Materials & Techniques: etching (printing process) / Genre: literary theme / Subject Terms: trees - YCBA Collections Search Search Results

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Materials & Techniques etching (printing process)

Genre literary theme

Subject Terms trees

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Samuel Palmer The Cypress Grove

Print made by Samuel Palmer, 1805–1881

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Samuel Palmer The Lonely Tower

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Samuel Palmer The Sleeping Shepherd

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Samuel Palmer The Lonely Tower

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881

The Sepulchre

between 1880 and 1883

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881

Opening the Fold

plate etched in 1880; impression printed in 1920

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881

Opening the Fold

plate etched in 1880; impression printed in 1926

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

ca. 1797

William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

ca. 1797

William Blake My Son! My Son!; Plate 10

Print made by William Blake, 1757–1827

My Son! My Son!; Plate 10

1793

William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

ca. 1797

William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

1797

William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 4, "Water"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Henry William Bunbury The Siege of Namur

Print made by Henry William Bunbury, 1750–1811

The Siege of Namur

between 1773 and 1817

Henry William Bunbury Overthrow of Dr. Slop

Print made by Henry William Bunbury, 1750–1811

Overthrow of Dr. Slop

between 1773 and 1817

Francesco Bartolozzi Ticket: Anacreontic Society Meeting

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1773

Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

undated

Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

undated

Henry Thomas Alken An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

Henry Thomas Alken, 1785–1851

An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

1842

George Cruikshank Jack Sheppard's Escape from the Cage at Willesden

Print made by George Cruikshank, 1792–1878

Jack Sheppard's Escape from the Cage at Willesden

1839

Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

undated

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Cornelis Apostool Here Nature List'ning Stood

Print made by Cornelis Apostool, 1762–1844

Here Nature List'ning Stood

1795

James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II

Print made by James H. Baker, born 1829

Come Gentle Night: "Romeo and Juliet," Act III, Scene II

between 1839 and 1849

Henry William Bunbury Pistol eating Fluellen's Leak - "Henry V"

Print made by Henry William Bunbury, 1750–1811

Pistol eating Fluellen's Leak - "Henry V"

between 1811 and 1815

John Dean Miss Crockatt as Julia de Roubigné

Print made by John Dean, 1754–1798

Miss Crockatt as Julia de Roubigné

1786

Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

Robert Thew, 1758–1802

As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

1803

William Woollett Dido and Aeneas

William Woollett, 1735–1785

Dido and Aeneas

1787

Francesco Bartolozzi Ticket: Anacreontic Society Meeting

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1779