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Materials & Techniques etching (printing process)

Remove constraint Materials & Techniques: etching (printing process)

Genre animal art

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Width [cm] 28

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Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
unknown artist Mare and Foal
Print made by unknown artist
Mare and Foal
undated
John Jones Muscipula
Print made by John Jones, ca. 1745–1797
Muscipula
1786
Charles F. Tunnicliffe The Bull
Print made by Charles F. Tunnicliffe, 1901–1979
The Bull
undated
Peter P. Benazech For Japanning, Plate 1
Print made by Peter P. Benazech, 1767–1794
For Japanning, Plate 1
1757
William Bernard Cooke Crowhurst, Sussex
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1819
Edward Julius Detmold At the Edge of the Lotus Pond
Print made by Edward Julius Detmold, 1883–1957
At the Edge of the Lotus Pond
ca. 1921
Sir Francis Seymour Haden Wareham Bridge
Sir Francis Seymour Haden, 1818–1910
Wareham Bridge
1877
Sir Francis Seymour Haden Dusty Millers
Sir Francis Seymour Haden, 1818–1910
Dusty Millers
1877
William Bernard Cooke Crowhurst, Sussex
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816 to 1820
William Bernard Cooke Crowhurst, Sussex
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
Samuel Rawle Raby Castle, County of Durham
Print made by Samuel Rawle, 1771–1860
Raby Castle, County of Durham
1820
John Scott Aske Hall
Print made by John Scott, 1774–1828
Aske Hall
1818-1823
Peter P. Benazech For Japanning, Plate 3
Print made by Peter P. Benazech, 1767–1794
For Japanning, Plate 3
1757
Peter P. Benazech For Japanning, Plate 4
Print made by Peter P. Benazech, 1767–1794
For Japanning, Plate 4
1757
Peter P. Benazech For Japanning, Plate 6
Print made by Peter P. Benazech, 1767–1794
For Japanning, Plate 6
1757
Peter P. Benazech For Japanning, Plate 2
Print made by Peter P. Benazech, 1767–1794
For Japanning, Plate 2
1757
William Strang Without Benefit of Clergy
Print made by William Strang, 1859–1921
Without Benefit of Clergy
1900