Materials & Techniques: etching (printing process) / Associated Places: Durham / Width [cm]: 27

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Materials & Techniques etching (printing process)

Associated Places Durham

Width [cm] 27

Print made by John Landseer, 1769–1852

Fall of the Tees

1818-1823

Print made by John Landseer, 1769–1852

Fall of the Tees

1821

Print made by John Landseer, 1769–1852

Fall of the Tees

1821

Print made by John Landseer, 1769–1852

Fall of the Tees

1818-1823

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1819

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by Samuel Rawle, 1771–1860

Brignall Church

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1823

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by Samuel Middiman, ca. 1750–1831

Junction of the Greta and Tees at Rokeby

1819

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1823

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

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