Materials & Techniques: etching (printing process) / Height [cm]: 30

Print made by George Cooke, 1781–1834

Tintagel Castle, Cornwall

1814-1826

Print made by William Bernard Cooke, 1778–1855

Bridport, Dorsetshire

1820

Print made by George Cooke, 1781–1834

Tintagel Castle, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1821

Print made by George Cooke, 1781–1834

Lulworth Castle, Dorsetshire

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1822

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1823

Print made by William Bernard Cooke, 1778–1855

Margate, Kent

1823

Print made by William Miller, 1796–1882

Clovelly Bay and Lundy Island

1824

Print made by William Miller, 1796–1882

Clovelly Bay and Lundy Island

1814 to 1826

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by George Cooke, 1781–1834

Hythe, Kent

1824

Print made by William Miller, 1796–1882

Coombe-Martin, Devonshire

1814 to 1826

Print made by William Miller, 1796–1882

Portsmouth, Hampshire

1814 to 1826

Print made by William Miller, 1796–1882

Portsmouth, Hampshire

1825

Print made by Edward Goodall, 1795–1870

Boscastle, Cornwall

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

The Spot where Harold Fell

1816 to 1820

Print made by William Bernard Cooke, 1778–1855

Crowhurst, Sussex

1816

Print made by William Bernard Cooke, 1778–1855

Bodiham Castle, Sussex

1817

Print made by John Pye, 1782–1874

The Rialto, Venice

1820

Print made by John Pye, 1782–1874

The Rialto, Venice

1818-1820

Print made by Samuel Middiman, ca. 1750–1831

Bridge at Narni

1819

Print made by Samuel Middiman, ca. 1750–1831

Bridge at Narni

1818-1820

Print made by George Cooke, 1781–1834

The Roman Forum, from the Tower of the Capitol

1818-1820

Print made by William Richardson, active 1842–1877

The Roman Forum, from the Tower of the Capitol

1818-1820

Print made by John Byrne, 1786–1847

Rome from Monte Testaccio

1818-1820

Etched by Samuel Middiman, ca. 1750–1831

Lake of Nemi

1819

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1819

Print made by Samuel Rawle, 1771–1860

Brignall Church

1818-1823

Print made by Samuel Rawle, 1771–1860

Brignall Church

1821

Print made by John Scott, 1774–1828

Aysgarth Force

1818-1823

Print made by Henry Le Keux, 1787–1868

Simmer Lake, near Askrig

1818-1823

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Charles Heath, 1785–1848

Ingleborough, from Hornby Castle Terrace

1818-1823

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1822

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1818-1823

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1818-1823

Print made by Lydia Bates, active 1784

Landscape with Classical Ruins

1784

Print made by Thomas Girtin, 1775–1802

View of the Gate of St. Denis Taken from the Suburbs

1803

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by Robert Spence, 1871–1964

George Fox and Captain Keat

between 1890 and 1911

Print made by Robert Spence, 1871–1964

George Fox Comes to London After the Great Fire

between 1890 and 1911

Print made by Anker Smith, 1759–1819

Vortigern & Rowena

1816

Print made by Robert Kearsley Dawson, 1798–1861

Map of Worcestershire Showing Western and Eastern Divisions

undated

Print made by William Walker, 1729–1793

Mary Queen of Scots Arrested

1811

Print made by William Bromley, 1769–1842

The Duke of Gloucester Accusing Jane Shore of Witchcraft

1811

Print made by Anker Smith, 1759–1819

Attempt to Assassinate Prince Edward in Palestine

1816

Print made by Thomas Milton, 1742/1743–1827

Queen Margaret Resigning the Duke of York

1811

Print made by Anker Smith, 1759–1819

Edward V. and The Duke of York, Smothered in the Tower

1810

Print made by Anker Smith, 1759–1819

Alfred in the Danish Camp

1816

Print made by Anker Smith, 1759–1819

The Burning of Archbishop Cranmer

1811

Print made by Anker Smith, 1759–1819

Lady Elizabeth Grey's Interview with Edward IV

1816

Print made by Thomas Milton, 1742/1743–1827

The Death of Wat Tyler

1810

Print made by Anker Smith, 1759–1819

Magna Charta Presented to King John

1811

Print made by William Bromley, 1769–1842

Death of Henry V

1811

Print made by Anker Smith, 1759–1819

Becket Assassinated

1811

Print made by Anker Smith, 1759–1819

The Prince of Wales Brought before Edward IV, after the Battle of Tewkesbury

1811

Print made by William Bromley, 1769–1842

Death of Henry IV

1816

Print made by Anker Smith, 1759–1819

The Young Earl of Richmond before Henry VI

1810

Print made by Anker Smith, 1759–1819

Queen Margaret Protected by a Robber

1810

Print made by Anker Smith, 1759–1819

Death of Lord Darnley

1810

Print made by James Neagle, 1760–1822

Queen Mary of Scots Landing in England

1810

Print made by Thomas Milton, 1742/1743–1827

Canute Reproving the Flattery of his Courtiers

1810

Print made by Robert Walker Macbeth, 1848–1910

Marlow Ferry

1880

Print made by William Nelson Gardiner, 1766–1814

November

1788

Print made by Thomas Jeavons, ca. 1800–1867

Lillebonne, Château and Tower

1834

Print made by Benjamin Green, ca. 1736–ca. 1800

A Flower Piece

1779

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Print made by Elizabeth Blackwell, died 1774

Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737

1737

Print made by Elizabeth Blackwell, died 1774

Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

1737

Print made by John Thomas Smith, 1766–1833

Cotton Garden, Westminster

1804

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745