Materials & Techniques: etching (printing process) / Work Type: intaglio print / Width [cm]: 25

1. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint, retouched with black ink or oil paint, gray watercolor or gouache, and pale brown watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 14 7/16 inches (27.6 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 16 7/8 inches (28.4 x 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 x 12 3/16 inches (22.8 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 16 3/8 inches (27.6 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Rising Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 x 14 5/16 inches (27.3 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

8. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 14 3/4 inches (30.2 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

9. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 14 3/16 inches (23.1 x 36.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

10. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 1/16 inches (26.1 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

11. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 11/16 x 12 3/8 inches (22.1 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white gouache on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 x 9 15/16 inches (17.8 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun before 1861; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 13 1/8 inches (25.2 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1874
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 x 15 3/8 inches (28.1 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

15. The Stork and Aqueduct

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Stork and Aqueduct

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Straw Yard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink, with scraping and brown wash; touched engraver's proof (aa) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 11 1/4 inches (20.6 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Straw Yard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Bridge and Goats

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Stork and Aqueduct

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 13 inches (27.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Straw Yard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 13 inches (24.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Farm Animals

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 3/16 x 9 15/16 inches (15.7 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James A. Bergquist

23. Farm Animals

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/16 x 10 inches (16.3 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James A. Bergquist

24. A French Physician with His Retinue Going to Visit His Patients

Creator:: Print made by James Caldwall, 1739–1819
Date:: 1771
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 1/16 x 13 3/4 inches (28.1 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Mamma at Romps

Creator:: Print made by Samuel Freeman, 1773–1857
Date:: 1810
Materials & Techniques:: Colored aqutatint and stipple engraving, with etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/16 x 10 3/8 inches (34.2 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Val d'Aosta

Creator:: Print made by Alfred Dawson, active 1860–1894
Date:: 1885
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/16 x 14 1/2 inches (26.2 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

27. Ruins of the Old Bridge, Vernon

Creator:: Frederick Goulding, 1842–1909
Date:: 1879
Materials & Techniques:: Etching on moderately thick, slightly texture, beige laid paper
Dimensions:: Sheet: 5 3/8 x 10 1/4 inches (13.7 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

28. Fitting out. - Plate 1

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 13 15/16 inches (25.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Stork and Aqueduct

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Stork and Aqueduct

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 inches (31.1 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Moonlight on the Medway at Chatham

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1920
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 17 inches (31.4 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Huntsmen in a Wood

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Shields on the River Tyne

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1823
Materials & Techniques:: Mezzotint with brown ink; touched proof, Turner's copies on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 20 1/8 inches (34 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Dartmouth, on the River Dart

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1825
Materials & Techniques:: Etching, mezzotint, and drypoint; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 11 3/8 inches (21.9 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Kirkstall Abbey, on the River Aire

Creator:: Print made by James Bromley, 1801–1838
Date:: 1823 to 1827
Materials & Techniques:: Etching and soft ground etching with chine collé; etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 3/4 inches (28.3 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Lady Hamilton as The Sempstress

Creator:: Print made by Thomas Cheesman, 1760–1834/35
Date:: 1787
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 3/4 × 11 5/16 inches (37.5 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

37. Fridericus D. G., Marchio Badensis et Hachberg

Creator:: Print made by Theodore Casper von Furstenberg, ca. 1615–1675
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 15/16 x 9 13/16 inches (32.9 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

38. Lady Gertrude Fitzpatrick as Sylvia

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1791
Materials & Techniques:: Stipple engraving, aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 15/16 × 10 13/16 inches (37.9 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. Lady Elizabeth Foster

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1787
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 7/8 × 14 inches (50.5 × 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

40. Peniston, William, and Frederick James Lamb: The Affectionate Brothers

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1791
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/16 × 11 9/16 inches (43.4 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

41. William Sharp

Creator:: Print made by William Sharp, 1749–1824
Date:: 1817
Materials & Techniques:: Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 × 17 1/2 inches (54.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42. Choquer

Creator:: Print made by George Arnald, 1763–1841
Date:: 1821
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/16 × 11 inches (21.4 × 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

43. Left Bank, Meuse

Creator:: Print made by George Arnald, 1763–1841
Date:: between 1818 and 1828
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 10 7/8 inches (21.2 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

44. Choquer

Creator:: Print made by George Arnald, 1763–1841
Date:: 1821
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 11 1/8 inches (22 × 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. Left Bank, Meuse

Creator:: Print made by George Arnald, 1763–1841
Date:: between 1818 and 1828
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 11 1/4 inches (22.2 × 28.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Heyday! Is This My Daughter Anne!

