Materials & Techniques: etching (printing process) / Width [cm]: 36

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

The Cypress Grove

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Etched by Joseph Mallord William Turner, 1775–1851

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

1819

Etched by Joseph Mallord William Turner, 1775–1851

The Drawing of the Clyde

1809

Print made by William Hogarth, 1697–1764

Four Heads from the Raphael Cartoons at Hampton Court

1781

Print made by John Browne, 1741–1801

Evening

ca. 1797

Print made by John Browne, 1741–1801

Moon-Light

ca. 1797

Print made by Sir Frank Short, 1857–1945

Crowhurst, Sussex

1902

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

Print made by George Cooke, 1781–1834

Brighton

1825

Print made by William Bernard Cooke, 1778–1855

Views in Sussex, Publisher's Printed Wrapper

1819

Print made by William Bernard Cooke, 1778–1855

Bodiham Castle, Sussex

1817

Print made by James C. Allen, active 1821–1831

The Ivy Bridge, Devonshire

1816

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Print made by James C. Allen, active 1821–1831

Orfordness

ca. 1830

Print made by John Cousen, 1804–1880

The Acropolis of Athens

1832-1834

Gerard Edelinck, 1640–1707

Édouard Colbert, Marquis de Villacerf

1696

Sir David Young Cameron, 1865–1945

Venice from the Lido [North Italian Set: No. 17]

1896

Print made by William Bernard Cooke, 1778–1855

Falmouth, Cornwall

1816

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814 to 1826

Print made by George Cooke, 1781–1834

Pendennis Castle and Entrance of Falmouth Harbour

1814-1826

Print made by George Cooke, 1781–1834

Florence from the Chiesa al Monte

1820

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by John Byrne, 1786–1847

Rome from Monte Testaccio

1818-1820

Thomas Gaugain, 1748–1812

Turnips and Carrots

1797

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by James McNeill Whistler, 1834–1903

Black Lion Wharf

1859

Print made by George Cruikshank, 1792–1878

Mr. B seeking the Bubble reputation - Plate 5

1820

Print made by George Cruikshank, 1792–1878

Waiting Room at the Admiralty--.(No misnomer) - Plate 6

1820

Print made by George Cruikshank, 1792–1878

Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7

1820

Print made by Ernest Stephen Lumsden, 1883–1948

Jaipur, Morning

1913

Print made by Sir Frank William Brangwyn, 1867–1956

A Bend in the River

1926

Peter P. Benazech, 1767–1794

For Japaning, Where may be 200 Different Sorts

1757

Print made by Matthew Dubourg, active 1786–1838

Snipe Shooting

1822

Print made by Matthew Dubourg, active 1786–1838

Pheasant Shooting

1822

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

1806

Peter P. Benazech, 1767–1794

For Japaning, Where may be 200 Different Sorts

1757

Peter P. Benazech, 1767–1794

For Japaning, Where may be 200 Different Sorts

1757

Peter P. Benazech, 1767–1794

For Japaning, Where may be 200 Different Sorts

1757

Peter P. Benazech, 1767–1794

For Japaning, Where may be 200 Different Sorts

1757

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Thomas Malton the Younger, 1748–1804

Banqueting House, Whitehall

undated

Print made by George Cruikshank, 1792–1878

Finding things not exactly what he expected - Plate 2

1820

Print made by George Cruikshank, 1792–1878

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

1820

Print made by George Cruikshank, 1792–1878

Frontispiece: The Progress of a Midshipman

1820

Print made by unknown artist

Henry VII Chapel (Exterior)

ca. 1890

Print made by Thomas Rowlandson, 1756–1827

One Tree Hill Greenwich Park

1811

Print made by Ernest Stamp, 1869–1942

Rainy Day at Cookham

1894

Print made by William Kentridge, born 1955

Study for ‘Atlas Procession'

2000

Print made by William Heath, 1795–1840

The Throne in Danger

ca. 1828

Print made by William Heath, 1795–1840

Druming Out. Or Making an Example of a Mutineer

ca. 1827

Print made by William Heath, 1795–1840

Sailors on Shore at Navarino

ca. 1827

Print made by Henry Heath, active 1824–1835

The Buck-Basket. A scene from the Merry Wives of Windsor

1827

Print made by William Heath, 1795–1840

The Descent of the Great Bear or the Mussulmans in a Quandary

1828

Print made by William Daniell, 1769–1837

Quay at Straddon Point Near Plymouth

1825

Print made by Robert Spence, 1871–1964

George Fox Preaching at Carlisle

between 1897 and 1912

Print made by John Bluck, active 1791–1831

Clare Hall

1814

Print made by Frederick Landseer Maur Griggs, 1876–1938

Mortmain

1918

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Minister

1924

Print made by Robert Wallis, 1794–1878

Lake Albano

1828

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Print made by James C. Allen, active 1821–1831

Ivy Bridge, Devonshire

1816

Capt. Francis Grose, 1731–1791

Cowdray Court from the Lodging House

undated

Sir Francis Seymour Haden, 1818–1910

Out of Study Window

1859

Sir Francis Seymour Haden, 1818–1910

Werrington

1868

Sir Francis Seymour Haden, 1818–1910

Horsley's House at Willesley

1865

Print made by Philip Gilbert Hamerton, 1834–1894

Smith's Yard at Etang

1876

John Dixon, ca. 1740–1811

William Robert Fitzgerald, Second Duke of Leinster

1775

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Cresset

1915

Print made by W. R. Smith, active 1819–1851

Dartmouth Cove

1827

Print made by J. C. Varrall, active 1815–1827

Launceston, Cornwall

1827

Print made by Robert Wallis, 1794–1878

Barnard Castle, Durham

1827

Sir Francis Seymour Haden, 1818–1910

Egham

1859

Sir Francis Seymour Haden, 1818–1910

Shere Mill Pond, no. 2 (large plate)

1860

Sir Francis Seymour Haden, 1818–1910

A River in Ireland

1864

Print made by James Heath, 1757–1834

General Washington

1800

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745