Materials & Techniques: etching (printing process) / Image Use: Free to Use / Subject Terms: grass - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Materials & Techniques etching (printing process)

Image Use Free to Use

Subject Terms grass

Joseph Mallord William Turner Jason

Etched by Joseph Mallord William Turner, 1775–1851

Jason

1807

William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

1797

William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

1797

William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

ca. 1797

William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

ca. 1797

William Blake Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

ca. 1797

William Blake Alas!; Plate 9

Print made by William Blake, 1757–1827

Alas!; Plate 9

1793

William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

ca. 1797

William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

John Copley Sheep in Twilight

Print made by John Copley, 1875–1950

Sheep in Twilight

1922

John Crome Road Scene, Trowse Hall, near Norwich

Print made by John Crome, 1768–1821

Road Scene, Trowse Hall, near Norwich

1813

Charles Bretherton Postiglione Inglese

Print made by Charles Bretherton, ca. 1760–1783

Postiglione Inglese

1772

Henry William Bunbury The Siege of Namur

Print made by Henry William Bunbury, 1750–1811

The Siege of Namur

between 1773 and 1817

Jean B. C. Chatelain Wooded Landscape with a River Leading to Distant Buildings

Print made by Jean B. C. Chatelain, 1710–1771

Wooded Landscape with a River Leading to Distant Buildings

undated

John Crome Back of the New Mills, Norwich

Print made by John Crome, 1768–1821

Back of the New Mills, Norwich

1812

John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

Richard Samuel Chattock The Holt

Print made by Richard Samuel Chattock, 1825–1906

The Holt

undated

John Bluck Clare Hall

Print made by John Bluck, active 1791–1831

Clare Hall

1814

Francesco Bartolozzi Evening

Print made by Francesco Bartolozzi, 1728–1815

Evening

undated

David Allan Glaud and Symon

Print made by David Allan, 1744–1796

Glaud and Symon

1808

James McNeill Whistler The Storm

James McNeill Whistler, 1834–1903

The Storm

1861

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

J. S. Cooper Sheep

Print made by J. S. Cooper, active 1885

Sheep

ca. 1880

James McNeill Whistler Landscape with a Fisherman

James McNeill Whistler, 1834–1903

Landscape with a Fisherman

1861

James Gillray The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

James Gillray, 1756–1815

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

1806

Thomas Burke Cupid and Cephisa: "One Day as I was Walking in the Woods..."

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Jean B. C. Chatelain View with Figures in a Classical Landscape with Ruins

Jean B. C. Chatelain, 1710–1771

View with Figures in a Classical Landscape with Ruins

undated

John Bluck Clare Hall

Print made by John Bluck, active 1791–1831

Clare Hall

1814

Sir Francis Seymour Haden Kensington Gardens, no. 1 (small plate)

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 1 (small plate)

1859

Sir Francis Seymour Haden Kensington Gardens, no. 1 (small plate)

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 1 (small plate)

1859

Sir Francis Seymour Haden Mytton Hall

Print made by Sir Francis Seymour Haden, 1818–1910

Mytton Hall

1859

Sir Francis Seymour Haden Mytton Hall

Print made by Sir Francis Seymour Haden, 1818–1910

Mytton Hall

1859

Sir Francis Seymour Haden Cottages behind Horsley's House

Sir Francis Seymour Haden, 1818–1910

Cottages behind Horsley's House

1865

Sir Francis Seymour Haden Werrington

Sir Francis Seymour Haden, 1818–1910

Werrington

1868

Sir Francis Seymour Haden Cottages behind Horsley's House

Sir Francis Seymour Haden, 1818–1910

Cottages behind Horsley's House

1865

Sir Francis Seymour Haden Challow Farm

Sir Francis Seymour Haden, 1818–1910

Challow Farm

1877

Sir Francis Seymour Haden High Park

Sir Francis Seymour Haden, 1818–1910

High Park

1868

Sir Francis Seymour Haden The Three Sisters

Sir Francis Seymour Haden, 1818–1910

The Three Sisters

after 1867

Sir Francis Seymour Haden The Two Sheep

Sir Francis Seymour Haden, 1818–1910

The Two Sheep

1870

Sir Francis Seymour Haden Windmill Hill, no. 1

Sir Francis Seymour Haden, 1818–1910

Windmill Hill, no. 1

1877

Sir Francis Seymour Haden Windmill Hill, no. 2

Sir Francis Seymour Haden, 1818–1910

Windmill Hill, no. 2

1877

Sir Francis Seymour Haden Windmill Hill, no. 2

Sir Francis Seymour Haden, 1818–1910

Windmill Hill, no. 2

1877

Sir Francis Seymour Haden Encombe Woods, no. 2

Sir Francis Seymour Haden, 1818–1910

Encombe Woods, no. 2

1881-1882

Sir Francis Seymour Haden Mytton Hall

Print made by Sir Francis Seymour Haden, 1818–1910

Mytton Hall

1859

Sir Francis Seymour Haden Kensington Gardens, no. 1 (small plate)

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 1 (small plate)

1859

Sir Francis Seymour Haden Kensington Gardens, no. 2 (large plate)

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 2 (large plate)

1860

Sir Francis Seymour Haden Kensington Gardens, no. 2 (large plate)

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 2 (large plate)

1860

Sir Francis Seymour Haden Combe Bottom

Sir Francis Seymour Haden, 1818–1910

Combe Bottom

1860

Sir Francis Seymour Haden Combe Bottom

Sir Francis Seymour Haden, 1818–1910

Combe Bottom

1860

Sir Francis Seymour Haden Dundrum River

Sir Francis Seymour Haden, 1818–1910

Dundrum River

1863

Sir Francis Seymour Haden Sunset in Ireland

Sir Francis Seymour Haden, 1818–1910

Sunset in Ireland

1863

Sir Francis Seymour Haden Sunset in Ireland

Sir Francis Seymour Haden, 1818–1910

Sunset in Ireland

1863

Sir Francis Seymour Haden Sunset in Ireland

Sir Francis Seymour Haden, 1818–1910

Sunset in Ireland

1863

William Lee Hankey In Belgium

William Lee Hankey, 1869–1952

In Belgium

1917

John Robert Cozens Bath: The South Parade

Print made by John Robert Cozens, 1752–1797

Bath: The South Parade

1773

John Robert Cozens Bath: The North Parade

Print made by John Robert Cozens, 1752–1797

Bath: The North Parade

1773

John Robert Cozens South View of Bath

Print made by John Robert Cozens, 1752–1797

South View of Bath

1773

John Crome Wooded Landscape

Print made by John Crome, 1768–1821

Wooded Landscape

ca. 1812

George Baxter The Belle of the Village

Print made by George Baxter, 1804–1867

The Belle of the Village

1854

Bradshaw & Blacklock Cathedrals in England

Print made by Bradshaw & Blacklock, active ca.1850

Cathedrals in England

after 1850

Bradshaw & Blacklock Chepstow Castle

Print made by Bradshaw & Blacklock, active ca.1850

Chepstow Castle

after 1850

Bradshaw & Blacklock Eight colour prints

Print made by Bradshaw & Blacklock, active ca.1850

Eight colour prints

after 1850

Bradshaw & Blacklock Eight Rural Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Bradshaw & Blacklock The Farmer's Boy & The Rustic Angler

Print made by Bradshaw & Blacklock, active ca.1850

The Farmer's Boy & The Rustic Angler

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850

Bradshaw & Blacklock Haddon Hall

Print made by Bradshaw & Blacklock, active ca.1850

Haddon Hall

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Italian Peasants - Tryoliean Waltz.

Print made by Bradshaw & Blacklock, active ca.1850

Italian Peasants - Tryoliean Waltz

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock Newstead Abbey

Print made by Bradshaw & Blacklock, active ca.1850

Newstead Abbey

after 1850

Bradshaw & Blacklock Balmoral Castle

Print made by Bradshaw & Blacklock, active ca.1850

Balmoral Castle

after 1850

George Baxter Christ's Charge to Peter

after George Baxter, 1804–1867

Christ's Charge to Peter

after 1855

Robert Dighton A Jack in Office

Robert Dighton, 1752–1814

A Jack in Office

1793

Thomas Burke Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Sir Francis Seymour Haden Kensington Gardens, no. 1 (small plate)

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 1 (small plate)

1859

Frederick Landseer Maur Griggs The Palace

Print made by Frederick Landseer Maur Griggs, 1876–1938

The Palace

1916

James Basire the younger Frankley Chapel, S. E., Worcestershire

Print made by James Basire the younger, 1769–1822

Frankley Chapel, S. E., Worcestershire

1812

M. Coote Dudley Priory in Worcestershire, Plate 2

Print made by M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

James C. Allen Penzance, Cornwall

Print made by James C. Allen, active 1821–1831

Penzance, Cornwall

1833

M. Coote Dudley Priory in Worcestershire, Plate 1

Print made by M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 1

before 1786

M. Coote Dudley Priory in Worcestershire, Plate 2

M. Coote, ca. 1758/62–1801

Dudley Priory in Worcestershire, Plate 2

before 1786

Thomas Bonnor Blockley Church

Print made by Thomas Bonnor, ca. 1740–ca. 1812

Blockley Church

1793

William Hincks Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

James Barry Sacra Christi Familia

Print made by James Barry, 1741–1806

Sacra Christi Familia

undated

Thomas Higham Benacre Hall, Suffolk

Thomas Higham, 1796–1844

Benacre Hall, Suffolk

1819

Bradshaw & Blacklock The Crimean War

Print made by Bradshaw & Blacklock, active ca.1850

The Crimean War

after 1850

Bradshaw & Blacklock Four Subjects

Print made by Bradshaw & Blacklock, active ca.1850

Four Subjects

after 1850