Materials & Techniques: etching (printing process) / Genre: genre subject / Subject Terms: women

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

Etched by Joseph Mallord William Turner, 1775–1851

The Woman and Tambourine

1807

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by Agostino Brunias, 1728–1796

The West India Washer-Women

1779

Print made by John Sell Cotman, 1782–1842

Column at Yarmouth to the Memory of Lord Nelson

1817

Print made by Paul Angier, active 1749

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

Print made by Robert Sargent Austin, 1895–1973

Salus Infirmorum

1922

Print made by Robert Sargent Austin, 1895–1973

Women at Prayer

1936

Print made by Sir Muirhead Bone, 1876–1953

A Spanish Good Friday

1925

Print made by Stanley Anderson, 1884–1966

Horse Guards

1911

Print made by Robert Sargent Austin, 1895–1973

Early Spring, Gloucestershire

1922

Print made by Robert Bryden, 1865–1939

Auld Brig, Ayr

1904

Print made by Francesco Bartolozzi, 1728–1815

A Lecture on Gadding

1789

Print made by Robert Spence, 1871–1964

George Fox Talks to the People About Dreams

between 1890 and 1911

John Goldar, 1729–1795

The Sacrifice

1767

John Goldar, 1729–1795

The Refusal

1768

Print made by Robert Spence, 1871–1964

George Fox and the Dead Cromwell

between 1897 and 1898

Print made by Francesco Bartolozzi, 1728–1815

Evening

undated

Print made by David Allan, 1744–1796

Peggy Advocates a Sweetheart

1808

Print made by David Allan, 1744–1796

Sir William Worthy and Patie

1808

Print made by David Allan, 1744–1796

Madge and Bauldy

1808

Print made by David Allan, 1744–1796

Sir William Worthy's Blessing

1808

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by Francesco Bartolozzi, 1728–1815

Noon

undated

Print made by Francesco Bartolozzi, 1728–1815

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Concert of Ancient Vocal and Instrumental Music

1786

Print made by Sir Muirhead Bone, 1876–1953

Entrance from the Piazza

1901

Print made by Sir Muirhead Bone, 1876–1953

Ireland and Russia

1901

Print made by Sir Muirhead Bone, 1876–1953

The Art Gallery

1901

Print made by James McNeill Whistler, 1834–1903

Ryde Pier

1887

James Pollard, 1792–1867

Cottager's Hospitality to Travellers of The Coach Broke Down

1819

Print made by George Cruikshank, 1792–1878

Blear-Eyed Moll

ca. 1832

Print made by George Cruikshank, 1792–1878

Jack Sheppard Tricking Shotbolt, the Gaoler

1839

Print made by George Cruikshank, 1792–1878

Capricornus - A Caper- o' - corns

undated

Print made by David Allan, 1744–1796

Glaud and Peggy

1808

Print made by George Cruikshank, 1792–1878

The First Step

undated

Print made by unknown artist

A View of the Royal Palace at Naples

undated

Print made by unknown artist

A View of the Piazza Navona in the City of Rome

undated

Print made by unknown artist

A View of the Piazza del Popolo in the City of Rome

undated

Print made by unknown artist

Spanish Palace at Naples

undated

Print made by unknown artist

A View of Part of the Royal Gardens at Naples Towards the Sea

undated

Engraved by Robert Pollard, 1755–1838

View of Queen Square

1789

Print made by David Allan, 1744–1796

Peggy and Patie

1808

Print made by Francesco Bartolozzi, 1728–1815

Ticket to a Concert of Ancient Vocal and Instrumental Music

1786

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Print made by George Cruikshank, 1792–1878

Virgo - Unmatched Enjoyment

undated

Print made by George Cruikshank, 1792–1878

Lismahago's Retaliation

undated

Print made by George Cruikshank, 1792–1878

Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!

