Materials & Techniques: etching (printing process) / Work Type: intaglio print / Subject Terms: light

1. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/16 x 9 1/16 inches (15.7 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Moeris and Galatea

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched between 1880 and 1883; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/16 x 13 13/16 inches (29.1 x 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 13/16 x 12 15/16 inches (27.4 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 10 3/8 inches (36.6 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 12 7/8 inches (26.9 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 8 9/16 inches (30 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper
Dimensions:: Sheet: 4 3/4 x 6 5/16 inches (12 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint, retouched with white watercolor, gouache or chalk on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 9/16 x 8 1/4 inches (29.3 x 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint with chine collé, retouched with graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 8 9/16 inches (29.9 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun ca. 1880
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 9 5/16 inches (16.8 x 23.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on thin, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/16 x 9 1/2 inches (16.4 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 1/16 inches (12.2 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 13/16 x 9 1/4 inches (32.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

15. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/16 x 7 inches (21.1 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

16. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 14 3/4 inches (30.2 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

17. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 1/2 x 11 3/4 inches (21.6 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

18. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

19. Moeris and Galatea

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880-1883
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

20. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint, retouched with graphite on thick, smooth, beige wove paper
Dimensions:: Sheet: 11 13/16 x 8 1/2 inches (30 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone (printed under the supervision of Sir Frank Short, Martin Hardie and Frederick Landseer Maur Griggs, 1926) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 9/16 inches (18.4 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on thick, smooth, cream wove paper
Dimensions:: Sheet: 8 11/16 x 12 3/8 inches (22.1 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone, retouched with white gouache on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 x 9 15/16 inches (17.8 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun before 1861; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 13 1/8 inches (25.2 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1920
Materials & Techniques:: Etching and drypoint, with plate tone (printed in brown ink by Sir Frank Short) on thin, smooth, cream laid paper
Dimensions:: Sheet: 6 15/16 x 10 1/2 inches (17.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1874
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 x 15 3/8 inches (28.1 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

28. The Drawing of the Clyde

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Windmill and Lock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 15 5/8 inches (27.3 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Fear & Hope Are -- Vision (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. "Fear & hope are -- Vision" (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Wanderer

Creator:: Print made by Charles West Cope, 1811–1890
Date:: 1844
Materials & Techniques:: Etching with chine collé on thick, slightly textured, cream card
Dimensions:: Sheet: 6 x 4 15/16 inches (15.2 x 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Morning Prayer

Creator:: Print made by Charles West Cope, 1811–1890
Date:: 1844
Materials & Techniques:: Etching with chine collé on thick, slightly textured, cream card
Dimensions:: Sheet: 6 1/16 x 4 3/4 inches (15.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. De Hemelvaart

Creator:: Print made by Frederik Christiaan Bierweiler, active 1800–1831
Date:: ca. 1820
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 26 1/2 × 21 inches (67.3 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

35. Reading by a Paper-Bell Shade

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1768
Materials & Techniques:: Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 7/8 x 11 1/8 inches (42.8 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36. The Letter Woman

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: ca. 1769
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 10 1/8 inches (37.4 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Evening

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1745
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 15/16 x 21 1/4 inches (37.9 x 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. A Ship in Distress

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1745
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/8 x 21 13/16 inches (37.8 x 55.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Captive

Creator:: Print made by Robert Blyth, 1750–1784
Date:: 1781
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper, laid on mount
Dimensions:: Sheet: 13 11/16 x 17 1/4 inches (34.8 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Hamlet

Creator:: Print made by Charles Ansell, ca.1752–active 1790
Date:: 1809
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/16 x 15 3/16 inches (31.2 x 38.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

41. Come Gentle Night: "Romeo and Juliet," Act III, Scene II

Creator:: Print made by James H. Baker, born 1829
Date:: between 1839 and 1849
Materials & Techniques:: Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 3/8 inches (28.2 x 21.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42. Rainy Night in Rome

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1914
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 16 x 10 7/8 inches (40.6 x 27.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

43. Demolition of St. James's Hall, Interior

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1906
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream Asian paper
Dimensions:: Sheet: 20 11/16 x 15 1/4 inches (52.5 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Emerson Tuttle in memory of Theodore Sizer, transfer from the Yale University Art Gallery

44. The Dancer

Creator:: Print made by Gerald Leslie Brockhurst, 1890–1978
Date:: 1925
Materials & Techniques:: Etching, stipple engraving, and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 7/16 x 10 1/4 inches (41.7 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

45. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808, published 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Grandpapa's Story or The Witches Frolick

Creator:: Print made by unknown artist
Date:: 1838
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/4 × 5 11/16 inches (23.5 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

47. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

Creator:: Print made by Thomas Mann Baynes, 1794–1854
Date:: after 1835
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 21 inches (37.5 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. And Ah! Let Pity Turn Her Dewy Eyes...

