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1. The Sleeping Shepherd

The Sleeping Shepherd
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 13/16 x 8 9/16 inches (30 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Sleeping Shepherd

The Sleeping Shepherd
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint on thick, smooth, cream wove paper with cream chine collé
Dimensions:
Sheet: 4 13/16 x 4 1/16 inches (12.2 x 10.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Sleeping Shepherd

The Sleeping Shepherd
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/16 x 7 inches (21.1 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

4. Tail Piece, or the Bathos

No cover image available
Creator:
Print made by William Hogarth, 1697–1764
Date:
1764
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 12 3/8 × 13 1/4 inches (31.4 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

5. Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Damnation of Obadiah

The Damnation of Obadiah
Creator:
Print made by James Bretherton, ca. 1730–1806
Date:
1773
Materials & Techniques:
Etching on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 12 1/16 x 15 11/16 inches (30.6 x 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Portrait of a Man with Hat

Portrait of a Man with Hat
Creator:
Print made by John James Chalon, 1778–1854
Date:
1792
Materials & Techniques:
Etching on medium, slightly textured, gray laid paper
Dimensions:
Sheet: 5 9/16 × 4 15/16 inches (14.2 × 12.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Bindman in memory of Richard Godfrey

13. A Lecture on Gadding

A Lecture on Gadding
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Etching, stipple engraving, and mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 7/16 x 15 1/16 inches (46.9 x 38.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Mr. Wilkinson as Michael in Free & Easy

Mr. Wilkinson as Michael in Free & Easy
Creator:
Print made by Robert Cooper, ca. 1800–1836
Date:
1822
Materials & Techniques:
Stipple engraving, line engraving, and etching on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 11/16 × 7 11/16 inches (27.1 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

15. Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV
Creator:
Charles Grignion, 1717–1810
Date:
undated
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 13/16 x 9 3/16 inches (30 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Enoch Seeman

Enoch Seeman
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
undated
Materials & Techniques:
Etching on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 7/8 x 9 1/8 inches (30.2 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Enoch Seeman

Enoch Seeman
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 3/4 x 6 15/16 inches (22.3 x 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Study

Study
Creator:
Print made by John Chalon, 1738 – 1795
Date:
1789-1790
Materials & Techniques:
Etching and pen and ink wash on medium, smooth, beige wove paper
Dimensions:
Sheet: 4 15/16 × 4 5/16 inches (12.6 × 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Thomas Girtin

Thomas Girtin
Creator:
Samuel William Reynolds, 1773–1835
Date:
1817
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/8 x 10 1/4 inches (38.4 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. E. Edwards, Associate and Teacher of Perspective in the Royal Academy

E. Edwards, Associate and Teacher of Perspective in the Royal Academy
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1808
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 15/16 x 9 5/16 inches (30.3 x 23.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
Creator:
James Gillray, 1756–1815
Date:
1806
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 × 13 7/8 inches (24.7 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Open Book

The Open Book
Creator:
James McNeill Whistler, 1834–1903
Date:
1861
Materials & Techniques:
Etching and drypoint, printed from canceled plate on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 7/8 x 9 5/8 inches (32.7 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

23. Angelica Kauffman

Angelica Kauffman
Creator:
Print made by Pierre Audouin, 1768–1822
Date:
undated
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 6 5/16 inches (24.4 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Humphry Repton, Esq.

Humphry Repton, Esq.
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Stipple engraving, etching, and line engraving on moderately thick, slightly textured, cream wove paper; page in book
Dimensions:
Sheet: 6 9/16 × 3 3/4 inches (16.6 × 9.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Sir Nathaniel Bacon

Sir Nathaniel Bacon
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
ca. 1793
Materials & Techniques:
Etching and stipple engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 15/16 x 9 inches (30.3 x 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Sir Nathaniel Bacon

Sir Nathaniel Bacon
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
1793
Materials & Techniques:
Etching and stipple engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 1/8 x 9 5/8 inches (30.8 x 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Sir William Jones

Sir William Jones
Creator:
Print made by John Cochran, active 1825–1854
Date:
ca. 1832
Materials & Techniques:
Etching, line engraving, and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 7 inches (26.7 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

29. Benjamin West, Esq., President of the Royal Academy of London

Benjamin West, Esq., President of the Royal Academy of London
Creator:
Print made by Charles Heath, 1785–1848
Date:
1818
Materials & Techniques:
Etching, stipple engraving and line engraving on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of James B. Richardson, Jr., B.A. 1957

30. A Lady Reading

A Lady Reading
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1858
Materials & Techniques:
Etching and drypoint, with plate tone on thin, slightly textured, cream Asian paper
Dimensions:
Sheet: 4 3/4 x 6 3/8 inches (12.1 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

31. 'The Gamester,' Act V, Scene IV

'The Gamester,' Act V, Scene IV
Creator:
James Fittler, 1758–1835
Date:
1792
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/2 × 3 1/16 inches (14 × 7.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

32. Comedies

Comedies
Creator:
Print made by John Hall, 1739–1797
Date:
ca. 1776
Materials & Techniques:
Line engraving and etching on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 5/8 × 3 9/16 inches (16.9 × 9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

33. Junius

Junius
Creator:
Print made by Thomas Bonner, ca. 1740–ca. 1812
Date:
1769
Materials & Techniques:
Etching and stipple engraving on medium, smooth, cream laid paper in contemporary laid paper insert
Dimensions:
Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

34. Reading by a Paper-Bell Shade

Reading by a Paper-Bell Shade
Creator:
Print made by Philip Dawe, ca.1745–ca.1809
Date:
1768
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 7/8 x 11 1/8 inches (42.8 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

35. The Death of the Good Old Man

The Death of the Good Old Man
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Johannes Potter, Archiepiscopus Cantuariensis

Johannes Potter, Archiepiscopus Cantuariensis
Creator:
George Vertue, 1684–1756
Date:
1741
Materials & Techniques:
Stipple engraving, line engraving and etching on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 16 7/16 × 11 3/4 inches (41.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. ...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX

...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX
Creator:
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:
1778
Materials & Techniques:
Etching on medium, slightly textured, gray laid paper
Dimensions:
Sheet: 6 7/16 × 3 3/4 inches (16.4 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

38. Miss Crockatt as Julia de Roubigné

Miss Crockatt as Julia de Roubigné
Creator:
Print made by John Dean, 1754–1798
Date:
1786
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 13/16 x 11 7/16 inches (37.7 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39. Repose in Egypt

Repose in Egypt
Creator:
Print made by James Barry, 1741–1806
Date:
ca. 1776
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 1/8 x 10 9/16 inches (20.6 x 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Repose in Egypt

Repose in Egypt
Creator:
Print made by James Barry, 1741–1806
Date:
ca. 1776
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 × 10 3/8 inches (20.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Damnation of Obadiah

The Damnation of Obadiah
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
between 1773 and 1817
Materials & Techniques:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 x 17 1/2 inches (27.5 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. James Beattie, LL.D.

James Beattie, LL.D.
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1805
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 7 13/16 × 9 1/8 inches (19.8 × 23.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The Discovery

The Discovery
Creator:
Print made by E. J. Dumée, active 1790
Date:
1788
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 11 3/16 inches (39 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy

Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy
Creator:
James Hardy, active 1770s
Date:
undated
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 5/8 x 8 1/8 inches (29.5 x 20.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

45. Shakespeare Sacrificed; or, The Offering to Avarice

Shakespeare Sacrificed; or, The Offering to Avarice
Creator:
Print made by James Gillray, 1756–1815
Date:
1789
Materials & Techniques:
Etching with hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 3/4 x 15 1/8 inches (50.2 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Mrs. Fitzherbert

Mrs. Fitzherbert
Creator:
Print made by John Condé, 1765–1794
Date:
1792
Materials & Techniques:
Stipple engraving with etched border on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 × 11 7/8 inches (40.6 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. George Pritchard, Her Britannic Majesty's Consul

George Pritchard, Her Britannic Majesty's Consul
Creator:
Print made by George Baxter, 1804–1867
Date:
1845
Materials & Techniques:
Aquatint, stipple engraving, and etching with colored woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 16 1/4 x 12 1/2 inches (41.2 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Pilgrims Paying Their Devotion in St. Peters at Rome

Pilgrims Paying Their Devotion in St. Peters at Rome
Creator:
Print made by David Allan, 1744–1796
Date:
between 1773 and 1775
Materials & Techniques:
Etching on moderately thick, rough, cream laid paper
Dimensions:
Sheet: 9 7/8 × 6 15/16 inches (25.1 × 17.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. And Ah! Let Pity Turn Her Dewy Eyes...

And Ah! Let Pity Turn Her Dewy Eyes...
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1801
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 1/16 x 10 9/16 inches (35.7 x 26.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1786
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 13/16 x 16 3/4 inches (32.5 x 42.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Reading by a Paper-Bell Shade

Reading by a Paper-Bell Shade
Creator:
Print made by Philip Dawe, ca.1745–ca.1809
Date:
1768
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper, laid in mount
Dimensions:
Sheet: 16 1/8 x 10 11/16 inches (41 x 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. A Bishop

No cover image available
Creator:
Print made by William Henry Pyne, 1769–1843
Date:
1805
Materials & Techniques:
Colored aquatint with etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 1/4 x 12 1/2 inches (23.5 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

53. Spectrum Dioneum

No cover image available
Creator:
Print made by Henry Fuseli, 1741–1825
Date:
1768
Materials & Techniques:
Etching with hand coloring in watercolor
Dimensions:
Frame: 34 1/2 × 30 3/4 × 1 1/4 inches (87.6 × 78.1 × 3.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

54. The Day of Judgment

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. The Day of Judgment

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/4 × 13 1/2 inches (50.2 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. The Death of the Good Old Man

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. The Death of the Good Old Man

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 5/8 × 20 inches (34.6 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. The Schoolboy

No cover image available
Creator:
Print made by John Dean, 1754–1798
Date:
1777
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 11 7/8 inches (39.5 x 30.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund