Materials & Techniques: gouache / Date: 1838 / Associated Places: Italy - YCBA Collections Search Search Results

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Materials & Techniques gouache

Date 1838

Associated Places Italy

1. Italian Hill Town

Italian Hill Town

Creator:: Samuel Palmer, 1805–1881
Date:: after 1838
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 9 1/4 x 12 5/8 inches (23.5 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Cypresses at the Villa d'Este, Tivoli

The Cypresses at the Villa d'Este, Tivoli

Creator:: Samuel Palmer, 1805–1881
Date:: 1838
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 12 3/8 x 9 1/8 inches (31.4 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Genezzano, 17 May 1838

Genezzano, 17 May 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Graphite with stumping and gouache on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 9 15/16 x 14 inches (25.2 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

4. Corpo di Cava, 28 June 1838

Corpo di Cava, 28 June 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Oil and gouache on moderately thick, moderately textured, green-gray wove paper
Dimensions:: Sheet: 14 1/8 x 9 13/16 inches (35.9 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

5. Bridge at Corpo di Cava

Bridge at Corpo di Cava

Creator:: Hannah Linnell Palmer, 1818–1893
Date:: 1838
Materials & Techniques:: Watercolor, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 8 7/8 inches (32.4 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund