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Materials & Techniques etching (printing process)

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Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881
The Willow
1850
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881
The Willow
1850
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
etching begun before 1861; impression printed in 1926
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
1874
Joseph Mallord William Turner Basle
Etched by Joseph Mallord William Turner, 1775–1851
Basle
1807
Joseph Mallord William Turner Ships in a Breeze
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
Joseph Mallord William Turner Ships in a Breeze
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
Joseph Mallord William Turner The Fifth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
Joseph Mallord William Turner Original Sketch of a Picture for W. Leader, Esq.
Etched by Joseph Mallord William Turner, 1775–1851
Original Sketch of a Picture for W. Leader, Esq
1809
Joseph Mallord William Turner The Fifth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
Joseph Mallord William Turner Ships in a Breeze
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
Joseph Mallord William Turner Flint Castle, Vessels Unloading
Etched by Joseph Mallord William Turner, 1775–1851
Flint Castle, Vessels Unloading
1807
William Hogarth Tail Piece, or the Bathos
Print made by William Hogarth, 1697–1764
Tail Piece, or the Bathos
1764
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake Air (Plate 6)
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake At Length for Hatching Ripe He Breaks the Shell (Plate 8)
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
William Blake Help! Help! (Plate 12)
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
William Blake "Help! Help!" (Plate 12)
Print made by William Blake, 1757–1827
"Help! Help!" (Plate 12)
1826
William Blake Air (Plate 6)
Print made by William Blake, 1757–1827
Air (Plate 6)
1826
William Blake "At length for hatching ripe he breaks the shell" (Plate 8)
Print made by William Blake, 1757–1827
"At length for hatching ripe he breaks the shell" (Plate 8)
1826
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
Richard Ansdell Sleepest or Wakest Thou?
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
John Boydell A View of Erith, Looking Up the Thames
Print made by John Boydell, 1720–1804
A View of Erith, Looking Up the Thames
1750
John Boydell The Boscawen and Sheerness Privateers
Print made by John Boydell, 1720–1804
The Boscawen and Sheerness Privateers
1753
John Boydell A Calm
Print made by John Boydell, 1720–1804
A Calm
1754
Thomas Boydell A Small Breeze
Print made by Thomas Boydell, active 1750–1751
A Small Breeze
1753
John Boydell Morning
Print made by John Boydell, 1720–1804
Morning
1753
John Boydell Evening
Print made by John Boydell, 1720–1804
Evening
1755
John Boydell Greenland Fishery
Print made by John Boydell, 1720–1804
Greenland Fishery
1754
John Boydell Noon
Print made by John Boydell, 1720–1804
Noon
1753
John Boydell The Wreck of the Nuestra Senora de los Remedios
Print made by John Boydell, 1720–1804
The Wreck of the Nuestra Senora de los Remedios
1753
John Browne Morning
Print made by John Browne, 1741–1801
Morning
ca. 1797
John Browne Moon-Light
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
John Browne Moon-Light
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
Samuel Freeman Mamma at Romps
Print made by Samuel Freeman, 1773–1857
Mamma at Romps
1810
Henry William Bunbury The Judgment of Paris
Print made by Henry William Bunbury, 1750–1811
The Judgment of Paris
1771
J. Carwitham A New Drawing Book of Variety of Landskips
Print made by J. Carwitham, active 1720–1740
A New Drawing Book of Variety of Landskips
ca. 1730
Jean B. C. Chatelain Wooded Landscape with a River Leading to Distant Buildings
Print made by Jean B. C. Chatelain, 1710–1771
Wooded Landscape with a River Leading to Distant Buildings
undated
John Crome Wooded Landscape
Print made by John Crome, 1768–1821
Wooded Landscape
ca. 1812
David Lucas Cottage in a Cornfield
Print made by David Lucas, 1802–1881
Cottage in a Cornfield
1844
David Lucas Salisbury Cathedral
Print made by David Lucas, 1802–1881
Salisbury Cathedral
1837
Thomas Creswick Moonlight
Print made by Thomas Creswick, 1811–1869
Moonlight
1839
Francesco Bartolozzi Miss Farren
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
Frederik Christiaan Bierweiler De Hemelvaart
Print made by Frederik Christiaan Bierweiler, active 1800–1831
De Hemelvaart
ca. 1820
George Arnald Meuse and Sambre, from the Gate of the Sambre
Print made by George Arnald, 1763–1841
Meuse and Sambre, from the Gate of the Sambre
1822
George Arnald Dinant, No. 1: Southwest View
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
George Arnald Left Bank, Meuse
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
George Arnald Dinant, No. 1: Southwest View
Print made by George Arnald, 1763–1841
Dinant, No. 1: Southwest View
between 1818 and 1828
George Arnald Bouvignes and Dinant
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
Isaac Fuller Putto Holding a Torch
Print made by Isaac Fuller, ca. 1620–1672
Putto Holding a Torch
undated
George Baxter Prince Albert
after George Baxter, 1804–1867
Prince Albert
after 1855
Bradshaw & Blacklock Tintern Abbey
Bradshaw & Blacklock, active ca.1850
Tintern Abbey
after 1850
John Bell Charon's Boat
Print made by John Bell, 1811–1895
Charon's Boat
between 1838 and 1850
John Bell Sketch from a Statue of a Dreamer
Print made by John Bell, 1811–1895
Sketch from a Statue of a Dreamer
between 1838 and 1850
Pierre Charles Canot A Strong Gale or Squall
Print made by Pierre Charles Canot, ca. 1710–1777
A Strong Gale or Squall
1745
Pierre Charles Canot Shipwreck
Print made by Pierre Charles Canot, ca. 1710–1777
Shipwreck
1745
Pierre Charles Canot A Ship in Distress
Print made by Pierre Charles Canot, ca. 1710–1777
A Ship in Distress
1745
Guillaume Sulpice Chevalier Intemperance
Print made by Guillaume Sulpice Chevalier, 1804–1866
Intemperance
undated
Thomas Girtin View of the Pantheon taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
Charles Ansell Hamlet
Print made by Charles Ansell, ca.1752–active 1790
Hamlet
1809
James H. Baker Come Gentle Night: "Romeo and Juliet," Act III, Scene II
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
Augustus Fox The Dreams of the Youthful Shakespeare
Print made by Augustus Fox, 1800–1876
The Dreams of the Youthful Shakespeare
1827
Simon Gribelin The Ceiling in the Banqueting House at Whitehall
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
A. Birrell John Home, Esq.
Print made by A. Birrell, ca.1770–ca. 1820
John Home, Esq
1799
unknown artist St. Martin's Church
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
unknown artist The South Sea House
Print made by unknown artist
The South Sea House
between 1720 and 1728
unknown artist The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
Print made by unknown artist
The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
between 1720 and 1750
Thomas Bowles III The Admiralty Office
Print made by Thomas Bowles III, ca. 1712–1767
The Admiralty Office
1731
Pierre Charles Canot Marine Study No. 2
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 2
1773
Pierre Charles Canot Marine Study No. 1
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 1
1773