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1801
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/16 x 10 9/16 inches (35.7 x 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Reading by a Paper-Bell Shade

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1768
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper, laid in mount
Dimensions:: Sheet: 16 1/8 x 10 11/16 inches (41 x 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Old Man

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1925
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 5/8 x 11 7/8 inches (21.9 x 30.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

51. As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

Creator:: Robert Thew, 1758–1802
Date:: 1803
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/4 x 26 3/4 inches (51.4 x 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. A Lady Reading

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1858
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream Asian paper
Dimensions:: Sheet: 4 3/4 x 6 3/8 inches (12.1 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

53. Kensington Gardens, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, with plate tone on medium, smooth, cream Asian paper
Dimensions:: Sheet: 10 13/16 x 6 3/4 inches (27.4 x 17.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

54. Kensington Gardens, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/16 x 12 1/2 inches (43.6 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

55. A Byroad in Tipperary

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, retouched with graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 11/16 x 11 1/4 inches (14.5 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

56. The Holly Field

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 x 6 9/16 inches (10.5 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard C. Morse

57. A Byroad in Tipperary

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 x 15 5/8 inches (30.8 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

58. The Two Asses

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1863
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 11/16 x 5 3/8 inches (22.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

59. The Two Asses

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1863
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 6 7/8in. (26.4 x 17.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

60. The Two Asses

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1863
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 1/16 x 6 7/8 inches (28.1 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

61. The Two Asses

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1863
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 x 7 1/8 inches (26.7 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

62. Harlech, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1880
Materials & Techniques:: Etching, drypoint and mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 x 14 7/8 inches (27.5 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

63. Beregonium

Creator:: Print made by Katharine Cameron, 1874–1965
Date:: 1920
Materials & Techniques:: Drypoint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 10 1/4 inches (18.7 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Isabelle Hollister Tuttle for the Emerson Tuttle Memorial Collection

64. George Fox Walks Through Whitehall

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/2 x 9 3/16 inches (29.2 x 23.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

65. George Fox Talks to the People About Dreams

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/16 x 14 3/8 inches (28.1 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

66. Jonathan Wild Discovers Darrell in the Loft

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 1/2 x 7 11/16 inches (24.2 x 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

67. Study

Creator:: Print made by John Chalon, 1738 – 1795
Date:: 1789-1790
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/16 x 4 3/16 inches (12.8 x 10.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Study

Creator:: Print made by John Chalon, 1738 – 1795
Date:: 1790
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/16 x 4 inches (11.2 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Rosamund and the Fair Annett

Creator:: William Dickinson, 1746–1823
Date:: 1784
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 14 3/16 inches (40.7 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Eve

Creator:: Sir William Russell Flint, 1880–1969
Date:: 1930
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige Asian paper
Dimensions:: Sheet: 12 3/16 x 15 3/8 inches (31 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

71. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 13 1/2 inches (50.2 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/2 × 13 3/4 inches (49.5 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 13 3/4 inches (49.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Schoolboy

Creator:: Print made by John Dean, 1754–1798
Date:: 1777
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 11 7/8 inches (39.5 x 30.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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Materials & Techniques etching (printing process)

Work Type intaglio print

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1. The Homeward Star

2. Moeris and Galatea

3. The Morning of Life

4. The Homeward Star

5. The Herdsman's Cottage

6. Opening the Fold

7. The Sleeping Shepherd

8. The Vine

9. The Vine

10. The Herdsman's Cottage

11. The Homeward Star

12. The Homeward Star

13. The Sleeping Shepherd

14. The Vine

15. The Sleeping Shepherd

16. The Early Ploughman

17. The Morning of Life

18. Opening the Fold

19. Moeris and Galatea

20. The Vine

21. Opening the Fold

22. The Early Ploughman

23. The Early Ploughman

24. The Early Ploughman

25. The Morning of Life

26. Opening the Fold

27. The Early Ploughman

28. The Drawing of the Clyde

29. Windmill and Lock

30. Fear & Hope Are -- Vision (Plate 15)

31. "Fear & hope are -- Vision" (Plate 15)

32. The Wanderer

33. Morning Prayer

34. De Hemelvaart

35. Reading by a Paper-Bell Shade

36. The Letter Woman

37. Evening

38. A Ship in Distress

39. The Captive

40. Hamlet

41. Come Gentle Night: "Romeo and Juliet," Act III, Scene II

42. Rainy Night in Rome

43. Demolition of St. James's Hall, Interior

44. The Dancer

45. Christ Descending into the Grave

46. Grandpapa's Story or The Witches Frolick

47. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

48. And Ah! Let Pity Turn Her Dewy Eyes...

49. Reading by a Paper-Bell Shade

50. The Old Man

51. As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)

52. A Lady Reading

53. Kensington Gardens, no. 2 (large plate)

54. Kensington Gardens, no. 2 (large plate)

55. A Byroad in Tipperary

56. The Holly Field

57. A Byroad in Tipperary

58. The Two Asses

59. The Two Asses

60. The Two Asses

61. The Two Asses

62. Harlech, no. 2

63. Beregonium

64. George Fox Walks Through Whitehall

65. George Fox Talks to the People About Dreams

66. Jonathan Wild Discovers Darrell in the Loft

67. Study

68. Study

69. Rosamund and the Fair Annett

70. Eve

71. The Day of Judgment

72. Christ Descending into the Grave

73. Death's Door