Materials & Techniques: etching (printing process) / Height [cm]: 24

401. Horatius Gentilescius

Creator:: Print made by Lucas Vorsterman I, 1595–1675
Date:: ca. 1635
Materials & Techniques:: Line engraving, stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 × 11 3/16 inches (38.1 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

402. Cornelius Schut

Creator:: Print made by Lucas Vorsterman I, 1595–1675
Date:: ca. 1635
Materials & Techniques:: Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 6 3/8 inches (24.1 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

403. Petrus Stevens

Creator:: Print made by Lucas Vorsterman I, 1595–1675
Date:: ca. 1635
Materials & Techniques:: Line engraving, stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Mount: 13 9/16 × 10 15/16 inches (34.4 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

404. Nursemaids on the Piazza, Venice

Creator:: Sir William Russell Flint, 1880–1969
Date:: 1929
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 17 13/16 inches (32.2 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

405. Aragonese String Makers

Creator:: Sir William Russell Flint, 1880–1969
Date:: 1930
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 3/4 x 17 7/8 inches (32.4 x 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

406. Castle Urquhart

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1929
Materials & Techniques:: Drypoint with etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

407. R. 35. Albert, Railway and Victoria Bridges. No. 6 in the Clyde Set

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1889
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 14 1/8 inches (23.5 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

408. The Paris Set: R. 366 Rue Saint Julien le Pauvre

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1904
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 7 1/8 inches (23.5 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

409. The Paris Set: R. 366 Rue Saint-Julien le Pauvre (1904)

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1904
Materials & Techniques:: Etching and drypoint on medium, slightly textured, light blue laid paper
Dimensions:: Sheet: 9 1/2 × 7 1/4 inches (24.1 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

410. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

411. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 13 1/2 inches (51.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

412. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

416. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

417. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

418. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

419. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

420. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

421. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

422. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

423. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

424. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 14 inches (50.8 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 13 3/4 inches (49.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 20 inches (34.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

428. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 13 1/2 inches (51.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

429. Blood on Thunder Fording the Red Sea

Creator:: James Gillray, 1756–1815
Date:: 1788
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/16 × 13 1/4 inches (24 × 33.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

430. Hester Lynch Piozzi (Mrs. Thrale)

Creator:: Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Etching, line engraving, and stipple engraving, with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/16 × 9 15/16 inches (34.2 × 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

431. The Mark of the Beast

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 7 1/2 inches (24.1 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

432. The Nursery, with, Britannia Reposing in Peace

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with hand-coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 14 inches (25.7 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

433. The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber.

Creator:: James Gillray, 1756–1815
Date:: 1807
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

434. Introduction of Citizen Volpone - and His Suite, at Paris

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 3/4 inches (25.1 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

435. German - Nonchalence: - or - The Vexation of Little Boney.

Creator:: James Gillray, 1756–1815
Date:: 1803
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 7/8 inches (25.4 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

436. The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners

Creator:: James Gillray, 1756–1815
Date:: 1800
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

437. Half Natural

Creator:: James Gillray, 1756–1815
Date:: 1799
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 7/8 × 7 3/8 inches (25.1 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

438. British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

Creator:: James Gillray, 1756–1815
Date:: 1807
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

439. Hope

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 8 1/8 inches (25.4 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

440. Despair

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 8 1/8 inches (25.4 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

441. Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 16 inches (26.7 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. St. Mary Redcliffe, Bristol

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1888
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Plate: 6 7/8 × 9 1/2 inches (17.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. The Pool

Creator:: Print made by James McBey, 1883–1959
Date:: 1914
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 16 3/4 inches (32.1 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

444. Devon Coast

Creator:: Print made by Edward Bouverie-Hoyton, active 1930
Date:: 1920s
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 3/8 x 17 3/16 inches (33.9 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

445. Craigievar

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1908
Materials & Techniques:: Etching and drypoint on wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

