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Materials & Techniques etching (printing process)

Remove constraint Materials & Techniques: etching (printing process)

Creator Bartolozzi, Francesco, 1727–1815

Remove constraint Creator: Bartolozzi, Francesco, 1727–1815

Width [cm] 21

Remove constraint Width [cm]: 21

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Angelica Kauffman
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Stipple engraving, mezzotint, and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 13/16 x 10 13/16 inches (35.1 x 27.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ophelia: There Is Rue for You and Here's Some for Me
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1784
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 8 7/8 inches (28.7 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Honourable Mrs. Bingham
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
after 1786
Materials & Techniques:
Mezzotint, etching, and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 11/16 × 8 1/4 inches (27.1 × 20.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
William Cobbett
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1801
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 15/16 x 12 9/16 inches (43.1 x 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ophelia: There's Rue for You, and Here's Some for Me
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1784
Materials & Techniques:
Stipple engraving and etching on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 11 x 8 9/16 inches (27.9 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection