<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques etching (printing process)

Remove constraint Materials & Techniques: etching (printing process)

Height [cm] 31

Remove constraint Height [cm]: 31

Image Use Free to Use

Remove constraint Image Use: Free to Use

Search Results

The Ruins of Netley Abbey
Creator:
Print made by John Constable, 1776–1837
Date:
1826
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance of Calais Harbour
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 16 3/4 inches (30.5 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sheep-Washing, Windsor
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1813 to 1823
Materials & Techniques:
Etching and mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Stork and Aqueduct
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lake of Thun, Switzerland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 11 inches (20 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Drawing of the Clyde
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1809
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scene in the Campagna
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Hogarth, 1697–1764
Date:
1764
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 12 3/8 × 13 1/4 inches (31.4 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker
No cover image available
Creator:
Print made by William Hogarth, 1697–1764
Date:
1735
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 12 3/8 × 15 1/8 inches (31.4 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Suzanne and William H. Speaker
No cover image available
Creator:
Print made by William Hogarth, 1697–1764
Date:
1732
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 12 3/8 × 14 7/8 inches (31.4 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker
No cover image available
Creator:
Print made by William Hogarth, 1697–1764
Date:
1732
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 12 3/8 × 15 1/4 inches (31.4 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker
Romeo and Juliet, Act IV, Scene V
Creator:
Print made by William Blake, 1757–1827
Date:
1799
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 5/16 × 16 9/16 inches (31.2 × 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
A View of Erith, Looking Up the Thames
Creator:
Print made by John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Barbadoes Mulatto Girl
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1779
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 19 9/16 x 12 5/8 inches (49.7 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Damnation of Obadiah
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1773
Materials & Techniques:
Etching on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 12 1/16 x 15 11/16 inches (30.6 x 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Pointing with a Stick
Creator:
Print made by Charles Bretherton, ca. 1760–1783
Date:
1782
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/16 x 8 11/16 inches (30.7 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of a Lady
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1781
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 8 15/16 inches (31.4 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of a River from a Terrace, Macon
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching and mezzotint, printed in brown ink on Medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 16 7/8 inches (30.8 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Falls of the Rhine, Schaffhausen
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1891
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 15 1/2 inches (31.4 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Pastoral
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1893
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 15 1/8 inches (30.5 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Hamilton as The Sempstress
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1787
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 3/4 × 11 5/16 inches (37.5 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lady Elizabeth Foster
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1787
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 7/8 × 14 inches (50.5 × 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
William Sharp
Creator:
Print made by William Sharp, 1749–1824
Date:
1817
Materials & Techniques:
Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/2 × 17 1/2 inches (54.6 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Francesca Bridges Filia Domini Cavendish et Dotissa Exoniæ Comitissa
Creator:
Print made by William Faithorne, ca. 1620–1691
Date:
1670
Materials & Techniques:
Line engraving and etching on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 5/16 × 9 3/8 inches (31.3 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Theodosius
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1780
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/16 x 9 13/16 inches (30.7 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Constantia
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1780
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Shipping at the Entrance of the Medway
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 17 1/8 inches (30.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. January

January
Creator:
Print made by William Nelson Gardiner, 1766–1814
Date:
1788
Materials & Techniques:
Stipple engraving and etching, with watercolor and gouache on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 5/16 x 13 1/4 inches (41.4 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Noon

Noon
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/16 x 21 1/4 inches (38.3 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Strong Gale or Squall
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 15 7/8 inches (30.8 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Evening

Evening
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 15/16 x 21 1/4 inches (37.9 x 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Night and a Ship on Fire
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 15/16 x 21 7/16 inches (37.9 x 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Belisarius
Creator:
Print made by Robert Blyth, 1750–1784
Date:
1780
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper, laid on mount
Dimensions:
Sheet: 12 1/4 x 10 3/16 inches (31.1 x 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Belisarius
Creator:
Print made by Robert Blyth, 1750–1784
Date:
1780
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper, laid on mount
Dimensions:
Sheet: 12 3/16 x 10 3/16 inches (31 x 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Hamlet

Hamlet
Creator:
Print made by Charles Ansell, ca.1752–active 1790
Date:
1809
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/16 x 15 3/16 inches (31.2 x 38.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle
Creator:
Print made by Thomas Gainsborough, 1727–1788
Date:
between 1779 and 1780
Materials & Techniques:
Etching and soft-ground etching on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 12 × 15 3/8 inches (30.5 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sir Matthew Hale
Creator:
Print made by George Vertue, 1684–1756
Date:
1735
Materials & Techniques:
Stipple engraving, line engraving, and etching on medium, slightly textured, beige laid paper
Dimensions:
Mount: 14 13/16 × 9 7/8 inches (37.6 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chinese Pavilion in European Landscape
Creator:
William Byrne, 1743–1805
Date:
1792
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 5/16 × 21 3/4 inches (41.4 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ceiling in the Banqueting House at Whitehall
Creator:
Print made by Simon Gribelin, 1662–1733
Date:
ca. 1720
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Franciscus Franck Iunior
Creator:
Print made by William Hondius, c.1597–c.1660
Date:
ca. 1635
Materials & Techniques:
Etching and engraving, (3rd state) on medium, slightly textured, cream laid paper
Dimensions:
Mount: 12 1/8 × 10 1/8 inches (30.8 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Benjamin Hoadly, Bishop of Winchester
Creator:
Print made by James Basire, 1730–1802
Date:
1771
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 15/16 × 8 1/4 inches (32.9 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marine Study No. 1
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1773
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 13 7/8 inches (31.2 x 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marine Study No. 4
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1773
Materials & Techniques:
Line engraving and etching on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 13 15/16 inches (31.4 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rhine - Osterspey and Feltzen
Creator:
Print made by William Miller, 1796–1882
Date:
1838-1852
Materials & Techniques:
Etching and engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/8 × 20 inches (38.4 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hougoumont
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 7 7/8 inches (31.1 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Jerusalem

Jerusalem
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 13 1/8 inches (21.6 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Napoleon's Logement, Quai Conti
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834-1836
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 9 7/8 inches (30.5 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brussels, Distant View
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Paris from Pere-la-Chaise
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Edinburgh from St. Anthony's Chapel
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rouen - Distant View
Creator:
Print made by William Richardson, active 1842–1877
Date:
1836
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mount Sinai, the Valley in which the Children of Israel were Encamped
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite, scraping out, and chine-collé; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mount Moriah
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Etching and engraving with chine-collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Red Sea, at Suez
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835
Materials & Techniques:
Etching and engraving with chine-collé; first published state on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mussooree and the Dhoon from Landour
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1836
Materials & Techniques:
Etching and engraving with chine-collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Dead Eagle, Oran
Creator:
Print made by William Miller, 1796–1882
Date:
1837
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/16 × 7 3/4 inches (31.3 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Classical Landscape with Travellers, a Dog and House on the left
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
1741
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 × 15 1/4 inches (30.5 × 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching with chine collé; early engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Belle of the Village
Creator:
Print made by George Baxter, 1804–1867
Date:
1854
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on moderately thick, slightly textured, cream wove paper laid on contemporary mount made of thick cream card
Dimensions:
Mount: 12 3/8 x 10 3/8 inches (31.4 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
Creator:
Print made by Paul Angier, active 1749
Date:
1749
Materials & Techniques:
Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Somerset House
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1905
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 17 5/16 x 15 9/16 inches (43.9 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Palace, Stirling Castle
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1893
Materials & Techniques:
Etching on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 6 7/8 inches (30.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
St. Mark's No. 2
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1900
Materials & Techniques:
Etching on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 9 3/8 inches (35.6 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Abbazia, Venice
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1900
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 9 3/4 inches (35.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The Desert
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1909
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 × 16 5/8 inches (31.4 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Miss Gwatkin as 'Simplicity'
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/8 x 8 1/2 inches (30.8 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sun Under a Cloud
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/16 x 21 9/16 inches (38.3 x 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Manhattan Excavation
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1923
Materials & Techniques:
Drypoint and etching on moderately thick, slightly textured, cream Asian paper
Dimensions:
Sheet: 15 11/16 x 13 7/16 inches (39.9 x 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Obelisk in the Garden at Versailles
Creator:
Print made by unknown artist
Date:
between 1740 and 1757
Materials & Techniques:
Etching and engraving hand-coloured in watercolor and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Paris
Creator:
Print made by Paul Angier, active 1749
Materials & Techniques:
Etching and engraving hand-colored in watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Affectionate Daughter
Creator:
John Eginton, active 1763–1800
Date:
1792
Materials & Techniques:
Stipple engraving, printed in color on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 15/16 × 11 7/16 inches (37.9 × 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Damn Mambrino
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1799
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/16 x 8 3/8 inches (30.6 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The West India Flower Girl
Creator:
Print made by Louis Charles Ruotte, 1754–ca. 1806
Date:
undated
Materials & Techniques:
Stipple engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/4 × 9 7/16 inches (31.1 × 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Thomas Girtin
Creator:
Samuel William Reynolds, 1773–1835
Date:
1817
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/8 x 10 1/4 inches (38.4 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...
Creator:
Print made by J. Carwitham, active 1720–1740
Date:
1778
Materials & Techniques:
Line engraving with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 18 inches (31.1 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Horse Guards, Whitehall
Creator:
Thomas Malton the Younger, 1748–1804
Date:
undated
Materials & Techniques:
Watercolor over etched outline on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 1/8 × 15 5/8 inches (30.8 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Banqueting House, Whitehall
Creator:
Thomas Malton the Younger, 1748–1804
Date:
undated
Materials & Techniques:
Watercolor over etched outline, and graphite; verso: pen and black ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 3/8 × 15 3/4 inches (31.4 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Cecilia
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1784
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/8 x 8 15/16 inches (30.8 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of the West India Docks
Creator:
Print made by Benjamin Baker, 1766–1841
Date:
1802
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 x 16 1/4 inches (30.5 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Villa Quintilii
Creator:
Print made by William Walcot, 1874–1943
Date:
1921
Materials & Techniques:
Etching, aquatint, roulette, and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 14 3/8 inches (30.5 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Guillaume Laud
Creator:
Print made by Benoit Audran, 1661–1721
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 14 7/16 x 9 7/16 inches (36.7 x 23.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance
Creator:
Louisa Augusta Greville, 1743–active 1762
Date:
1770
Materials & Techniques:
Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 18 1/2 inches (31.2 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1819
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Orford, Suffolk
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827
Materials & Techniques:
Etching and engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 15 3/4 inches (31.1 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
William Blake
Creator:
Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 8 3/8 inches (30.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Charles J. Rosenbloom, B.A. 1920
Phryne Going to the Bath as Venus
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
between 1859 and 1861
Materials & Techniques:
Etching and engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/4 × 8 3/4 inches (31.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Mark's, No. 3
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1900
Materials & Techniques:
Etching and drypoint on very thin, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/4 × 9 inches (31.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

89. Brighton

Brighton
Creator:
Print made by George Cooke, 1781–1834
Date:
1825
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Battle Abbey, The Spot where Harold Fell
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1819
Materials & Techniques:
Etching and engraving; third published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 × 17 3/8 inches (31.4 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vale of Ashburnham
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1819
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 × 17 1/8 inches (31.4 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crowhurst, Sussex
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 17 1/2 inches (30.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Amboise

Amboise
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1903
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Plate: 10 7/16 x 6 1/16in. (26.5 x 15.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Allen Evarts Foster, B.A. 1906
Place Plumereau, Tours
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1903
Materials & Techniques:
Etching on Japanese paper
Dimensions:
Sheet: 12 1/8 × 8 1/4 inches (30.8 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection, The Edwin M. Herr, Ph.D. 1884, Memorial Collection; Gift of Mrs. Herr

95. Harfleur

Harfleur
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1903
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 8 1/2 inches (38.7 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection, The Edwin M. Herr, Ph.D. 1884, Memorial Collection; Gift of Mrs. Herr
Hotel de Sens [Paris Set: No. 3]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1904
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 7 inches (30.5 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Hardraw Fall
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1818
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 18 1/4 inches (31.1 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kirkby Lonsdale Churchyard
Creator:
Print made by Charles Heath, 1785–1848
Date:
1821
Materials & Techniques:
Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 15 1/16 inches (30.5 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aysgarth Force
Creator:
Print made by John Scott, 1774–1828
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé on moderaetely thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 × 17 3/4 inches (30.5 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Aignan, Chartres
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1916
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 7 5/8 inches (30.5 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery