Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
4
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
5
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
6
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
7
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
8
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
9
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
10
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
11
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
12
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
13
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
14
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell; Plate 8
1793
15
Print made by William Blake, 1757–1827
Aged Ignorance; Plate 13
1793
16
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
1826
17
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
18
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
19
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
20
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
21
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
22
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
23
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
1826
24
Print made by Robert Sargent Austin, 1895–1973
Romance
1922
25
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
26
Print made by Samuel William Reynolds, 1773–1835
Vulture and Lamb
1799
27
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "One Day as I was Walking in the Woods..."
1789
28
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
29
Charles Grignion, 1717–1810
Britannia Allegory
between 1743 and 1747
30
Print made by Henry J. Townsend, 1810–1890
Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
1853
31
Print made by Andrew Fairbairn Affleck, 1874/7–1936
Six Venice Etchings, Title Page
undated
32
Print made by Andrew Fairbairn Affleck, 1874/7–1936
Porta della Carta
undated
33
Print made by Anthony Cardon, 1772–1813
Cupid Wounded
1801
34
Print made by Isaac Fuller, 1606/20–1672
Putto Holding a Torch
undated
35
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
36
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
37
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808, published 1813
38
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
39
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
40
Print made by Thomas Cheesman, 1760–1834/35
Marchioness of Townshend and Child
1792
41
Print made by Guillaume Sulpice Chevalier, 1804–1866
Intemperance
undated
42
Print made by John Bell, 1811–1895
The Web
undated
43
Print made by Thomas Gaugain, 1748–1812
James Beattie, LL.D
1805
44
unknown artist
Ornamental Ticket for Society of Painters
1690
45
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
46
Print made by Richard Earlom, 1743–1822
Vulcan's Forge
1802
47
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
48
James Gillray, 1756–1815
Presages of the Millenium
1795
49
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
50
Print made by Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
51
Print made by Simon Gribelin, 1662–1733
The Ceiling in the Banqueting House at Whitehall
ca. 1720
52
Print made by Francesco Bartolozzi, 1728–1815
Venus Chiding Cupid
1784
53
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salpietro
1799
54
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
55
Print made by George Bickham the Elder, 1683/4–1758
One eagle, one owl and three owlets, a Pl. for 'A New Drawing Book...of Various Kinds of Birds Drawn from the Life by Mr. Francis Barlow' 1731 (1 of 9)
1731
56
Print made by Francesco Bartolozzi, 1728–1815
The Virgin
1778
57
Print made by Francesco Bartolozzi, 1728–1815
Cupid Disarmed by Venus
1804
58
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salomon
1794
59
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Mr. Cox's Museum
1772
60
Print made by Placido Columbani, born ca. 1744, active 1801
At Rome
undated
61
Print made by Placido Columbani, born ca. 1744, active 1801
At the City of Albano
undated
62
Print made by Placido Columbani, born ca. 1744, active 1801