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Materials & Techniques etching (printing process)

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Genre landscape

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The Sleeping Shepherd
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 x 8 9/16 inches (30 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Weary Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1858
Materials & Techniques:
Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Herdsman's Cottage
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1850
Materials & Techniques:
Etching and drypoint with chine collé, retouched with graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 8 9/16 inches (29.9 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vine
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1852
Materials & Techniques:
Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 13/16 x 9 1/4 inches (32.5 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Early Ploughman
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
begun before 1861
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 14 3/4 inches (30.2 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Vine
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1852
Materials & Techniques:
Etching and drypoint, retouched with graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 11 13/16 x 8 1/2 inches (30 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chain of Alps from Grenoble to Chamberi
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
River Wye
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Solitude
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1814
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Norham Castle on the Tweed
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; engraver's proof (g) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 16 1/2 inches (29.5 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ville de Thun, Switzerland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Source of the Arveron in the Valley of Chamouni, Savoy
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tenth Plague of Egypt
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Apuleia in Search of Apuleius
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching and mezzotint, printed in brown ink; engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dunstanborough Castle
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 16 3/4 inches (29.5 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young Anglers
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 5/8 inches (29.8 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Flint Castle, Vessels Unloading
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1807
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 17 1/4 inches (29.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mt. St. Gothard
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Drawing of the Clyde
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1809
Materials & Techniques:
Etching printed in brown ink; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 1/4 inches (29.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hind Head Hill
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Mildmay Sea-Piece
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Winchelsea, Sussex
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 3/4 inches (29.5 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bridge and Goats
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Procris and Cephalus
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sheep-Washing, Windsor
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dunstanborough Castle
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
London from Greenwich
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/2 inches (30.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in the Levant: The Sacred Cave of Archidamus
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1785
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 20 1/16 inches (29.5 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Morning

Morning
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 11/16 x 16 7/8 inches (32.2 x 42.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Evening

Evening
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 11/16 x 16 5/8 inches (32.3 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
After Sun-Set
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 16 5/8 inches (32.1 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Moon-Light
Creator:
Print made by John Browne, 1741–1801
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 16 7/16 inches (32 x 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ploughing, Eton
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1818, printed after 1851
Materials & Techniques:
Etching and mezzotint, printed in brown ink; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of a River from a Terrace, Macon
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1891
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 15 3/8 inches (30.2 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Falls of the Rhine, Schaffhausen
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 16 3/8 inches (29.8 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Pastoral
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 1/4 inches (29.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
Creator:
James Clark, 19th century
Date:
1812
Materials & Techniques:
Hand colored aquatint with etching on moderately thick, smooth, brown wove paper
Dimensions:
Sheet: 15 7/8 x 17 1/16 inches (40.3 x 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Exposition of Cyrus
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1781
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 15/16 x 15 1/4 inches (30.3 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39. Morning

Morning
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 x 21 7/8 inches (38.1 x 55.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lillebonne, Château and Tower
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Placenza

Placenza
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Glencoe

Glencoe
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"It's Auld Ailie Hersell"
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1836
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 16 1/8 inches (29.8 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Valley of the Dhoon
Creator:
Print made by W. Floyd, active 1845
Date:
1836
Materials & Techniques:
Etching and engraving; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 16 3/4 inches (30.2 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View near Jubbera
Creator:
Print made by John Cousen, 1804–1880
Date:
1836
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Snowy Range, from Tyne or Marma
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1836
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Desert
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1909
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 × 16 5/8 inches (31.4 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Sheep in Twilight
Creator:
Print made by John Copley, 1875–1950
Date:
1922
Materials & Techniques:
Etching and aquatint with gray wash on moderately thick, slightly textured, cream Asian paper
Dimensions:
Sheet: 15 3/8 x 11 7/16 inches (39 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On the Thames
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1875
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 15 5/8 inches (29.8 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crossing the Brook
Creator:
Print made by William Richardson, active 1842–1877
Date:
between 1859 and 1861
Materials & Techniques:
Etching and engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/4 × 8 7/8 inches (29.8 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Free Natives of Dominica
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1780
Materials & Techniques:
Stipple engraving and etching with hand coloring on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/8 × 8 1/4 inches (30.2 × 20.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Cudgelling Match between English and French Negroes in the Island of Dominica
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1779
Materials & Techniques:
Stipple engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 × 13 7/8 inches (29.5 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two cows and a dog in a stream, Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)
Creator:
Print made by George Bickham the Elder, 1683/4–1758
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream laid paper
Dimensions:
Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Four dogs, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)
Creator:
Print made by George Bickham the Elder, 1683/4–1758
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream laid paper
Dimensions:
Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Old Road: Elegy for the English Elm I
Creator:
Print made by Robin Tanner, 1904–1988
Date:
1976
Materials & Techniques:
Etching on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 13 x 10 3/8 inches (33 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953
Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)
Creator:
Print made by George Bickham the Elder, 1683/4–1758
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream laid paper
Dimensions:
Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. Fitzherbert
Creator:
Print made by John Condé, 1765–1794
Date:
1792
Materials & Techniques:
Stipple engraving with etched border on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 11 7/8 inches (40.6 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rain, Steam, and Speed
Creator:
Print made by Robert Brandard, 1805–1862
Date:
between 1859 and 1861
Materials & Techniques:
Etching and engraving; first state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/8 × 15 1/2 inches (29.5 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lake of Lucerne
Creator:
Print made by Robert Wallis, 1794–1878
Date:
between 1859 and 1861
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/8 × 15 1/4 inches (29.5 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Galway Peasant
Creator:
Print made by Gerald Leslie Brockhurst, 1890–1978
Date:
1920
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 9 3/16 inches (29.6 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Henry Emerson Tuttle, B.A. 1914
Kirkby Lonsdale Churchyard
Creator:
Print made by Charles Heath, 1785–1848
Date:
1821
Materials & Techniques:
Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 15 1/16 inches (30.5 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Merrick Abbey, Swaledale
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1822
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 × 17 11/16 inches (30 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Weathercote Cave when Half Filled with Water
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1821
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 17 11/16 inches (29.5 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fulham on the Thames
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1858
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 16 7/8 inches (29.9 x 42.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. M.J. Sharpe for the Richard Sharpe V, B.S. 1873, Collection
Encombe Woods, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1881-1882
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 11 11/16 x 17 inches (29.7 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield
Scarborough Castle
Creator:
Print made by Albany E. Howarth, 1872–1936
Date:
Between 1887 and 1936
Materials & Techniques:
Etching and drypoint on laid paper
Dimensions:
Sheet: 11 7/8 × 15 inches (30.2 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Coombe-Martin, Devonshire
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching and engraving on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Roman Forum, from the Tower of the Capitol
Creator:
Print made by George Cooke, 1781–1834
Date:
1818-1820
Materials & Techniques:
Etching; first etched state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 3/4 inches (30.2 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Dunwich

