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Materials & Techniques etching (printing process)

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Bull Dogs and Badgers
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1807
Materials & Techniques:
Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 7/8 × 23 1/2 inches (47.9 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
General Washington
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1796
Materials & Techniques:
Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 28 3/8 × 18 1/2 inches (72.1 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Bathsheba Bringing Abishag to David
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1779
Materials & Techniques:
Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 5/8 × 19 3/8 inches (65.1 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Abraham Lincoln
Creator:
Print made by Otto J. Schneider, 1875–1946
Date:
1906
Materials & Techniques:
Etching and dry point on vellum
Dimensions:
Sheet: 21 3/8 × 17 3/8 inches (54.3 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Abraham Lincoln
Creator:
Print made by James S. King, 1852–1925
Date:
1909
Materials & Techniques:
Etching (fourth proof) on thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 31 5/8 × 23 1/2 inches (80.3 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Grolier with the Printer Aldus Manutius
Creator:
Print made by Leopold Flameng, 1831–1911
Date:
1882
Materials & Techniques:
Etching and line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 19 1/4 × 19 3/4 inches (48.9 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3007. Choquer

Choquer
Creator:
Print made by George Arnald, 1763–1841
Date:
1821
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/16 × 11 inches (21.4 × 28 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 10 7/8 inches (21.2 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
An English Sloop Engaging a Dutch Man of War
Creator:
Print made by unknown artist
Date:
1795
Materials & Techniques:
Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 7 inches (26.4 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Meuse and Sambre, from the Gate of the Sambre
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 10 15/16 inches (21.8 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Left Bank, Meuse
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/16 × 11 5/8 inches (23 × 29.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Bouvignes and Dinant
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/16 × 11 9/16 inches (21.4 × 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Bouvignes and Dinant
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 11/16 × 11 3/4 inches (22.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Heyday! Is This My Daughter Anne!
Creator:
Print made by Francis E. Adams, active ca.1760–1775
Date:
1773
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 × 10 1/16 inches (35.5 × 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Contented Dutchmen
Creator:
Print made by Richard Brookshaw, 1736–1804
Date:
1770
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 13/16 × 13 11/16 inches (24.9 × 34.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3017. Constantia

Constantia
Creator:
Print made by Philip Dawe, ca.1745–ca.1809
Date:
1780
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3018. River Meuse

River Meuse
Creator:
Print made by Henry Dawe, 1790–1848
Date:
undated
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/16 × 10 3/8 inches (20.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Flower Piece
Creator:
Print made by Benjamin Green, ca. 1736–ca. 1800
Date:
1779
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 5/8 x 9 3/8 inches (34.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Changing Pasture
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 19 3/8 inches (34.3 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lancaster Sands
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 5/8 x 19 1/2 inches (34.6 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Outskirts of the Forest
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 13 5/8 x 19 1/2 inches (34.6 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Welsh Funeral
Creator:
Print made by Edward Radclyffe, 1809–1863
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 19 3/8 inches (34.6 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3024. Untitled

Untitled
Creator:
William Byrne, 1743–1805
Date:
1765
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 x 19 3/8 inches (38.4 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection
A View in the Villa Madama, near Rome, called II Teatro
Creator:
William Byrne, 1743–1805
Date:
1765
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 x 19 3/8 inches (38.4 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection
Celadon and Amelia
Creator:
Engraved by William Woollett, 1735–1785
Date:
1766
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/4 x 22 3/8 inches (46.4 x 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection
Berwick; Printed with Counterproof of Dundee
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1890
Materials & Techniques:
Etching printed in brown ink over two counterproofs, engraver's proof; verso etching counterproof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 inches (19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Tiger and Crocodile
Creator:
Print made by Charles Turner, 1774–1857
Date:
1799
Materials & Techniques:
Mezzotint and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/4 × 24 inches (48.9 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3029. Hougoment

Hougoment
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hotel de Ville, Paris
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3031. Placenza

Placenza
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Venice - The Campanile
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, Engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3033. Verona

Verona
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3034. Milan

Milan
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3035. Malmaison

Malmaison
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Field of Waterloo
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3037. Dunfermline

Dunfermline
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1836
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
HMS Bellerophon, Plymouth Sound
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rhymer's Glen
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chiefswood Cottage
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and engraving, 1st published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Edinburgh from St. Anthony's Chapel
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3042. Linlithgow

Linlithgow
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Killiecrankie
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3044. Stirling

Stirling
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Craigmillar Castle
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving; engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rouen Distant View
Creator:
Print made by William Richardson, active 1842–1877
Date:
1836
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fort Augustus
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3048. Inverness

Inverness
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3049. Abbeville

Abbeville
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1836
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3050. Hougomont

Hougomont
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brussels, Distant View
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Château d'Arc, near Dieppe
Creator:
Print made by William Forrest, 1802–1889
Date:
1836
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Killiecrankie
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Craigmillar Castle
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3055. Naples