1819

Print made by Robert Havell, 1769–1832

View of the Front of the New Public Buildings, Guildford

1819

Print made by Robert Spence, 1871–1964

George Fox Preaching at Carlisle

between 1897 and 1912

Print made by Robert Sargent Austin, 1895–1973

Italian Fair

1923

Print made by Robert Sargent Austin, 1895–1973

Wood Carriers

1932

Print made by Sir Muirhead Bone, 1876–1953

The Fishmarket, Venice, No. 2

1912

Hedley Fitton, 1859–1929

St. Bartholomew's Gateway

undated

Robert Charles Goff, 1837–1922

Coffee House and Mosque Entrance, Cairo

undated

Sir William Russell Flint, 1880–1969

Bagno della Marchese

1930

Sir William Russell Flint, 1880–1969

Gypsy Chorus, Granada

1931

Print made by Andrew Fairbairn Affleck, 1874/7–1936

Porta della Carta

undated

Print made by Andrew Fairbairn Affleck, 1874/7–1936

The Rialto

undated

Print made by Robert Sargent Austin, 1895–1973

Women at Prayer

1936

Print made by Robert Sargent Austin, 1895–1973

Four Friends

1947

Print made by Sir Muirhead Bone, 1876–1953

Glasgow Exhibition: Ireland and Russia

1901

Print made by Sir Muirhead Bone, 1876–1953

Glasgow Exhibition: From the Dome

1901

Print made by George Cruikshank, 1792–1878

The Triumph of Cupid: A Reverie

undated

Print made by Pieter van den Berge, active 1689–1737

Girls Singing

undated

John Hill, 1770–1850

Dining Hall, Asylum

1808

Print made by John Bluck, active 1791–1831

Saint Stephen's, Walbrook

1809

John Hill, 1770–1850

Pass-Room Bridewell

1808

Print made by George Arnald, 1763–1841

Choquer

1821

Print made by Johann Jacobus Haid, 1704–1767

Vie debauche de l'Enfant Prodigue

undated

Print made by George Cruikshank, 1792–1878

Monstrosities of 1822 - Pt. 5

1835

Print made by Isaac Cruikshank, 1764–1811

Washing the Blackamoor

1795

Print made by George Cruikshank, 1792–1878

Traveling in France -or, -Le départ de la diligence

1818

Print made by George Cruikshank, 1792–1878

Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess

1835

Robert Dighton, 1752–1814

A Lesson Westward - or A Morning Visit to Betsy Cole

1782

Print made by Edward Radclyffe, 1809–1863

Peat-Gatherers

undated

Print made by Lydia Bates, active 1784

Little Missenden Church from the Southeast

1784

Print made by Lydia Bates, active 1784

A Choral Band

ca. 1777

Print made by George Arnald, 1763–1841

Choquer

1821

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

Print made by George Arnald, 1763–1841

Meuse and Sambre, from the Gate of the Sambre

1822

Print made by George Arnald, 1763–1841

Dinant, No. 1: Southwest View

between 1818 and 1828

Print made by George Arnald, 1763–1841

Dinant, No. 1: Southwest View

between 1818 and 1828

Print made by John Robert Cozens, 1752–1797

Bath: The Circus

1773

Print made by James Bretherton, ca. 1730–1806

The Slumbers of Ragotin Interrupted

1773

Print made by Samuel David Colkett, 1806–1863

The Gipsy Encampment

1830

Print made by James Caldwall, 1739–1819

The Cotillion Dance

1771

Print made by John Boydell, 1720–1804

A View of Erith, Looking Up the Thames

1750

Print made by Agostino Brunias, 1728–1796

The Barbadoes Mulatto Girl

1779

Print made by Agostino Brunias, 1728–1796

Free Natives of Dominica

1780

Print made by Agostino Brunias, 1728–1796

A Negroes Dance in the Island of Dominica

1779

Print made by John Bruce, fl. 1826

Chain Pier at Brighton

ca. 1830

Print made by Henry William Bunbury, 1750–1811

The Judgement of Paris

1771

Print made by Thomas Creswick, 1811–1869

The Terrace

ca. 1844

Print made by Bradshaw & Blacklock, active ca.1850

Double Hairpin Set

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Eight colour prints

after 1850

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Materials & Techniques etching (printing process)

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Subject Terms women

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