Materials & Techniques: etching (printing process) / Height [cm]: 0

1. Plate 2, The Industrious 'Prentice Performing the Duty of a Christian

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 10 1/2 × 13 5/8 inches (26.7 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

2. Plate 1, The Fellow 'Prentices at their Looms

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 10 3/8 × 13 1/2 inches (26.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

3. Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 10 1/2 × 13 5/8 inches (26.7 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

4. Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

5. Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

6. Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

7. Plate 11, The Idle 'Prentice Executed at Tyburn

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 10 3/4 × 15 7/8 inches (27.3 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

8. Plate 12, The Industrious 'Prentice Lord Mayor of London

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 10 3/4 × 15 7/8 inches (27.3 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

9. Strolling Actresses Dressing in a Barn

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1738
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 17 5/8 × 22 3/8 inches (44.8 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

10. The Five Orders of Periwigs

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1761
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 7/8 × 8 3/4 inches (30.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

11. Columbus Breaking the Egg

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1752
Materials & Techniques:: Etching
Dimensions:: Sheet: 8 1/8 × 7 5/8 inches (20.6 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

12. Marriage à la Mode, Plate 6

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1745
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 15 1/4 × 18 1/2 inches (38.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

13. Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and line engraving
Dimensions:: Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

14. Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 10 1/2 × 13 5/8 inches (26.7 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

15. Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching and line engraving
Dimensions:: Sheet: 10 5/8 × 13 3/4 inches (27 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

16. Simon Lord Lovat

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1746
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 15 1/4 × 9 3/8 inches (38.7 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

17. Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

18. Little Devil's Bridge over the Russ above Altdorft, Switzerland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink; Engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. A Rake's Progress, Plate 8

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 12 3/8 × 15 1/8 inches (31.4 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Suzanne and William H. Speaker

20. A Harlot's Progress, Plate 3

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 12 3/4 × 14 7/8 inches (32.4 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

21. Four Heads from the Raphael Cartoons at Hampton Court

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1781
Materials & Techniques:: Etching and aquatint
Dimensions:: Sheet: 8 1/2 × 14 inches (21.6 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

22. Paul Before Felix

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1752
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 16 3/4 × 20 3/4 inches (42.5 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

23. The Stage-Coach, or the Country Inn Yard

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1747
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 8 1/2 × 12 1/4 inches (21.6 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

24. Tail Piece, or the Bathos

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1764
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 12 3/8 × 13 1/4 inches (31.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

25. Decimation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 1/4 inches (4.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

26. Crucifixion, etc.

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

27. Banishment

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

28. Breaking the Legs

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

29. Fustium Admonitio

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

30. Degrading Punishments

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

31. Shameful Discharge

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 1/4 inches (4.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

32. Taking Away the Military Belt or Girdle

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

33. Issued Barley Instead of Wheat

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

34. Hanging by the Thumbs

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Suzanne and William H. Speaker

35. A Harlot's Progress, Plate 1

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 12 5/8 × 15 1/2 inches (32.1 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

36. A Harlot's Progress, Plate 6

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 12 1/2 × 15 1/4 inches (31.8 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

37. A Harlot's Progress, Plate 5

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 12 3/4 × 15 1/4 inches (32.4 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

38. Emerald Vessel

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1723
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 4 3/4 × 15 1/2 inches (12.1 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

39. Paul Before Felix Burlesqued

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Etching with line engraving and mezzotint
Dimensions:: Sheet: 10 1/4 × 15 1/2 inches (26 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

40. A Midnight Modern Conversation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 13 1/2 × 18 5/8 inches (34.3 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

41. After

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1736
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 16 × 12 3/4 inches (40.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

42. Frontispiece: A Seated Roman General on a Camp Stool

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

43. Before

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1736
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 16 3/4 × 12 3/4 inches (42.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

44. Fustigatio

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 1/4 inches (4.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

45. Beheading

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

46. Freemen Degraded and Sold into Slavery

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

47. Dismemberment, etc.

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 inches (4.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

48. Issued Barley Instead of Wheat

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 3/4 × 3 1/4 inches (4.4 × 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

49. Cutting off the Nose

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1725
Materials & Techniques:: Etching
Dimensions:: Sheet: 1 5/8 × 3 inches (4.1 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