446. Railway and Commercial Hotel, Stirling

Creator:: Print made by Susan Fletcher Crawford, active 1892–died 1919
Date:: undated
Materials & Techniques:: Etching and drypoint print on medium, smooth, cream laid paper
Dimensions:: Sheet: 9 5/16 x 11 5/8 inches (23.6 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

447. Castor

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1927
Materials & Techniques:: Etching; 6th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 7 1/4 inches (23.5 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

448. The Maypole Inn

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1929
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 × 13 1/8 inches (24.4 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

449. Fotheringhay

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1932
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 inches (17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

450. Spanish Wheelwrights

Creator:: Sir William Russell Flint, 1880–1969
Date:: 1930
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 11/16 x 17 3/8 inches (32.2 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

451. British General Headquarters at Montreuil

Creator:: William Lee Hankey, 1869–1952
Date:: 1917
Materials & Techniques:: Etching and drypoint on thick, slightly textured, beige laid paper
Dimensions:: Sheet: 13 1/2 x 17 7/16 inches (34.3 x 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

452. The Farm on the Hilltop

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1926
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

453. Chichester, Sussex

Creator:: Print made by Albany E. Howarth, 1872–1936
Date:: Between 1887 and 1936
Materials & Techniques:: Etching and drypoint on laid paper
Dimensions:: Sheet: 9 1/4 × 11 1/4 inches (23.5 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

454. William the Conqueror

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/8 × 7 1/2 inches (23.8 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Dr. Harrison Wood

455. The Almonry

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1926
Materials & Techniques:: Etching; 6th state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 × 10 1/8 inches (37.5 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

456. Potato Lifting

Creator:: Print made by William Strang, 1859–1921
Date:: 1882
Materials & Techniques:: Etching on medium, slightly textured,beige laid paper
Dimensions:: Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Allen Evarts Foster, B.A. 1906

457. Net Poles, Studland Bay

Creator:: Print made by Martin Hardie, 1875–1952
Date:: 1912
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 9 1/2 × 12 1/4 inches (24.1 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

458. Shipping By A Breakwater

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1889
Materials & Techniques:: Etching and aquatint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 10 1/2 inches (36.2 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

459. The Shores of Wharfe

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1856
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 5 7/8 inches (23.8 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

460. Forfecle

Creator:: George Percival Gaskell, 1868–1934
Date:: 1868
Materials & Techniques:: Mezzotint and etching with chine collé on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 15 1/16 x 21 inches (38.3 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

461. The Almonry

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1925
Materials & Techniques:: Etching; 5th state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 7 inches (25.4 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

462. Macbeth's Witches

Creator:: Print made by William Strang, 1859–1921
Date:: 1882
Materials & Techniques:: Etching on moderately thick, slightly textured, creme laid paper
Dimensions:: Plate: 9 3/8 × 7 inches (23.8 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Alan S. Fortunoff

463. Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger

Creator:: James Gillray, 1756–1815
Date:: 1801
Materials & Techniques:: Etching with hand-coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 13 7/8 inches (25.7 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

464. The Spanish-Bull-Fight - or - The Corsical-Matador in Danger

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching with hand-coloring in watercolor on medium, slightly textured, white wove paper
Dimensions:: Sheet: 10 3/8 × 15 inches (26.4 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

465. The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching on medium, slightly textured, white wove paper
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

466. A Bishop

Creator:: Print made by William Henry Pyne, 1769–1843
Date:: 1805
Materials & Techniques:: Colored aquatint with etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 1/4 x 12 1/2 inches (23.5 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

467. Coffee Stall, Hammersmith

Creator:: Print made by Sir Frank William Brangwyn, 1867–1956
Date:: 1919
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/8 × 20 1/8 inches (33.3 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

468. Awake

Creator:: William Lee Hankey, 1869–1952
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 13/16 x 14 1/16 inches (32.5 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

469. The Case is Altered

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1784
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 × 13 1/8 inches (23.8 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

470. Members of the Whig Club

Creator:: Print made by Robert Dighton, 1752–1814
Date:: 1798
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 5/8 × 7 1/2 inches (24.4 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

471. Tears of Repentance. Cabinet In's and Out's

Creator:: Print made by Charles Williams, active 1796–1830
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 × 18 1/4 inches (28.6 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson.

