Materials & Techniques: etching (printing process) / Image Use: Free to Use / Subject Terms: columns

1. Holy Island Cathedral

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint printed in brown ink, with graphite and scratching out; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 11 1/4 inches (21.3 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Holy Island Cathedral

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 16 1/8 inches (26.4 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Holy Island Cathedral

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Junius

Creator:: Print made by Thomas Bonner, ca. 1740–ca. 1812
Date:: 1769
Materials & Techniques:: Etching and stipple engraving on medium, smooth, cream laid paper in contemporary laid paper insert
Dimensions:: Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

5. The Romans Polite to Strangers

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/8 x 22 5/16 inches (38.4 x 56.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Prince Albert

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 7/16 × 7 1/2 inches (26.5 × 19 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Intemperance

Creator:: Print made by Guillaume Sulpice Chevalier, 1804–1866
Date:: undated
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 9/16 x 20 inches (34.4 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Young Roscius

Creator:: Print made by unknown artist
Date:: 1804
Materials & Techniques:: Etching with hand coloring on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 5/8 × 11 1/8 inches (34.6 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. Die Maussalle.... - "Hamlet," Act III, Scene II

Creator:: Print made by Daniel Berger, 1744–1824
Date:: between 1778 and 1780
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/16 × 10 3/4 inches (23 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

10. ...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX

Creator:: Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:: 1778
Materials & Techniques:: Etching on medium, slightly textured, gray laid paper
Dimensions:: Sheet: 6 7/16 × 3 3/4 inches (16.4 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

11. Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II

Creator:: Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Date:: 1778
Materials & Techniques:: Etching on medium, slightly textured, gray laid paper
Dimensions:: Sheet: 6 7/16 × 4 inches (16.3 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

12. "Antony and Cleopatra," Act III, Scene XI

Creator:: Georg Goldberg, 1830–1894
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 1/16 inches (28.2 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

13. Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung

Creator:: Andreas Geiger, 1765–1856
Date:: undated
Materials & Techniques:: Etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/16 x 12 1/16 inches (24 x 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

14. William Henry West Betty

Creator:: James Heath, 1757–1834
Date:: 1806
Materials & Techniques:: Etching, line engraving, and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/2 x 18 1/2 inches (64.8 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

15. Dido and Aeneas; The Morning of the Chase

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1842
Materials & Techniques:: Etching and engraving, with graphite and chine collé; touched engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/8 × 28 1/8 inches (53.7 × 71.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Hampton Court

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/8 inches (14 × 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Greenwich Hospital

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, aquatint and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 5/8 × 8 7/8 inches (14.3 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Queen Victoria

Creator:: after George Baxter, 1804–1867
Date:: ca. 1860
Materials & Techniques:: Aquatint, stipple engraving, etching, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 13/16 × 7 1/2 inches (27.5 × 19 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Prince Albert

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper mounted on contemporary cream card with unevenly painted gold border
Dimensions:: Mount: 10 1/16 x 8 1/16 inches (25.5 x 20.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Ponte Vecchio [North Italian Set: No. 21]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1895
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 8 1/4 inches (24.1 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

21. Porta del Molo, Genoa [North Italian Set: No. 23]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1896
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 × 8 inches (23.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

22. Roslyn

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1899
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 8 5/8 inches (32.1 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

23. St. Mark's No. 2

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 9 3/8 inches (35.6 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

24. The Abbazia, Venice

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1900
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 9 3/4 inches (35.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

25. Rosslyn Chapel

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1901
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 8 inches (28.3 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

26. Doge's Palace

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1902
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 16 1/8 inches (26.4 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

27. St. Laumer-Blois

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1903
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 8 1/8 inches (35.6 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

28. Montivilliers

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1903
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 11 3/8 inches (23.5 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

29. Tewkesbury Abbey

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1915
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

30. Double Hairpin Set

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:: Sheet: 6 5/8 × 7 5/16 inches (16.8 × 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Garrick Reading the Ode at the Shakespeare Jubilee

Creator:: Caroline Watson, 1760–1814
Date:: 1784
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 7/16 x 17 13/16 inches (62 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Alexander

32. Twelfth Night, Act V, Scene I: The Street

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1803
Materials & Techniques:: Etching and stipple engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 20 x 29 1/2 inches (50.8 x 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Architectural Designs Incorporating Chinoiserie Motifs: Oblong Paling. A Door. Parallel railing.

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1751
Materials & Techniques:: Etching on medium, textured, cream laid paper
Dimensions:: Sheet: 9 13/16 x 15 1/2 inches (25 x 39.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Shakespeare Sacrificed; or, The Offering to Avarice

Creator:: Print made by James Gillray, 1756–1815
Date:: 1789
Materials & Techniques:: Etching with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/4 x 15 1/8 inches (50.2 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Crypt, Worcester Cathedral

Creator:: John Greig, active 1803–1853
Date:: 1807
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 6 1/4 inches (10.1 × 15.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Baron's Hall

Creator:: Print made by Ebenezer Challis, active 1837–1859
Date:: 1844
Materials & Techniques:: Etching on moderately thick, smooth, beige wove paper
Dimensions:: Plate: 6 7/8 x 9 13/16 inches (17.4 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Creator:: Print made by Thomas Barber, ca. 1768–1843
Date:: 1829
Materials & Techniques:: Etching with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

Creator:: Print made by Thomas Mann Baynes, 1794–1854
Date:: after 1835
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 21 inches (37.5 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Virtuous Love

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1793
Materials & Techniques:: Stipple engraving and etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 5/8 × 8 3/4 inches (19.4 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 15 1/2 inches (28.8 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Procession of the Knights of the Most Noble Order of the Garter

Creator:: Richard Cooper the Younger, 1740–1814
Date:: 1782
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 x 54 1/4 inches (50.2 x 137.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Chartres

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1902
Materials & Techniques:: Etching with drypoint on Japanese paper
Dimensions:: Sheet: 13 × 8 3/4 inches (33 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

43. Stoke Poges

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1918
Materials & Techniques:: Etching; 6th state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 10 1/2 inches (21.6 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

44. General Washington

Creator:: Print made by James Heath, 1757–1834
Date:: 1800
Materials & Techniques:: Etching on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 9/16 × 14 1/8 inches (54.7 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

45. Angelica Kauffman

Creator:: Print made by Pierre Audouin, 1768–1822
Date:: undated
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 6 5/16 inches (24.4 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. A Morning Ride

Creator:: James Gillray, 1756–1815
Date:: 1804
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 11/16 x 20 3/16 inches (34.7 x 51.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Robert W. Carle

47. Stoke Poges

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1918
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 9 1/8 inches (16.5 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

48. Mortmain

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1918
Materials & Techniques:: Etching; 3rd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 14 inches (24.1 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49. Turin, from the Portico of the Superga Church

Creator:: Print made by James Mitan, 1776–1822
Date:: 1820
Materials & Techniques:: Etching with chine collé on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 × 14 3/8 inches (25.4 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. St. Martin's Church Westminster

Creator:: Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:: 1810
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 5 3/8 inches (19.1 × 13.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Flower Garden Porch at Farnley

Creator:: Print made by unknown artist
Date:: 1814
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

52. The Conversion of the Proconsul

Creator:: Print made by George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on cream card mounted on moderately thick, smooth, cream wove paper
Dimensions:: Image: 5 11/16 x 7 1/4 inches (14.4 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Healing of the Lame Man

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on thick, smooth cream wove paper mounted on contemporary cream card
Dimensions:: Mount: 8 3/8 x 9 15/16 inches (21.2 x 25.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Healing of the Lame Man

Creator:: after George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching and stipple engraving with color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:: Image: 4 9/16 x 7 3/16 inches (11.6 x 18.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Sacrifice at Lystra

Creator:: George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on cream card mounted on contemporary cream card
Dimensions:: Mount: 6 15/16 x 7 7/8 inches (17.7 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Sacrifice at Lystra

Creator:: George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:: Image: 4 1/2 x 7 3/16 inches (11.5 x 18.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Sacrifice at Lystra

Creator:: George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Etching and stipple engraving with aquatint and red color woodcut on thick, smooth, cream wove paper
Dimensions:: Image: 5 1/4 x 8 1/4 inches (13.4 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. St Paul Preaching in Athens

Creator:: George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on moderately thick, smooth, beige wove paper
Dimensions:: Image: 5 7/8 x 7 3/8 inches (14.9 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Michael Rysbrack

Creator:: Print made by Thomas Chambars, ca. 1724–1789
Date:: undated
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 1/8 inches (30.1 x 23.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Enoch Seeman

Creator:: Print made by Thomas Chambars, ca. 1724–1789
Date:: undated
Materials & Techniques:: Etching on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 7/8 x 9 1/8 inches (30.2 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Enoch Seeman

Creator:: Print made by Thomas Chambars, ca. 1724–1789
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 3/4 x 6 15/16 inches (22.3 x 17.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Godfrey Schalcken

Creator:: Print made by Thomas Chambars, ca. 1724–1789
Date:: 1763
Materials & Techniques:: Etching on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 3/4 x 9 1/8 inches (29.9 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Godfrey Schalcken

Creator:: Print made by Thomas Chambars, ca. 1724–1789
Date:: 1763
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 13/16 x 7 1/8 inches (22.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. View of the Front of the New Public Buildings, Guildford

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1819
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 7/16 x 15 3/8 inches (29.1 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 x 15 1/4 inches (28.6 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching, stipple engraving and drypoint print on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 15/16 x 15 1/2 inches (27.8 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching, drypoint print and stipple engraving on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 11 3/16 x 15 9/16 inches (28.4 x 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and drypoint print on moderately thick, textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 15 9/16 inches (28.2 x 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Elevation of the Design for the Bank of England by Theodore Jacobsen Esqr.

Creator:: Paul Fourdrinier, 1698–1758
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 16 1/4 inches (27.6 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Elevation of the Design of a Triangular House by Theodore Jacobsen Esqr.

Creator:: Paul Fourdrinier, 1698–1758
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 16 3/16 inches (27.6 x 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Section of the Design of a Triangular House by Theodore Jacobsen Esqr.

Creator:: Paul Fourdrinier, 1698–1758
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 16 1/4 inches (27.7 x 41.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Triad Figure, Interior of Elephanta

Creator:: Print made by William Woolnoth, active 1806–1830
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 10 7/8 inches (18.4 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

74. Entrance to the Cave of Elephanta

Creator:: Print made by unknown artist
Date:: ca. 1834
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 11 inches (18.4 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

75. Interieur de la Pagode; Vue de Rangoun, Cote du Sud

Creator:: Print made by Louis Auguste de Sainson, 1800–1887
Date:: 1834
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 7 1/4 inches (27.3 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

76. Rosamund and the Fair Annett

Creator:: William Dickinson, 1746–1823
Date:: 1784
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 14 3/16 inches (40.7 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Boys Playing at Marbles

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1786
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 7/8 × 23 1/2 inches (47.9 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. St Paul Preaching in Athens

Creator:: George Baxter, 1804–1867
Date:: after 1855
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on cream card mounted on contemporary cream card
Dimensions:: Mount: 7 11/16 x 10 1/8 inches (19.6 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Decoration Du Teatre Royal

Creator:: Giovanni Piranesi, 1720–1778
Date:: undated
Materials & Techniques:: Etching and aquatint on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/8 x 22 1/8 inches (43.5 x 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Beekman C. and Margaret Cannon

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1. Holy Island Cathedral

2. Holy Island Cathedral

3. Holy Island Cathedral

4. Junius

5. The Romans Polite to Strangers

6. Prince Albert

7. Intemperance

8. The Young Roscius

9. Die Maussalle.... - "Hamlet," Act III, Scene II

10. ...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX

11. Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II

12. "Antony and Cleopatra," Act III, Scene XI

13. Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung

14. William Henry West Betty

15. Dido and Aeneas; The Morning of the Chase

16. Hampton Court

17. Greenwich Hospital

18. Queen Victoria

19. Prince Albert

20. Ponte Vecchio [North Italian Set: No. 21]

21. Porta del Molo, Genoa [North Italian Set: No. 23]

22. Roslyn

23. St. Mark's No. 2

24. The Abbazia, Venice

25. Rosslyn Chapel

26. Doge's Palace

27. St. Laumer-Blois

28. Montivilliers

29. Tewkesbury Abbey

30. Double Hairpin Set

31. Garrick Reading the Ode at the Shakespeare Jubilee

32. Twelfth Night, Act V, Scene I: The Street

33. Architectural Designs Incorporating Chinoiserie Motifs: Oblong Paling. A Door. Parallel railing.

34. Shakespeare Sacrificed; or, The Offering to Avarice

35. The Crypt, Worcester Cathedral

36. The Baron's Hall

37. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

38. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

39. Virtuous Love

40. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

41. The Procession of the Knights of the Most Noble Order of the Garter

42. Chartres

43. Stoke Poges

44. General Washington

45. Angelica Kauffman

46. A Morning Ride

47. Stoke Poges

48. Mortmain

49. Turin, from the Portico of the Superga Church

50. St. Martin's Church Westminster

51. Flower Garden Porch at Farnley

52. The Conversion of the Proconsul

53. The Healing of the Lame Man

54. The Healing of the Lame Man

55. The Sacrifice at Lystra

56. The Sacrifice at Lystra

57. The Sacrifice at Lystra

58. St Paul Preaching in Athens

59. Michael Rysbrack

60. Enoch Seeman

61. Enoch Seeman

62. Godfrey Schalcken

63. Godfrey Schalcken

64. View of the Front of the New Public Buildings, Guildford

65. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

66. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

67. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

68. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

69. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

70. The Elevation of the Design for the Bank of England by Theodore Jacobsen Esqr.

71. The Elevation of the Design of a Triangular House by Theodore Jacobsen Esqr.

72. The Section of the Design of a Triangular House by Theodore Jacobsen Esqr.

73. Triad Figure, Interior of Elephanta