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Materials & Techniques etching (printing process)

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Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881
The Sepulchre
between 1880 and 1883
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
James Bretherton A Maid
Print made by James Bretherton, ca. 1730–1806
A Maid
1774
John Chalon Study
Print made by John Chalon, 1738 – 1795
Study
1790
John Chalon Study
Print made by John Chalon, 1738 – 1795
Study
1789-1790
John Chalon Study
Print made by John Chalon, 1738 – 1795
Study
1789-1790
John Chalon Study
Print made by John Chalon, 1738 – 1795
Study
1789-1790
James McNeill Whistler Little Annie Seated
Print made by James McNeill Whistler, 1834–1903
Little Annie Seated
undated
John Chalon Study
Print made by John Chalon, 1738 – 1795
Study
1789-1790
Sir Francis Seymour Haden The Terrace, Cintra
Sir Francis Seymour Haden, 1818–1910
The Terrace, Cintra
1877
Sir Francis Seymour Haden Mouth of a Brook, no. 1
Sir Francis Seymour Haden, 1818–1910
Mouth of a Brook, no. 1
1859
Sir Francis Seymour Haden The Holly Field
Sir Francis Seymour Haden, 1818–1910
The Holly Field
1860
Philip Dawe Reading by a Paper-Bell Shade
Print made by Philip Dawe, ca.1745–ca.1809
Reading by a Paper-Bell Shade
1768
Charles West Cope The Wanderer
Print made by Charles West Cope, 1811–1890
The Wanderer
1844
Philip Dawe The Letter Woman
Print made by Philip Dawe, ca.1745–ca.1809
The Letter Woman
ca. 1769
James Gillray The Valley of the Shadow of Death
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
Francesco Bartolozzi And Ah! Let Pity Turn Her Dewy Eyes...
Print made by Francesco Bartolozzi, 1728–1815
And Ah! Let Pity Turn Her Dewy Eyes..
1801
Philip Dawe Reading by a Paper-Bell Shade
Print made by Philip Dawe, ca.1745–ca.1809
Reading by a Paper-Bell Shade
1768
John Dean The Schoolboy
Print made by John Dean, 1754–1798
The Schoolboy
1777