Banquet Scene, with a Roman Soldeir Kneeling to a Famale Figure Sitting on a Throne
undated
14
Robert Smirke, 1752–1845
Scene from Don Quixote
undated
15
Robert Smirke, 1752–1845
Woman Sleeping in the Nude in a Wooded Landscape
undated
16
Robert Smirke, 1752–1845
Diana and Actaeon
undated
17
Thomas Sully, 1783–1872
Landscape with Mountains, Lake Castle, Seated Figure in Foreground
1834
18
Print made by William Nelson Gardiner, 1766–1814
January
1788
19
Thomas Barker, 1769–1847
Landscape with Shepherd and Sheep
undated
20
William Callow, 1812–1908
Landscape with Sheep
undated
21
James Sowerby, 1756–1822
Eurasian Sparrowhawk
undated
22
David Roberts, 1796–1864
The Royal Palace, Madrid, 1832
1832
23
Mrs. P. D. H. Page, 20th century
Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]
undated
24
Lionel Edwards, 1878–1966
The Lodge Gate
1922
25
Luigi Balugani, 1737–1770
Cordia abyssinica: finished drawing
undated
26
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
27
James Bruce, 1730–1794
Coracias abyssinicus (Abyssinian Roller)
undated
28
Attributed to Daniel Lysons, 1762–1834
Memorial to George and Elizabeth MacKenzie from Kensngton Church
between 1796 and 1811
29
Attributed to Daniel Lysons, 1762–1834
Memorial to Sir Orlando Gee Knight from Isleworth Church
between 1796 and 1811
30
George Lothian Hall, 1825–1888
The Rock of Gibraltar from Algeciras (Spain)
1843
31
Edward John Gregory, 1850–1909
Drifting
undated
32
Thomas Grieve, 1799–1882
Design for Love's Labour's Lost
1839
33
John William Inchbold, 1830–1888
In Richmond Park
1869
34
Thomas Hearne, 1744–1817
River Landscape with Figures
undated
35
Thomas Hearne, 1744–1817
The Gateway of Lancaster Castle
ca. 1778
36
Thomas Hearne, 1744–1817
The Ruins of Leiston Abbey
1781
37
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
38
Luigi Balugani, 1737–1770
Commiphora gileadensis (L.) C. Chr. (Balm of Gilead, Opobalsam): finished drawing of fruiting branch
undated
39
Luigi Balugani, 1737–1770
Protea gaguedi J.F. Gmel. (Protea): finished drawing with floral details
undated
40
Luigi Balugani, 1737–1770
Albizia gummifera (J.F. Gmel.) C.A. Sm. (Gummy Albizia Tree): finished drawing of flowering head of shoot, with details of inflorescence, florets, and leaf
ca. 1768
41
Luigi Balugani, 1737–1770
Euphorbia abyssinica J.F. Gmel. (Ethiopian Tree-Spurge): finished drawing of single trunk, with details of whole and dissected fruits
undated
42
Charles H. Vanderhof
A Farm
undated
43
Frederick William Woledge, active 1840
Brighton: the front and the chain pier seen in the distance
undated
44
Thomas Sully, 1783–1872
Horse, Cart and Driver on Wide, Tree-lined Lane
undated
45
Robert Dighton, 1752–1814
A Lesson Westward, or, A Morning Visit to Betsy Cole
1782
46
Robert Dighton, 1752–1814
A Lesson Westward - or A Morning Visit to Betsy Cole
1782
47
Robert Dighton, 1752–1814
Bachelor's Hall
undated
48
unknown artist
The Death of Cordelia
undated
49
Edward Penny, 1714–1791
The Generosity of Johnny Permain
undated
50
Michel Jean Cazabon, 1813–1888
The Bocas from the Old Fort, Macqueripe
1857
51
Hercules Brabazon Brabazon, 1821–1906
Mouth of the Humber
undated
52
Michel Jean Cazabon, 1813–1888
The Cottage, Residence of the Governor
1857
53
Michel Jean Cazabon, 1813–1888
Cedros Bay
1857
54
Michel Jean Cazabon, 1813–1888
Garden Estate, Arouca
1857
55
Michel Jean Cazabon, 1813–1888
View from Laventille Hill
1857
56
Michel Jean Cazabon, 1813–1888
The Reservoir at Maraval
1857
57
Michel Jean Cazabon, 1813–1888
The Pitch Lake
1857
58
Michel Jean Cazabon, 1813–1888
Corbeaux Town, Port of Spain
1857
59
Michel Jean Cazabon, 1813–1888
Avenue and Entrance to St. James Barracks
1857
60
Michel Jean Cazabon, 1813–1888
Los Gallos, Icacos Bay
1857
61
Michel Jean Cazabon, 1813–1888
Residence at Orange Grove Estate, Tacarigua
1857
62
Michel Jean Cazabon, 1813–1888
Forest Scenery near Tamana
1857
63
William Bell Scott, 1811–1890
The New Moon
1863
64
Richard Westall, 1765–1836
A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
undated
65
Cornelius Varley, 1781–1873
Cottages at Llanllyfni, North Wales
1805
66
Elijah Walton, 1832–1880
Sasso di Pelmo as seen from St. Luzia, Tyrol
1866
67
Hercules Brabazon Brabazon, 1821–1906
A Bridge
undated
68
Hercules Brabazon Brabazon, 1821–1906
Fête Champêtre
undated
69
Hercules Brabazon Brabazon, 1821–1906
Avignon: Bridge over a River
undated
70
Hercules Brabazon Brabazon, 1821–1906
Marrakech
undated
71
Hercules Brabazon Brabazon, 1821–1906
The Cornfield
undated
72
John Skinner Prout, 1806–1876
Isola Bella, Lago Maggiore
undated
73
Print made by William Nelson Gardiner, 1766–1814
November
1788
74
Print made by John Smith, the mezzotinter, 1652–1743
His Excellency Field Marshal Keith Commander in Chief of His Prussian Majesty's Forces in Germany
between 1667 and 1723
75
attributed to John Ruskin, 1819–1900
Hills and Sky
undated
76
Isaac Mendes Belisario, 1795–1849
Lady Rowe, Standing Small Full Length on a Terrace, a Moonlit Jamaican Landscape beyond
1835
77
Jairam Das, active 1815–1840
Household Servants with Provisions
between 1815 and 1840
78
Charles West Cope, 1811–1890
Ruins of the Ancient Palace of the Archbishops of Canterbury at Otford, Kent, September 24, 1856
1856
79
Michel Jean Cazabon, 1813–1888
Caledonia and Craig Islands
1857
80
William Daniell, 1769–1837
Bovisand, near Plymouth
ca. 1813
81
David Cox, 1783–1859
Dover
1832
82
William Daniell, 1769–1837
Lulworth Cove
ca. 1813
83
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
84
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
undated
85
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1