Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
2
George Sidney Shepherd, 1784–1862
Green Park
ca. 1830
3
Thomas Hosmer Shepherd, 1792–1864
The Houses of Parliament
undated
4
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
5
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
6
John Linnell, 1792–1882
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
7
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
8
John Linnell, 1792–1882
Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
after 1812
9
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
10
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
11
George Shepheard, ca. 1770–1842
The Banqueting House, Whitehall, from the River
ca. 1810
12
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
13
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
14
William Payne, active 1850s
Private View of the Royal Academy
1858
15
Albert Goodwin, 1845–1932
Evening with a Procession of Choir Boys Walking Towards Westminster Abbey
undated
16
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
17
Patrick Nasmyth, 1787–1831
Part of Regent's Park
1805
18
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
19
William Parrott, 1813–ca. 1869
Waterloo Bridge from the Garden of M. A. Taylor, Esq
undated
20
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
21
George Belton Moore, 1805–1875
A Proposed plan for Trafalgar Square
1841
22
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
23
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
24
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
25
Attributed to Charles Gore, 1729–1807
A Large Church (Westminster Abbey) at Sunset
undated
26
Frederick Nash, 1782–1856
Ambulatory, Westminster Abbey
undated
27
Sir Charles Barry, 1795–1860
Perspective View: the New Houses of Parliament
ca. 1840-1849
28
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
29
unknown artist
Plan of the Old Parliament Houses, Westminster
1820
30
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
31
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
32
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
33
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
34
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
35
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
36
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
37
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
38
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
39
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
40
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
41
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
42
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
43
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
44
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
45
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
46
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
47
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
48
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
49
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
50
Print made by James Basire II, 1769–1822
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
51
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
52
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
53
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
54
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
55
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
56
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
57
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
58
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
59
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
60
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
61
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
62
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
63
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
64
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
65
unknown artist
Grave of the Supposed William Lyndewode
1852
66
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
67
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
68
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
69
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
70
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
71
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
72
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
73
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
74
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
75
unknown artist
Peers' Entrance
undated
76
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
77
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
78
unknown artist
New Rooms at Westminster for the Bishops
undated
79
Print made by John Greig, active 1803–1853
The Painted Chamber, Westminster
1804
80
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
81
unknown artist
Exterior of Painted Chamber, North View
undated
82
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
83
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
84
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
85
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
86
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
87
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
88
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
89
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
90
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
91
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
92
George Harley, 1791–1871
Ruins of Westminster Palace
1834
93
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
94
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
95
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
96
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
97
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords