Materials & Techniques: etching (printing process) / Width [cm]: 38 / Subject Terms: literary theme - YCBA Collections Search Search Results

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Materials & Techniques etching (printing process)

Width [cm] 38

Subject Terms literary theme

Robert Blyth The Captive

Print made by Robert Blyth, 1750–1784

The Captive

1781

Charles Ansell Hamlet

Print made by Charles Ansell, ca.1752–active 1790

Hamlet

1809

William Heath Opera Reminiscences: Desdemona and Otello

Print made by William Heath, 1795–1840

Opera Reminiscences: Desdemona and Otello

1829

William Nutter Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia

William Nutter, 1754–1802

Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia

1789

Francesco Bartolozzi Lovelace in Prison

Print made by Francesco Bartolozzi, 1728–1815

Lovelace in Prison

1788

Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life

Print made by Luigi Schiavonetti, 1765–1810

The Soul Hovering over the Body reluctantly Parting with Life

1808, published 1813

Charles Gauthier Playter Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .

Print made by Charles Gauthier Playter, died 1809

Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .

1793

Jean B. Michel King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)

Print made by Jean B. Michel, active 1803

King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)

1791

James Gillray Shakespeare Sacrificed; or, The Offering to Avarice

Print made by James Gillray, 1756–1815

Shakespeare Sacrificed; or, The Offering to Avarice

1789

Francesco Bartolozzi Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

Print made by Francesco Bartolozzi, 1728–1815

Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

1786

William Skelton Richard III: Act IV, Scene III, Tower of London

Print made by William Skelton, 1763–1848

Richard III: Act IV, Scene III, Tower of London

1795

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Sir Frank Short Pan and Syrinx, No. 2

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx, No. 2

1896

Luigi Schiavonetti The Grave, A Poem, by Robert Blair

Prints made by Luigi Schiavonetti, 1765–1810

The Grave, A Poem, by Robert Blair

1808