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Materials & Techniques graphite
Remove constraint Materials & Techniques: graphiteCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionWidth [cm] 25
Remove constraint Width [cm]: 25Search Results
1
- 1951 (still life – sweet peas)
- 1951
- Not on view
2
- Huntsman and Hounds
- ca. 1896
3
- A Harrow in the Orchard
- ca. 1896
4
- Owl Standing, Anterior View
- 1795 to 1806
5
- Human Skeleton, Lateral View
- 1795 to 1806
6
- Trees in a Meadow
- ca. 1805
7
- Two Ships at Anchor
- 1803
8
- Benjamin Read
- ca. 1757
9
- Catania, Sicily
- ca. 1825
10
- High Street, Edinburgh
- ca. 1818
11
- Chrichton Castle with a Rainbow; Color Study
- ca. 1818
12
- Gozo, near Malta
- 1866
13
- Albania
- between 1848 and 1849
14
- Allegorical Scene
- undated
15
- Allegorical Sketch of Victory
- undated
16
- Figure Studies of a Group of People in a Wooded Clearing
- undated
17
- First Design of a Battle Scene
- undated
18
- Study of Abraham Being Tested by God
- undated
19
- Study of a Woman Sleeping in Her Chamber and a Man Standing Over Her Bed
- undated
20
- Banquet Scene, with a Roman Soldeir Kneeling to a Famale Figure Sitting on a Throne
- undated
21
- Scene from Don Quixote
- undated
22
- Bachanalia Scene
- undated
23
- View of the Cappuccini Mount, the Po & the Bridge from the Road to the Palatine"
- 1764
24
- Landscape, With Windmills, and a Town in the Horizon
- undated
25
- Cat Like Courtship
- undated
26
- Study of a Group of Children
- undated
27
- Landscape with Mountains, Lake Castle, Seated Figure in Foreground
- 1834
28
- Citadel of Montpellier, France
- undated
29
- Ancient Inscription in the Post House at Argos
- 1802-1804
30
- Top Portion of a Pillar
- 1802-1804
31
- Architectural Drawing of the Temple of Sunias Minerva
- 1802-1804
32
- Temple Near the Site of Ancient Phigalia
- 1803
33
- Sketch of the Molding of the Interior of the Propylaea
- 1802-1804
34
- Landscape of Trees, and Ruins
- 1802-1804
35
- Fragment of a Doric Cornice Among the Ruins of Eleusis
- 1802-1804
36
- The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum
- 1802-1804
37
- The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum
- 1802-1804
38
- The Capital and Entablature to the Columns of the Temple of Juno Lucina, Agrigentum
- 1802-1804
39
- Vicenza, Italy
- 1802-1804
40
- Vicenza
- 1802-1804
41
- One of Eleven Designs for Houses and Shops
- ca. 1800
42
- Part of Lyons From the Convent of the Chartreux, Mont Blanc in the Distance
- 1802-1804
43
- The Source of the Vaucluse
- 1802
44
- The Castle Inhabited by Petrarch, Vaucluse
- 1802
45
- Moldings on the Pillars
- 1802-1804
46
- Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh
- undated
47
- Dartmouth
- undated
48
- Two Jeyties Fighting
- ca. 1792
49
- Boat and Figures on Shore of a Lake
- undated
50
- Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
- 1802-1804
51
- At Hastings, 5 October 1820
- 1820
52
- Sketch of a Man Watching Large Waves, Hastings
- 1820
53
- As Much Underneath, Before the Road, Hastings
- 1820
54
- Sketch of a Roof with a Large Chimney
- undated
55
- Seymour Lodge, 12 July 1826
- 1826
56
- Entrance to Cardigan, 8 September 1847
- 1847
57
- La Gabella del Pesce dall Granabello Preso Portici, August 20
- ca. 1783?
58
- Lago di Bolsena
- undated
59
- Between Castel del Bosco and La Scala
- undated
60
- Florence
- undated
61
- Grand Chartreuse, October 24
- undated
62
- Monaco
- undated
63
- The Euganean Hills
- undated
64
- Manarola
- undated
65
- Radicofani
- undated
66
- From Mirabella, Euganean Hills, June 19
- undated
67
- Coast of Genoa Towards Lerici
- undated
68
- Near Chambéry
- undated
69
- Houses near Plymouth
- 1810
70
- Cottage
- undated
71
- Port
- undated
72
- Church Interior
- undated
73
- Mountainous Landscape and Lake
- undated
74
- Three Men
- undated
75
- Mountainous Landscape
- undated
76
- Design for a Monument to Sir James Reade, Hatfield
- undated
77
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
78
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
79
- Hogarth Declaring His Love to Miss Thornhill
- 1817
80
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
81
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
82
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
83
- The Smock Exposed
- 1817
84
- The Reconcilation
- 1817
85
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
86
- Hogarth Drawing Sarah Malcolm
- 1817
87
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
88
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
89
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
90
- Hogarth Sitting to Roubiliac for His Bust
- 1817
91
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
92
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
93
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
94
- Landscape with Sheep
- undated
95
- Beach Scene
- undated
96
- West Cowes, Isle of Wight
- between 1826 and 1830
97
- Beaulieu, Hampshire
- 1827
98
- Rock Coastline
- undated
99
- Near St. Michele, Savoy, October 21
- undated
100
- Grand Chartreuse, October 24
- undated