Creator:: Print made by Francis E. Adams, active ca.1760–1775
Date:: 1773
Materials & Techniques:: Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 × 10 1/16 inches (35.5 × 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. Susanna and the Two Elders

Creator:: Print made by Richard Brookshaw, 1736–1804
Date:: undated
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/4 x 10 15/16 inches (37.4 x 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. Theodosius

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1780
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/16 x 9 13/16 inches (30.7 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. Reading by a Paper-Bell Shade

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1768
Materials & Techniques:: Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 7/8 x 11 1/8 inches (42.8 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. The Old Beau in an Extasy

Creator:: Print made by John Dixon, ca. 1740–1811
Date:: 1773
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 1/4 x 11 1/8 inches (38.7 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

51. Maxstoke Priory

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 7/16 x 13 3/4 inches (36.6 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Albert

Creator:: Print made by James McBey, 1883–1959
Date:: 1917
Materials & Techniques:: Etching with drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 11 1/2 inches (18.7 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

53. The Preposterous Head Dress, or the Feathered Lady

Creator:: Print made by Matthew Darly, active 1754–1778
Date:: 1776
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 17 11/16 x 10 1/2 inches (44.9 x 26.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. January

Creator:: Print made by William Nelson Gardiner, 1766–1814
Date:: 1788
Materials & Techniques:: Stipple engraving and etching, with watercolor and gouache on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 5/16 x 13 1/4 inches (41.4 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. A Woman Weeping Beside an Urn

Creator:: Print made by Angelica Kauffmann, 1741–1807
Date:: 1767
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Hope

Creator:: Print made by Angelica Kauffmann, 1741–1807
Date:: 1765
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Letter Woman

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: ca. 1769
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 10 1/8 inches (37.4 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Silenus

Creator:: Print made by Robert Blyth, 1750–1784
Date:: 1779
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper, laid on mount
Dimensions:: Sheet: 11 x 9 13/16 inches (27.9 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Silenus

Creator:: Print made by Robert Blyth, 1750–1784
Date:: 1779
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 x 9 13/16 inches (27.9 x 25 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Prince of Orange Landing at Torbay

Creator:: Print made by William Miller, 1796–1882
Date:: 1852
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 20 inches (34.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Fools; or Jesters

Creator:: Print made by John Augustus Atkinson, 1775–1831
Date:: 1813
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 x 10 1/16 inches (36.7 x 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Creator:: Print made by James Gillray, 1756–1815
Date:: 1805
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. Falstaff and his Friends

Creator:: William Greatbach, Born 1802
Date:: ca. 1868
Materials & Techniques:: Etching and stipple engraving on moderately thick, smooth, cream card
Dimensions:: Sheet: 8 7/8 × 11 inches (22.5 × 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

64. Sir Matthew Hale

Creator:: Print made by George Vertue, 1684–1756
Date:: 1735
Materials & Techniques:: Stipple engraving, line engraving, and etching on medium, slightly textured, beige laid paper
Dimensions:: Mount: 14 13/16 × 9 7/8 inches (37.6 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Mantilla

Creator:: John Henry Robinson, 1796–1871
Date:: 1838
Materials & Techniques:: Engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 1/4 × 18 inches (61.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Stork and Aqueduct

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

67. Marine Study No. 2

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1773
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 14 inches (31.8 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Marine Study No. 1

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1773
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 13 7/8 inches (31.2 x 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. How to Ride Without a Bridle

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Hand-colored etching on thick beige card
Dimensions:: Sheet: 12 1/2 x 9 5/8 inches (31.7 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Marine Study No. 4

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1773
Materials & Techniques:: Line engraving and etching on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 13 15/16 inches (31.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Marine Study No. 3

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1773
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 9/16 x 14 1/16 inches (31.9 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Love and Wind

Creator:: Print made by Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Hand-colored etching on thick beige card
Dimensions:: Sheet: 12 1/2 x 9 3/4 inches (31.8 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. A Jack in Office

Creator:: Robert Dighton, 1752–1814
Date:: 1793
Materials & Techniques:: Etching, hand-colored on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 1/16 x 9 11/16 inches (35.7 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Miss-Ann-Thropy

Creator:: Print made by Henry Heath, active 1824–1835
Date:: undated
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/8 × 9 11/16 inches (35.3 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Edmund Spenser

Creator:: George Vertue, 1684–1756
Date:: 1727
Materials & Techniques:: Stipple engraving, line engraving and etching on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 7/8 × 9 15/16 inches (37.8 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Lieutenant General Thomas Talmash

Creator:: Jacobus Houbraken, 1698–1780
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 9 15/16 inches (39.4 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Mill near the Grande Chartreuse

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1886
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 1/8 inches (31.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

78. Napoleon's Logement, Quai Conti

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834-1836
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 9 7/8 inches (30.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Norham Castle - Moonrise

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, with chine collé, graphite, white chalk, and scraping out; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 13 3/8 inches (21.9 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Dunfermline

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1836
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 9 3/4 inches (32.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Mount Moriah

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835-1836
Materials & Techniques:: Etching and engraving with chine-collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Red Sea, at Suez

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Etching and engraving with chine-collé; first published state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Nazareth

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1836
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 13 3/8 inches (25.7 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Aldborough

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching with chine collé; early engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Breaking up of the 'Great Eastern' #2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1890
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 9 7/8 inches (19.4 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. Sketch of Monnikendam in Distance

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1892
Materials & Techniques:: Etching on wove paper
Dimensions:: Sheet: 3 × 9 7/8 inches (7.6 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. The 'Lusitania' Raft on Broadstairs Pier

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1920
Materials & Techniques:: Etching on wove paper
Dimensions:: Sheet: 7 7/8 × 9 7/8 inches (20 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

88. Strolling Players at Lidd, Kent

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1907
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 6 7/8 × 9 7/8 inches (17.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. Alathea Talbot

Creator:: Print made by Wenceslaus Hollar, 1607–1677
Date:: 1646
Materials & Techniques:: Stipple engraving, etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 9 11/16 inches (38.7 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Eight Rural Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Walberswick Ferry

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1913
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 11 1/8 x 15 11/16 inches (28.2 x 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

92. Stirling Castle, No. 2

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1909
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 1/4 x 15 5/8 inches (26.1 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

93. The Solent

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1920
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 13/16 x 15 3/8 inches (25 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

94. The Main Tack

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1928
Materials & Techniques:: Etching and drypoint on thin, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 x 9 5/8 inches (38.8 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

95. The Prison Door, Concaran

Creator:: Sir William Russell Flint, 1880–1969
Date:: 1929
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 3/8 x 10 inches (34 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

96. The Abbazia, Venice

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 9 3/4 inches (35.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

97. Mother and Child I

Creator:: Print made by Henry Moore, 1898–1986
Date:: 1983
Materials & Techniques:: Color-printed etching and aquatint on moderately thick, moderately textured, white wove Arches paper
Dimensions:: Sheet: 24 3/8 × 20 1/2 inches (61.9 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Harriet Loria Popowitz

98. A Valley of the Ardennes [Belgian Set: No. 10]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 10 1/2 inches (19.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

99. The Little Devil of Florence

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching with drypoint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 9 3/4 inches (40.6 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

100. Mother and Child XXI

Creator:: Print made by Henry Moore, 1898–1986
Date:: 1983
Materials & Techniques:: Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:: Sheet: 24 3/8 × 20 1/2 inches (61.9 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

YCBA Collections Search

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Materials & Techniques etching (printing process)

Work Type intaglio print

Width [cm] 25

Search Results

1. The Rising Moon

2. The Bellman

3. The Bellman

4. The Rising Moon

5. The Rising Moon

6. The Lonely Tower

7. The Rising Moon

8. The Early Ploughman

9. The Bellman

10. The Lonely Tower

11. The Early Ploughman

12. The Early Ploughman

13. The Early Ploughman

14. The Early Ploughman

15. The Stork and Aqueduct

16. The Stork and Aqueduct

17. The Straw Yard

18. The Straw Yard

19. The Bridge and Goats

20. The Stork and Aqueduct

21. The Straw Yard

22. Farm Animals

23. Farm Animals

24. A French Physician with His Retinue Going to Visit His Patients

25. Mamma at Romps

26. Val d'Aosta

27. Ruins of the Old Bridge, Vernon

28. Fitting out. - Plate 1

29. The Stork and Aqueduct

30. The Stork and Aqueduct

31. Moonlight on the Medway at Chatham

32. Huntsmen in a Wood

33. Shields on the River Tyne

34. Dartmouth, on the River Dart

35. Kirkstall Abbey, on the River Aire

36. Lady Hamilton as The Sempstress

37. Fridericus D. G., Marchio Badensis et Hachberg

38. Lady Gertrude Fitzpatrick as Sylvia

39. Lady Elizabeth Foster

40. Peniston, William, and Frederick James Lamb: The Affectionate Brothers

41. William Sharp

42. Choquer

43. Left Bank, Meuse

44. Choquer

45. Left Bank, Meuse

46. Heyday! Is This My Daughter Anne!

47. Susanna and the Two Elders

48. Theodosius

49. Reading by a Paper-Bell Shade

50. The Old Beau in an Extasy

51. Maxstoke Priory

52. Albert

53. The Preposterous Head Dress, or the Feathered Lady

54. January

55. A Woman Weeping Beside an Urn

56. Hope

57. The Letter Woman

58. Silenus

59. Silenus

60. The Prince of Orange Landing at Torbay

61. Fools; or Jesters

62. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

63. Falstaff and his Friends

64. Sir Matthew Hale

65. The Mantilla

66. The Stork and Aqueduct

67. Marine Study No. 2

68. Marine Study No. 1

69. How to Ride Without a Bridle

70. Marine Study No. 4

71. Marine Study No. 3

72. Love and Wind

73. A Jack in Office