Materials & Techniques: etching (printing process) / Subject Terms: prisoner

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Materials & Techniques etching (printing process)

Subject Terms prisoner

Print made by William Hogarth, 1697–1764

Paul Before Felix

1752

Print made by Robert Spence, 1871–1964

George Fox and Captain Keat

between 1890 and 1911

Print made by Robert Spence, 1871–1964

George Fox and Captain Keat

between 1890 and 1911

Print made by Thomas Ryder, 1746–1810

The Captive

1786

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Charles Grignion, 1717–1810

Britannia Allegory

between 1743 and 1747

Print made by Robert Blyth, 1750–1784

The Captive

1781

Sir George Hayter Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

Sir George Hayter, 1792–1871

Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

1828

Print made by Francesco Bartolozzi, 1728–1815

Lovelace in Prison

1788

Joseph Goupy, 1689–1769

Romanus sum Civis

1726

Print made by Luke Sullivan, 1705–1771

Paul Before Felix

1752

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