Materials & Techniques: etching (printing process) / Associated Places: Europe / Width [cm]: 24

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Charles Grignion, 1717–1810

A French Petit Maître and His Valet

1771

Print made by James Caldwall, 1739–1819

A French Physician with His Retinue Going to Visit His Patients

1771

Sir Francis Seymour Haden, 1818–1910

Egham

1859

Print made by Robert Dighton, 1752–1814

Hamlet in Scotland

1794

Print made by John Bogle, 1746–1804

Night Watchman

1776

Print made by Austin, Robert, 1895-1973, 1895–1973

The Capitol, Rome

1923

Print made by Sir David Young Cameron, 1865–1945

The Rialto

1900

Print made by Sir David Young Cameron, 1865–1945

St. Mark's No. 2

1900

Print made by Sir David Young Cameron, 1865–1945

Notre Dame, Dinant [Belgian Set: No. 8]

1907

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

1813

Thomas Higham, 1796–1844

Red-Scar, the Residence of William Cross, Esquire

1832

Sir Francis Seymour Haden, 1818–1910

Cowdray

1882

Print made by William Bernard Cooke, 1778–1855

The Mew Stone at the Entrance of Plymouth Sound

1815

Sir Francis Seymour Haden, 1818–1910

Egham

1859

Sir Francis Seymour Haden, 1818–1910

Egham Lock

after 1858

Sir Francis Seymour Haden, 1818–1910

Brentford Ferry

1864

Print made by Sir Francis Seymour Haden, 1818–1910

Hampton Court

1864

Sir Francis Seymour Haden, 1818–1910

By Twickenham

1865

Print made by John Landseer, 1769–1852

Cascade of Terni

1819

Print made by Austin, Robert, 1895-1973, 1895–1973

Still Life, Perugia

1933

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1814

Print made by William Bernard Cooke, 1778–1855

The Mew Stone at the Entrance of Plymouth Sound

1815

Print made by William Bernard Cooke, 1778–1855

Falmouth, Cornwall

1815

Print made by William Bernard Cooke, 1778–1855

Falmouth, Cornwall

1815

Print made by William Bernard Cooke, 1778–1855

Plymouth Dock from Mount Edgecumbe

1816

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by William Bernard Cooke, 1778–1855

Falmouth, Cornwall

1816

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by William Bernard Cooke, 1778–1855

Plymouth from Mount Batten

1817

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814 to 1826

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814 to 1826

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814-1826

Print made by William Bernard Cooke, 1778–1855

Plymouth Dock from Mount Edgecumbe

1816

Print made by George Cooke, 1781–1834

Pendennis Castle, and Entrance of Falmouth Harbour

1814-1826

Print made by William Bernard Cooke, 1778–1855

East and West Looe, Cornwall

1818

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855

Ilfracombe, North Devon

1818

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855

Ilfracombe, North Devon

1818

Print made by William Bernard Cooke, 1778–1855

East and West Looe, Cornwall

1818

Print made by George Cooke, 1781–1834

Watchet, Somersetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855

Bridport, Dorsetshire

1820

Print made by William Bernard Cooke, 1778–1855

Bridport, Dorsetshire

1820

Print made by George Cooke, 1781–1834

Watchet, Somersetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1821

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1822

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1823

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1822

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1822

Print made by Edward Goodall, 1795–1870

Rye, Sussex

1814 to 1826

Print made by Edward Goodall, 1795–1870

Rye, Sussex

1814 to 1826

Print made by Robert Wallis, 1794–1878

Ramsgate, Kent

1814 to 1826

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by Robert Wallis, 1794–1878

Ramsgate, Kent

1814 to 1826

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Miller, 1796–1882

Portsmouth, Hampshire

1814 to 1826

Print made by William Miller, 1796–1882

Portsmouth, Hampshire

1825

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814-1826

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814 to 1826

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814 to 1826

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1826

Print made by George Cooke, 1781–1834

Brighton

1825

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1814 to 1826

Print made by William Radclyffe, 1780–1855

Deal, Kent

1826

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1825

Print made by Edward Goodall, 1795–1870

Mount Edgecomb, Devonshire

1814 to 1826

Print made by George Cooke, 1781–1834

Brighton

1814 to 1826

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1825

Print made by John Landseer, 1769–1852

Cascade of Terni

1818-1820

Thomas Girtin On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

after Thomas Girtin, 1775–1802

On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

1803

Print made by Robert Spence, 1871–1964

George Fox in the Garden of Dr. Craddock at Coventry

between 1890 and 1911

Lucien Marcelin Gautier, 1850–1925

Venetian Canal

ca. 1880

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

1813

Robert Havell, 1769–1832

Crofton

1813

Robert Havell, 1769–1832

Crofton

1813

Print made by Thomas Dale, active ca. 1921

Interior of the Chapel of the Holy Trinity

1825

Paul Fourdrinier, 1698–1758

A Plan for the Bank of England Designed by Theodore Jacobsen, Esqr

undated

Hedley Fitton, 1859–1929

Juliet House

undated

William Lee Hankey, 1869–1952

On the Sussex Downs

1916

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Materials & Techniques etching (printing process)

Associated Places Europe

Width [cm] 24

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Width [cm] 24

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