Naples
Creator:
Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proofe on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lake of Como, I
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 11 5/8 inches (44.1 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hannibal passing the Alps (vignettes)
Creator:
W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 5 3/8 inches (13.7 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hannibal passing the Alps (vignette)
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching and line engraving with graphite and scraping; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 6 inches (27.6 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marengo (vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/2 × 12 1/4 inches (44.5 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hospice of the Great St. Bernard, Number 11 (vignette)
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/4 × 6 5/8 inches (28.6 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aosta (vignette)
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 × 8 1/4 inches (33 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aosta (vignette)
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/4 × 12 inches (43.8 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marengo (vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hospice of the Great St. Bernard (vignette)
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching; open etching; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Maurice (vignette)
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 inches (43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Maurice (vignette)
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 × 12 1/4 inches (43.2 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond Hill and Bridge, Surrey
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1832
Materials & Techniques:
Etching and line engraving with graphite; touched engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3068. Aldborough

Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching and engraving, Engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/16 × 18 1/8 inches (28.4 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dunwich, Suffolk
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Line engraving and etching on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond Hill
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1826-1832
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 5/16 inches (30.5 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3071. Aldborough

Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching and engraving, Engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lago Maggiore
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1828
Materials & Techniques:
Open etching on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:
Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Virginia Water No. 1
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Open etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lord Henry and Lady Charlotte Spencer as 'The Young Fortune Tellers'
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1790
Materials & Techniques:
Aquatint, etching, and stipple (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 7/8 × 15 5/8 inches (53 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lady Smith and Her Children: George Henry, Louisa, and Charlotte
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 11/16 x 12 1/2 inches (42.4 x 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lavinia, Countess Spencer, Viscountess Althorp
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1787
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/16 x 8 13/16 inches (28.4 x 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Portrait of Mrs. Elizabeth Stanhope
Creator:
Print made by Caroline Watson, 1760–1814
Date:
1790
Materials & Techniques:
Stipple engraving, mezzotint, etching, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/16 × 10 1/16 inches (33.5 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Hon. Mr. Leicester Stanhope
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Stipple engraving and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/16 × 7 7/8 inches (28.8 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Girl Sleeping
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1790
Materials & Techniques:
Etching, engraving, aquatint and stipple (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/4 × 12 3/8 inches (40 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3080. Alope

Alope
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1787
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 x 18 3/16 inches (35.5 x 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Viscountess Duncannon
Creator:
Print made by Joseph Grozer, ca. 1755–1798
Date:
ca. 1785
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 5/16 x 11 11/16 inches (41.4 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Jane, Countess of Harrington, with Her Children, Lord Petersham and Honorable Lincoln Stanhope
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/4 x 13 1/4 inches (42.5 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
William Sharp
Creator:
Print made by William Sharp, 1749–1824
Date:
1817
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 21 1/2 × 17 1/2 inches (54.6 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lady Rushout and Daughter
Creator:
Print made by Thomas Burke, 1749–1815
Date:
1784
Materials & Techniques:
Stipple engraving, mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/16 × 13 1/16 inches (43.3 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Marchioness of Townshend and Child
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1792
Materials & Techniques:
Stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 × 16 3/4 inches (53.3 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sir Humphrey Davy
Creator:
Print made by William Henry Worthington, ca. 1790–active 1839
Date:
1827
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 × 16 3/8 inches (53.3 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Thomas Carlyle
Creator:
Print made by Alphonse Legros, 1837–1911
Date:
between 1852 and 1877
Materials & Techniques:
Etching and india ink on thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 19 1/2 × 15 1/4 inches (49.5 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
John Paul Jones
Creator:
Print made by Henri Toussaint, 1849–1911
Date:
1906
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream wove paper with cream chine colle
Dimensions:
Sheet: 27 7/16 × 21 5/8 inches (69.7 × 54.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Meuse and Sambre, from the Gate of the Sambre
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 8 13/16 × 11 5/16 inches (22.4 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Dinant, No. 1: Southwest View
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 11 3/4 inches (22.3 x 29.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
Creator:
after Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 24 5/8 inches (39.7 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Village of Chaillot & C. taken from Pont de la Concorde
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of St. Cloud and Mt. Calvary taken from Pont de Seve
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
John Howard, Esq. Visiting and Relieving the Miseries of a Prison
Creator:
Print made by Jacob Hogg, active 1751
Date:
1790
Materials & Techniques:
Etching and engraving on medium, moderately textured, cream wove paper
Dimensions:
Plate: 19 1/2 × 24 1/4 inches (49.5 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Alexander
Duke of Gloucester Taken into the Water Gate of Calais, 1380
Creator:
David Scott, 1806–1849
Date:
1841
Materials & Techniques:
Etching and roulette on moderately thick, smooth, beige wove paper mounted on canvas
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of David Bindman
The Battle at La Hogue
Creator:
William Woollett, 1735–1785
Date:
1781
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 × 25 1/16 inches (50.2 × 63.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

3097. Southampton

Southampton
Creator:
Print made by Anne Rudge, 1761–1836
Date:
1799
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905
Woodland Landscape
Creator:
Print made by Anne Rudge, 1761–1836
Date:
1799
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905
Chichester Canal
Creator:
Print made by Lion Gaucherel, 1816–1886
Date:
1878
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 14 inches (26.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Age of Innocence
Creator:
Print made by Charles Turner, 1774–1857
Date:
1836
Materials & Techniques:
Mezzotint and etching (proof) on moderately thick, moderately textured, beige wove paper, with beige chine collé
Dimensions:
Sheet: 13 7/8 × 10 3/8 inches (35.2 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund