hall, Suffolk
1819
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
Sir Francis Seymour Haden Cowdray
Sir Francis Seymour Haden, 1818–1910
Cowdray
1882
John J. Hinchliff Lough Foyle, Londonerry
John J. Hinchliff, 1805–1875
Lough Foyle, Londonerry
undated
Samuel David Colkett The Gipsy Encampment
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1822
Edward P. Brandard Marlowe Meadows
Edward P. Brandard, 1819–1898
Marlowe Meadows
1884