Materials & Techniques: etching (printing process) / Genre: genre subject / Width [cm]: 36

1. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 x 14 5/16 inches (27.3 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

2. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 14 3/16 inches (23.1 x 36.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

3. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 1/16 inches (26.1 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

4. The Cypress Grove

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: between 1880 and 1883
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 14 1/8 inches (25.7 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

5. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1819
Materials & Techniques:: Etching and mezzotint, printed in brown ink, with graphite; touched engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 × 14 inches (27.6 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Evening

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/16 x 17 3/16 inches (33.8 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Moon-Light

Creator:: Print made by John Browne, 1741–1801
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/16 x 17 1/16 inches (33.2 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 x 16 5/16 inches (27.1 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Extravaganza's of 1827

Creator:: Print made by Henry Heath, active 1824–1835
Date:: 1827
Materials & Techniques:: Etching, hand-colored on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 x 15 11/16 inches (28 x 39.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 7/16 x 16 1/8 inches (29 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Cottagers

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1794
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 × 16 1/4 inches (53.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12. The Infant Academy

Creator:: Print made by Francis Haward, 1759–1797
Date:: 1783
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/4 × 22 3/4 inches (42.5 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

13. Fiesta Mallorquina

Creator:: Print made by John Copley, 1875–1950
Date:: 1932
Materials & Techniques:: Etching with gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 3/16 inches (26.1 x 36.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

14. Jaipur Evening No. 2

Creator:: Print made by Ernest Stephen Lumsden, 1883–1948
Date:: 1913
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 1/4 inches (28.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

15. The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 14 1/16 inches (24.5 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Dray Horses

Creator:: Print made by Charles F. Tunnicliffe, 1901–1979
Date:: undated
Materials & Techniques:: Etching on laid paper
Dimensions:: Plate: 8 3/4 × 12 inches (22.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Isabelle Hollister Tuttle for the Emerson Tuttle Memorial Collection

17. The Preacher

Creator:: Print made by Ernest Stephen Lumsden, 1883–1948
Date:: 1921
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/4 × 16 inches (28.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

18. The Deserted Palace

Creator:: Print made by James McBey, 1883–1959
Date:: 1925
Materials & Techniques:: Etching on medium, slightly textured, blued white laid paper
Dimensions:: Sheet: 9 1/8 × 14 inches (23.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

19. More Park, near Watford, on the River Colne

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint and etching; second state on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Sieve Mender

Creator:: Print made by William Strang, 1859–1921
Date:: 1884
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/4 × 22 inches (36.2 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

21. Smith's Yard at Etang

Creator:: Print made by Philip Gilbert Hamerton, 1834–1894
Date:: 1876
Materials & Techniques:: Drypoint and etching on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/4 x 14 5/16 inches (26 x 36.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

22. Ramparts of Ypres

Creator:: Print made by William Strang, 1859–1921
Date:: 1898
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 6 3/8 × 14 inches (16.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

23. Meal Time

Creator:: Print made by William Strang, 1859–1921
Date:: 1883
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

24. Ivy Bridge, Devonshire

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1816
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 20 1/2 inches (35.6 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. George Fox Preaching at Carlisle

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1897 and 1912
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 7/16 x 14 1/16 inches (29 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

26. One Tree Hill Greenwich Park

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1811
Materials & Techniques:: Etching with watercolor on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 10 3/16 x 14 3/16 in. (25.8 x 36.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

27. Rainy Day at Cookham

Creator:: Print made by Ernest Stamp, 1869–1942
Date:: 1894
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Image: 4 3/4 × 10 inches (12.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

28. Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1745
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 x 19 3/4 inches (39.7 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

29. For Japanning, Plate 6

Creator:: Print made by Peter P. Benazech, 1767–1794
Date:: 1757
Materials & Techniques:: Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 7/8 × 10 7/8 inches (17.5 × 27.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1745
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 x 18 3/4 inches (37.4 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

31. Turnips and Carrots

Creator:: Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Etching and aquatint; proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 14 1/4 inches (46.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Finding things not exactly what he expected - Plate 2

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 15/16 x 14 inches (25.3 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Waiting Room at the Admiralty--.(No misnomer) - Plate 6

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Frontispiece: The Progress of a Midshipman

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/2 x 11 3/8in. (21.6 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1745
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/8 x 21 1/4 inches (39 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

37. Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Black Lion Wharf

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: 1859
Materials & Techniques:: Etching and drypoint on thin, slightly textured, beige China paper
Dimensions:: Sheet: 9 1/8 × 14 inches (23.1 × 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

39. Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1745
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 21 5/16 inches (39.3 x 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

40. Jaipur, Morning

Creator:: Print made by Ernest Stephen Lumsden, 1883–1948
Date:: 1913
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 14 1/8 inches (27.9 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

41. Clare Hall

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1814
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 14 1/16 inches (29.2 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Rosamund and the Fair Annett

Creator:: William Dickinson, 1746–1823
Date:: 1784
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 14 3/16 inches (40.7 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Nursemaids on the Piazza, Venice

Creator:: Sir William Russell Flint, 1880–1969
Date:: 1929
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 17 13/16 inches (32.2 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

44. Two Bunches a Penny Primroses, Two Bunches a Penny

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1793
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper.
Dimensions:: Sheet: 15 3/4 × 11 1/2 inches (40 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Doris M. Brixey

45. The Hilltop

Creator:: William Lee Hankey, 1869–1952
Date:: 1912
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 5/8 x 14 5/16 inches (29.6 x 36.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

46. Awake

Creator:: William Lee Hankey, 1869–1952
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 13/16 x 14 1/16 inches (32.5 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

47. George, Earl of Egremont

Creator:: Print made by John Samuel Agar, ca. 1773–1858
Date:: 1810
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 14 inches (43.8 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

YCBA Collections Search

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Search Constraints

Materials & Techniques etching (printing process)

Genre genre subject

Width [cm] 36

Search Results

1. The Rising Moon

2. The Bellman

3. The Lonely Tower

4. The Cypress Grove

5. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

6. Evening

7. Moon-Light

8. Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

9. Extravaganza's of 1827

10. Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

11. The Cottagers

12. The Infant Academy

13. Fiesta Mallorquina

14. Jaipur Evening No. 2

15. The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

16. Dray Horses

17. The Preacher

18. The Deserted Palace

19. More Park, near Watford, on the River Colne

20. The Sieve Mender

21. Smith's Yard at Etang

22. Ramparts of Ypres

23. Meal Time

24. Ivy Bridge, Devonshire

25. George Fox Preaching at Carlisle

26. One Tree Hill Greenwich Park

27. Rainy Day at Cookham

28. Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

29. For Japanning, Plate 6

30. Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

31. Turnips and Carrots

32. Finding things not exactly what he expected - Plate 2

33. Waiting Room at the Admiralty--.(No misnomer) - Plate 6

34. Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7

35. Frontispiece: The Progress of a Midshipman

36. The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

37. Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

38. Black Lion Wharf

39. Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

40. Jaipur, Morning

41. Clare Hall

42. Rosamund and the Fair Annett

43. Nursemaids on the Piazza, Venice

44. Two Bunches a Penny Primroses, Two Bunches a Penny

45. The Hilltop

46. Awake

47. George, Earl of Egremont