Dunwich
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching with chine collé; open etched state on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lago Maggiore
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1828
Materials & Techniques:
Etching with chine collé; open etched state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Virginia Water, No. 1
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Acropolis of Athens
Creator:
Print made by John Cousen, 1804–1880
Date:
1832-1834
Materials & Techniques:
Etching and engraving, with graphite, scraping out, and chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 5/16 inches (26.8 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Temple of Minerva, Cape Colonna
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
ca. 1832
Materials & Techniques:
Etching and engraving with chine collé on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 7/8 × 17 3/16 inches (30.2 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cephalonia
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and engraving; engraver's proof on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 7/8 × 17 7/16 inches (30.2 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Poole, Dorsetshire
Creator:
Print made by George Cooke, 1781–1834
Date:
1814-1826
Materials & Techniques:
Etching; 1st state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 16 11/16 inches (29.8 × 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Land's End, Cornwall
Creator:
Print made by George Cooke, 1781–1834
Date:
1814-1826
Materials & Techniques:
Etching on thick, rough, cream wove paper
Dimensions:
Sheet: 11 13/16 × 17 1/2 inches (30 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lulworth Cove, Dorset
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1812
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lulworth Cove, Dorset
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1811-1812
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Falmouth, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching and engraving; engraver's proof (a) on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 11/16 × 17 1/2 inches (29.7 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tintagel Castle, Cornwall
Creator:
Print made by George Cooke, 1781–1834
Date:
1814-1826
Materials & Techniques:
Etching; open etched state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 11/16 × 17 1/4 inches (29.7 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridport, Dorsetshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tintagel Castle, Cornwall
Creator:
Print made by George Cooke, 1781–1834
Date:
1818
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 7/16 inches (30.2 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Torbay from Brixham
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1821
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lulworth Castle, Dorsetshire
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Margate, Kent
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1822
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Margate, Kent
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1823
Materials & Techniques:
Etching and engraving with chine-collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Margate, Kent
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1823
Materials & Techniques:
Etching and engraving; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Clovelly Bay and Lundy Island
Creator:
Print made by William Miller, 1796–1882
Date:
1824
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 5/8 inches (29.5 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Clovelly Bay and Lundy Island
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coombe-Martin, Devonshire
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (4) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hythe, Kent
Creator:
Print made by George Cooke, 1781–1834
Date:
1824
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coombe-Martin, Devonshire
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portsmouth, Hampshire
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching and engraving with graphite; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portsmouth, Hampshire
Creator:
Print made by William Miller, 1796–1882
Date:
1825
Materials & Techniques:
Etching and engraving, with graphite and chine collé; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Boscastle, Cornwall
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1814 to 1826
Materials & Techniques:
Etching and engraving with graphite; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Spot where Harold Fell
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816 to 1820
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crowhurst, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 14 7/8 inches (30.2 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bodiham Castle, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 14 1/4 inches (29.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridge at Narni
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1819
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 16 inches (29.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridge at Narni
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1818-1820
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 7/16 inches (29.8 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection