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Materials & Techniques etching (printing process)

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William Blake My Son! My Son!; Plate 10
Print made by William Blake, 1757–1827
My Son! My Son!; Plate 10
1793
William Blake For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
1826
George Barret Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
Print made by George Barret, ca. 1728/32–1784
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
Heneage Finch fourth Earl of Aylesford Maxstoke Priory
Heneage Finch fourth Earl of Aylesford, 1751–1812
Maxstoke Priory
undated
David Allan Glaud and Symon
Print made by David Allan, 1744–1796
Glaud and Symon
1808
Francesco Bartolozzi Ticket: Anacreontic Society Meeting
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
Lydia Bates Deucalion and Pyrrha after the Flood
Print made by Lydia Bates, active 1784
Deucalion and Pyrrha after the Flood
1784
Bradshaw & Blacklock Double Hairpin Set
Print made by Bradshaw & Blacklock, active ca.1850
Double Hairpin Set
after 1850
John Bell The City of the Pestilence
Print made by John Bell, 1811–1895
The City of the Pestilence
between 1826 and 1852
John Bell The Assault
Print made by John Bell, 1811–1895
The Assault
between 1838 and 1850
Bradshaw & Blacklock Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'.
Bradshaw & Blacklock, active ca.1850
Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'
after 1850