Materials & Techniques: etching (printing process) / Genre: genre subject / Subject Terms: trees

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881

Christmas

1850

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881

The Herdsman's Cottage

1850

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881

The Cypress Grove

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Print made by George Stubbs, 1724–1806

Labourers

1789

Print made by Samuel Palmer, 1805–1881

Christmas

1877

Print made by Samuel Palmer, 1805–1881

Christmas

1850

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

The Skylark

1850

Print made by Samuel Palmer, 1805–1881

The Skylark

1850

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881

The Skylark

1850

Print made by Samuel Palmer, 1805–1881

Christmas

1850

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

1874

Etched by Joseph Mallord William Turner, 1775–1851

The Straw Yard

1808

Etched by Joseph Mallord William Turner, 1775–1851

The Hindoo Worshipper

1811

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

Etched by Joseph Mallord William Turner, 1775–1851

The Hindoo Worshipper

1811

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

Etched by Joseph Mallord William Turner, 1775–1851

Juvenile Tricks

1811

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801

After Sun-Set

ca. 1797

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by Agostino Brunias, 1728–1796

The West India Washer-Women

1779

Print made by James Bretherton, ca. 1730–1806

Inimitable Mr. James Moss

1773

Print made by John Browne, 1741–1801

Morning

ca. 1797

Print made by James Bretherton, ca. 1730–1806

Man with a Walking Stick in a Landscape

1773

Print made by Charles Bretherton, ca. 1760–1783

Postiglione Inglese

1772

Print made by John Crome, 1768–1821

Front of the New Mills

1813

Print made by John Crome, 1768–1821

Back of the New Mills, Norwich

1812

Print made by Thomas Creswick, 1811–1869

The Blacksmith's Shop

1838

Etched by Thomas Gainsborough, 1727–1788

The Gipsies

1764

Print made by François M. la Cave, active 1726–1766

The Foundlings

undated

Print made by Paul Angier, active 1749

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

Print made by Robert Sargent Austin, 1895–1973

Springtime at Fulham

1921

Print made by Robert Sargent Austin, 1895–1973

Early Spring, Gloucestershire

1922

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Print made by unknown artist

A View of Several Palaces at Naples at Sun Rise

undated

Print made by Jean B. C. Chatelain, 1710–1771

Classical Landscape with Travellers, a Dog and House on the left

1741

Myles Birket Foster, 1825–1899

An Old English Mill

undated

Print made by David Allan, 1744–1796

Peggy Advocates a Sweetheart

1808

Print made by David Allan, 1744–1796

Glaud and Symon

1808

Print made by David Allan, 1744–1796

Jenny and Roger

1808

Print made by David Allan, 1744–1796

Madge and Bauldy

1808

Print made by Francesco Bartolozzi, 1728–1815

Noon

undated

Print made by Francesco Bartolozzi, 1728–1815

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Concert of Ancient Vocal and Instrumental Music

1786

James Fittler, 1758–1835

Mail Coach

ca. 1787

Jean B. C. Chatelain, 1710–1771

View with a Cart and Figures in a Wooded Landscape

undated

Print made by J. Sands, active ca. 1840

Entrance to the Valley of the Dhoon

1840

Print made by unknown artist

Hunting Scene in India

undated

Print made by Sir Muirhead Bone, 1876–1953

Entrance from the Piazza

1901

Print made by George Cruikshank, 1792–1878

Adams's Visit to Parson Trulliber

ca. 1831

Print made by David Allan, 1744–1796

Patie Rebukes Roger

1808

Print made by David Allan, 1744–1796

Patie and Peggy

1808

Robert Havell, 1769–1832

Crofton

1813

Robert Havell, 1769–1832

Crofton

1813

Print made by Sir David Young Cameron, 1865–1945

Dunvalanree

1910

Print made by unknown artist

A View of the Royal Palace at Naples

undated

Print made by unknown artist

Spanish Palace at Naples

undated

Print made by unknown artist

A View of Part of the Royal Gardens at Naples Towards the Sea

undated

Print made by unknown artist

A View of the Sea from the Palace of the Vice Roy at Naples

undated

Print made by David Allan, 1744–1796

Peggy and Patie

1808

Print made by Francesco Bartolozzi, 1728–1815

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745