50. A Harlot's Progress, Plate 2

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 12 3/8 × 14 7/8 inches (31.4 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

51. A Harlot's Progress, Plate 4

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1732
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 12 3/8 × 15 1/4 inches (31.4 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

52. Florence (vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and line engraving with graphite; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 9 5/8 inches (37.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico

De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico

Creator:: Print made by Gerard de Jode, born 1509 or 1517, died 1591
Date:: between 1546 and 1590
Materials & Techniques:: Line engraving (uncut panorama, three plates) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Vol. 6, Plate XXVIII

Creator:: Print made by G.F. Storm, active mid–19th century
Date:: 1842
Materials & Techniques:: Etching on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Mail Coach in a Flood

Creator:: Print made by Frederick Rosenberg, active 1816–1832
Date:: 1827
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. View of the Inside of the Vestibulum

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1764
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

57. O the Roast Beef of Old England, &c.

Creator:: Print made by Charles Mosley, c.1720–c.1770
Date:: 1749
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 15 1/8 × 18 inches (38.4 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

58. Marriage à la Mode, Plate 4

Creator:: Print made by Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 15 1/4 × 18 3/8 inches (38.7 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

59. Marriage à la Mode, Plate 1

Creator:: Print made by Gerard Jean Baptiste Scotin, 1671–1716
Date:: 1745
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 15 3/8 × 18 1/2 inches (39.1 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

60. Marriage à la Mode, Plate 3

Creator:: Print made by Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 15 1/8 × 18 3/8 inches (38.4 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

61. Marriage à la Mode, Plate 5

Creator:: Print made by Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 15 1/8 × 18 3/8 inches (38.4 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

62. Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis

Creator:: Published by Giovanni Giacomo de Rossi, 1627–1691
Date:: between 1546 and 1590
Materials & Techniques:: Bound volume of intaglio prints on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat

Creator:: Print made by Gerard de Jode, born 1509 or 1517, died 1591
Date:: between 1546 and 1590
Materials & Techniques:: Line engraving (uncut panorama, three plates) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora

Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora

Creator:: Print made by Gerard de Jode, born 1509 or 1517, died 1591
Date:: between 1546 and 1590
Materials & Techniques:: Line engraving (uncut panorama, three plates) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23

Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23

Creator:: Print made by Gerard de Jode, born 1509 or 1517, died 1591
Date:: between 1546 and 1590
Materials & Techniques:: Line engraving (uncut panorama, three plates) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. A Mistake

Creator:: Print made by William Heath, 1795–1840
Date:: 1829
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 5/8 × 16 1/2 inches (32.1 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

67. View of the Temple of Aesculapius

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1764
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

68. View of the Porta Ferrea

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1764
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

69. Another View of the Temple of Aesculapius

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1764
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

70. Pantheum Romanum nunc Mariae Cognomento

Creator:: Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:: 1549
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/8 × 21 inches (41 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

Creator:: after Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 5/8 inches (39.7 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Lake of Geneva

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 × 9 7/8 inches (38.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Ferry Inn

Creator:: Print made by Robert Walker Macbeth, 1848–1910
Date:: 1881
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

74. The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)

Creator:: James Gillray, 1756–1815
Date:: 1796
Materials & Techniques:: Etching with hand coloring in watercolor
Dimensions:: Sheet: 10 9/16 × 8 5/8 inches (26.8 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Horse Race at Rome During the Carnival

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:: Mount:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Ford

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1915
Materials & Techniques:: Etching, 3rd state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

77. The Ford

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1915
Materials & Techniques:: Etching, 6th state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

78. The Cresset

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1915
Materials & Techniques:: Etching, 2nd state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

79. The Cresset

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1915
Materials & Techniques:: Etching, 1st state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

80. Meppershall Chapel

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1915
Materials & Techniques:: Etching, 1st state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

81. St. Boltoph's Bridge No.1

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1917
Materials & Techniques:: Etching, 4th state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

82. Stoke Poges

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1918
Materials & Techniques:: Etching, 4th state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

83. The Minster

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1918
Materials & Techniques:: Etching, 7th state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

84. Epiphany

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1919
Materials & Techniques:: Etching, 2nd state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

85. Totterne Inn

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1919
Materials & Techniques:: Etching, 4th state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

86. Palace Farm

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1921
Materials & Techniques:: Etching, 2nd state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

87. The Barbican

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1920
Materials & Techniques:: Etching, 3rd state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

88. Palace Farm

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1921
Materials & Techniques:: Etching, 3rd state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

89. Ex Anglia Perdita

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1925
Materials & Techniques:: Etching, 5th state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

90. Ex Anglia Perdita

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1925
Materials & Techniques:: Etching, 4th state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

91. The Barbican

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1920
Materials & Techniques:: Etching, 1st state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

92. Linn Bridge

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1922
Materials & Techniques:: Etching, 3rd state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

93. Linn Bridge

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1922
Materials & Techniques:: Etching, 4th state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

94. Fen Monastery

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1926
Materials & Techniques:: Etching, 6th state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

95. Laneham

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1923
Materials & Techniques:: Etching, 4th state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

96. St. Boltophs, Boston

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1925
Materials & Techniques:: Etching, 5th state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

97. Fen Monastery

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1926
Materials & Techniques:: Etching, 5th state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

98. St. Boltophs, Boston

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1925
Materials & Techniques:: Etching, 2nd state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

99. St. Ippolyts

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1927
Materials & Techniques:: Etching, 2nd state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

100. Lone End

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1930
Materials & Techniques:: Etching, 3rd state on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Adelaide C. Roberts and Alexandra C. Dane

YCBA Collections Search

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1. Plate 2, The Industrious 'Prentice Performing the Duty of a Christian

2. Plate 1, The Fellow 'Prentices at their Looms

3. Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master

4. Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute

5. Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London

6. Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice

7. Plate 11, The Idle 'Prentice Executed at Tyburn

8. Plate 12, The Industrious 'Prentice Lord Mayor of London

9. Strolling Actresses Dressing in a Barn

10. The Five Orders of Periwigs

11. Columbus Breaking the Egg

12. Marriage à la Mode, Plate 6

13. Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter

14. Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service

15. Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea

16. Simon Lord Lovat

17. Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice

18. Little Devil's Bridge over the Russ above Altdorft, Switzerland

19. A Rake's Progress, Plate 8

20. A Harlot's Progress, Plate 3

21. Four Heads from the Raphael Cartoons at Hampton Court

22. Paul Before Felix

23. The Stage-Coach, or the Country Inn Yard

24. Tail Piece, or the Bathos

25. Decimation

26. Crucifixion, etc.

27. Banishment

28. Breaking the Legs

29. Fustium Admonitio

30. Degrading Punishments

31. Shameful Discharge

32. Taking Away the Military Belt or Girdle

33. Issued Barley Instead of Wheat

34. Hanging by the Thumbs

35. A Harlot's Progress, Plate 1

36. A Harlot's Progress, Plate 6

37. A Harlot's Progress, Plate 5

38. Emerald Vessel

39. Paul Before Felix Burlesqued

40. A Midnight Modern Conversation

41. After

42. Frontispiece: A Seated Roman General on a Camp Stool

43. Before

44. Fustigatio

45. Beheading

46. Freemen Degraded and Sold into Slavery

47. Dismemberment, etc.

48. Issued Barley Instead of Wheat

49. Cutting off the Nose

50. A Harlot's Progress, Plate 2

51. A Harlot's Progress, Plate 4

52. Florence (vignette)

53. De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico

54. Vol. 6, Plate XXVIII

55. The Mail Coach in a Flood

56. View of the Inside of the Vestibulum

57. O the Roast Beef of Old England, &c.

58. Marriage à la Mode, Plate 4

59. Marriage à la Mode, Plate 1

60. Marriage à la Mode, Plate 3

61. Marriage à la Mode, Plate 5

62. Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis

63. Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat

64. Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora

65. Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23

66. A Mistake

67. View of the Temple of Aesculapius

68. View of the Porta Ferrea

69. Another View of the Temple of Aesculapius

70. Pantheum Romanum nunc Mariae Cognomento

71. On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

72. The Lake of Geneva

73. The Ferry Inn

74. The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)