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Materials & Techniques etching (printing process)

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The Fifth Plague of Egypt
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 11 1/8 inches (20.3 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Stork and Aqueduct
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 13 inches (27.3 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bonneville, Savoy
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 10 7/8 inches (19.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Morpeth, Northumberland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1809
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 11 1/8 inches (20.3 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ships in a Breeze
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 11 inches (20.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Military Costumes of the Reign of King Henry VI, 1447
Creator:
Print made by John Augustus Atkinson, 1775–1831
Date:
1812
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 9/16 x 14 11/16 inches (26.9 x 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Thomas Howard
Creator:
Print made by Wenceslaus Hollar, 1607–1677
Date:
1646
Materials & Techniques:
Stipple engraving, line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Mount: 14 3/4 × 11 inches (37.5 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Muscipula
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1786
Materials & Techniques:
Etching, stipple engraving, and line engraving; first state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 1/8 × 15 3/4 inches (46 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Girl Sleeping
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1790
Materials & Techniques:
Etching, engraving, aquatint and stipple (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 12 3/8 inches (40 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10. Robinetta

Robinetta
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1787
Materials & Techniques:
Etching with stipple and aquatint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 × 10 15/16 inches (37.9 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Quintinus Simons
Creator:
Print made by Pieter de Jode II, ca. 1606–1674
Date:
ca. 1635
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Mount: 14 7/16 × 10 15/16 inches (36.7 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On the Thames
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1875
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 15 5/8 inches (29.8 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Bull

The Bull
Creator:
Print made by Charles F. Tunnicliffe, 1901–1979
Date:
undated
Materials & Techniques:
Etching on laid paper
Dimensions:
Plate: 8 7/8 × 10 7/8 inches (22.5 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Isabelle Hollister Tuttle for the Emerson Tuttle Memorial Collection
The Virgin
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1778
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper laid on modern mount
Dimensions:
Mount: 15 1/4 x 11 1/16 inches (38.7 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond Castle and Town
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 9/16 × 17 3/4 inches (29.4 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Merrick Abbey, Swaledale
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1822
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 × 17 11/16 inches (30 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with Ruins
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1817
Materials & Techniques:
Etching and mezzotint in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 x 16 5/8 inches (26.8 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
The Acropolis of Athens
Creator:
Print made by John Cousen, 1804–1880
Date:
1832-1834
Materials & Techniques:
Etching and engraving, with graphite, scraping out, and chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 5/16 inches (26.8 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Travelling Monks
Creator:
Print made by Daniel Allen, active 1830s
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 10 7/8 inches (44.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Merrick Abbey, Swaledale
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1818-1823
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 × 16 inches (26.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Heywood Hardy, 1843–1933
Date:
undated
Materials & Techniques:
Etching on thin, slightly textured, beige Asian paper
Dimensions:
Sheet: 10 1/2 x 15 13/16 inches (26.7 x 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
No cover image available
Creator:
Print made by John Le Keux, 1783–1846
Date:
1822
Materials & Techniques:
Etching and engraving, with graphite and chine collé; touched engraver's proof, unrecorded state between (a) and (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 16 7/8 inches (30.2 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund