Materials & Techniques: etching (printing process) / Image Available: Unavailable / Subject Terms: hills

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Materials & Techniques etching (printing process)

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Subject Terms hills

Print made by Samuel Palmer, 1805–1881

Opening the Fold

plate etched in 1880; impression printed in 1920

Print made by Samuel Palmer, 1805–1881

Opening the Fold

plate etched in 1880; impression printed in 1926

Print made by Samuel Palmer, 1805–1881

The Skylark

1850

Print made by Samuel Palmer, 1805–1881

The Skylark

1850

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881

The Skylark

1850

Print made by John Crome, 1768–1821

Composition: Sandy Road through Woodland

1813

Print made by Frederick Bacon, 1803–1887

Thomas Bewick

1852

Print made by Frederick A. Farrell, 1882–1935

Garelock

undated

George Percival Gaskell, 1868–1934

Sunset, St. Albans

undated

George Percival Gaskell, 1868–1934

Lake Lugano

undated

Joseph Gray, 1890–1962

Badenoch

undated

William Lee Hankey, 1869–1952

The End of the Day

between 1911 and 1912

Print made by Edward Julius Detmold, 1883–1957

Dawn

1923

George Percival Gaskell, 1868–1934

Forfecle

1868

Joseph Gray, 1890–1962

The Hills of Rannoch

undated

Print made by Stanley Roy Badmin, 1906–1989

Priory Pond, Stroud

1932

Print made by Stanley Roy Badmin, 1906–1989

Swinbrook Bridge

1931

Print made by William Dickinson, 1746–1823

Mary Robinson

1785

Print made by Bradshaw & Blacklock, active ca.1850

Ben Nevis

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Turkish Scenes

after 1850

Bradshaw & Blacklock, active ca.1850

Review of the Troops

after 1850

Print made by John Crome, 1768–1821

Mousehold Heath, Norwich

between 1810 and 1811

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