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Materials & Techniques etching (printing process)

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Height [cm] 17

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Subject Terms ruins

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Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching with chine collé; early engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Double Hairpin Set
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 6 5/8 × 7 5/16 inches (16.8 × 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching and engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 13 3/4 inches (25.4 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stepping Stones
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1915
Materials & Techniques:
Etching; 2nd state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 13 1/8 inches (27.9 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Meppershall Chapel
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1915
Materials & Techniques:
Etching; 1st state on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 5/8 × 9 1/4 inches (21.9 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Epiphany
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1919
Materials & Techniques:
Etching; 2nd state on medium, slightly textured, light blue laid paper
Dimensions:
Sheet: 10 × 7 1/4 inches (25.4 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
L'Eglise Saint-Vaast, Armentieres
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1928
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, white laid paper
Dimensions:
Sheet: 6 7/8 x 9 3/16 inches (17.4 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (d) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/16 × 18 1/8 inches (28.4 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Flower Garden Porch at Farnley
Creator:
Print made by unknown artist
Date:
1814
Materials & Techniques:
Etching on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1907
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 16 3/8 inches (23.2 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery