Materials & Techniques: etching (printing process) / Genre: marine art / Height [cm]: 24

Etched by Joseph Mallord William Turner, 1775–1851

Marine Dabblers

1811

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Inverary Pier, Loch Fyne, Morning

1811

Print made by Sir Frank Short, 1857–1945

Shipping at the Entrance of the Medway, No. 2

1896

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814 to 1826

Print made by George Cooke, 1781–1834

Brighton

1814 to 1826

Print made by George Cooke, 1781–1834

Brighton

1825

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1825

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1814 to 1826

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1826

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1825

Print made by George Cooke, 1781–1834

Naples, from the Mole

1820

Print made by Edward Goodall, 1795–1870

The Lake of Geneva

1829

Sir David Young Cameron, 1865–1945

Ponte Vecchio [North Italian Set: No. 21]

1895

Sir David Young Cameron, 1865–1945

The Palace Doorway [North Italian Set: No. 22]

1895

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814-1826

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814-1826

Print made by Edward Goodall, 1795–1870

Rye, Sussex

1814 to 1826

Print made by Edward Goodall, 1795–1870

Rye, Sussex

1814 to 1826

Print made by Robert Wallis, 1794–1878

Ramsgate

1814 to 1826

Print made by William Miller, 1796–1882

Bass Rock

1826

Print made by John Horsburgh, 1791–1869

Bell Rock Lighthouse

1824

Print made by William Miller, 1796–1882

Bass Rock

1826

Print made by William Bernard Cooke, 1778–1855

Weymouth, Dorset

1813

Print made by William Bernard Cooke, 1778–1855

Plymouth, with Mount Batten

1817

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814-1826

Print made by William Radclyffe, 1780–1855

Deal, Kent

1826

Print made by George Cooke, 1781–1834

Brighton

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

Plymouth Sound

1821

Print made by George Hollis, 1792–1842

Rome; Bridge and Castle of St. Angelo on the Tyber

1818

Print made by Edward Goodall, 1795–1870

The Lake of Geneva

1830

Print made by Edward Goodall, 1795–1870

The Lake of Geneva

1830

Print made by William Miller, 1796–1882

Windsor Castle

1831

Print made by J. Carwitham, active 1720–1740

An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore..

1778

Print made by W. R. Smith, active 1819–1851

Tynemouth, Northumberland

1831

Print made by unknown artist

A View of Part of the Royal Gardens at Naples Towards the Sea

undated

Print made by unknown artist

A View of the Sea from the Palace of the Vice Roy at Naples

undated

Sir Francis Seymour Haden, 1818–1910

Marshes opposite Erith

1865

Print made by George Cooke, 1781–1834

Brighthelmstone, Sussex

1825

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Thomas Jeavons, ca. 1800–1867

Lyme Regis, Norfolk

1836

Print made by William Radclyffe, 1780–1855

Caernarvon Castle, Wales

1835

Print made by John Bluck, active 1791–1831

West India Docks

1810

Print made by Edward Radclyffe, 1809–1863

Calais Pier

after 1832

Print made by Edward Goodall, 1795–1870

The Lake of Geneva

1830

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by William Miller, 1796–1882

Wreck off Hastings

1875

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by W. R. Smith, active 1819–1851

Tynemouth, Northumberland

1831

Print made by Robert Brandard, 1805–1862

Gosport, Entrance to Portsmouth Harbor

1831

Print made by Edward Goodall, 1795–1870

Aldborough, Suffolk

1827

Print made by Robert Brandard, 1805–1862

Orford, Suffolk

1827

Print made by William Miller, 1796–1882

The Prince of Orange Landing at Torbay

between 1859 and 1861

Print made by Robert Brandard, 1805–1862

Snowstorm

between 1859 and 1861

Print made by Robert Brandard, 1805–1862

Whalers

between 1859 and 1861

Print made by James Caldwall, 1739–1819

Ham Court, the Seat of John Martin, Esq

undated

Print made by Wilfred Williams Ball, 1853–1917

Venice from the Lagoon

undated

Print made by Ernest Stephen Lumsden, 1883–1948

The Preacher

1921

Print made by James Charles Armytage, 1802–1897

Dutch Boats in a Gale

between 1859 and 1861

Print made by John Cousen, 1804–1880

Fishing Boats, a Coast Scene

between 1859 and 1861

Print made by William Miller, 1796–1882

Spithead

between 1859 and 1861

Print made by Edward Goodall, 1795–1870

Ulysses Deriding Polyphemus

between 1859 and 1861

Print made by Robert Brandard, 1805–1862

Vessel in Distress of Yarmouth

between 1859 and 1861

Print made by Sir Frank Short, 1857–1945

Shipping By A Breakwater

1889

$William Chapman Ilfracombe$

Print made by William Chapman, 1817–1879

Ilfracombe

between 1853 and 1874

Print made by Sir Frank Short, 1857–1945

Entrance to the Meuse: Orange Merchant on the Bar Going to Pieces

1889

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Materials & Techniques etching (printing process)

Genre marine art

Height [cm] 24

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Materials & Techniques etching (printing process)

Genre marine art

Height [cm] 24

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