472. Removing Rubbish. Cabinet In's and Out's

Creator:: Print made by John Phillips, active 1840–1852
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

473. The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage

Creator:: Print made by John Phillips, active 1840–1852
Date:: 1827
Materials & Techniques:: Etching with hand coloring in watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 18 inches (29.8 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

474. Boney and his Horse Talley - Returning to Paris with a Spanish Cargo

Creator:: Print made by Charles Williams, active 1796–1830
Date:: 1808
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 10 7/8 × 14 1/2 inches (27.6 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

475. Nap and his Partner Joe

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slight textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 1/2 inches (23.8 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

476. The Bond Street Battalion - or the Hospital Staff from Holland!!!

Creator:: Print made by John Cawse, 1779–1862
Date:: 1799
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 11 3/4 × 14 inches (29.8 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

477. Benton Castle

Creator:: Print made by Paul Sandby, 1731–1809
Date:: 1778
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 × 21 1/2 inches (35.6 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Collection of Matthew Rutenberg

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Materials & Techniques etching (printing process)

Height [cm] 24

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401. Horatius Gentilescius

402. Cornelius Schut

403. Petrus Stevens

404. Nursemaids on the Piazza, Venice

405. Aragonese String Makers

406. Castle Urquhart

407. R. 35. Albert, Railway and Victoria Bridges. No. 6 in the Clyde Set

408. The Paris Set: R. 366 Rue Saint Julien le Pauvre

409. The Paris Set: R. 366 Rue Saint-Julien le Pauvre (1904)

410. The Soul Exploring the Recesses of the Grave

411. The Meeting of a Family in Heaven

412. The Descent of Man into the Vale of Death

413. Death's Door

414. The Death of the Good Old Man

415. The Soul Exploring the Recesses of the Grave

416. The Reunion of the Soul & the Body

417. The Meeting of a Family in Heaven

418. The Meeting of a Family in Heaven

419. Death of the Strong Wicked Man

420. The Descent of Man into the Vale of Death

421. The Death of the Good Old Man

422. Death's Door

423. The Reunion of the Soul & the Body

424. The Descent of Man into the Vale of Death

425. Death's Door

426. Death of the Strong Wicked Man

427. The Death of the Good Old Man

428. The Soul Exploring the Recesses of the Grave

429. Blood on Thunder Fording the Red Sea

430. Hester Lynch Piozzi (Mrs. Thrale)

431. The Mark of the Beast

432. The Nursery, with, Britannia Reposing in Peace

433. The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber.

434. Introduction of Citizen Volpone - and His Suite, at Paris

435. German - Nonchalence: - or - The Vexation of Little Boney.

436. The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners

437. Half Natural

438. British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

439. Hope

440. Despair

441. Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough

442. St. Mary Redcliffe, Bristol

443. The Pool

444. Devon Coast

445. Craigievar

446. Railway and Commercial Hotel, Stirling

447. Castor

448. The Maypole Inn

449. Fotheringhay

450. Spanish Wheelwrights

451. British General Headquarters at Montreuil

452. The Farm on the Hilltop

453. Chichester, Sussex

454. William the Conqueror

455. The Almonry

456. Potato Lifting

457. Net Poles, Studland Bay

458. Shipping By A Breakwater

459. The Shores of Wharfe

460. Forfecle

461. The Almonry

462. Macbeth's Witches

463. Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger

464. The Spanish-Bull-Fight - or - The Corsical-Matador in Danger

465. The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"

466. A Bishop

467. Coffee Stall, Hammersmith

468. Awake

469. The Case is Altered

470. Members of the Whig Club

471. Tears of Repentance. Cabinet In's and Out's

472. Removing Rubbish. Cabinet In's and Out's

473. The King Commander in Chief; or, the Upset of Waterloo - Man, Bags & Baggage

474. Boney and his Horse Talley - Returning to Paris with a Spanish Cargo