<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques graphite

Remove constraint Materials & Techniques: graphite

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Subject Terms religious and mythological subject

Remove constraint Subject Terms: religious and mythological subject

Search Results

Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
John Flaxman Get Thee Behind Me, Satan
John Flaxman, 1755–1826
Get Thee Behind Me, Satan
between 1783 and 1787
On view at YUAG
William Hogarth George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
William Hogarth George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
William Blake "We the reins to slaughter give..." (Design 73)
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
William Blake "Hurry, hurry, to the field!" Design 75)
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
William Blake The Descent of Odin, An Ode; Title Page
William Blake, 1757–1827
The Descent of Odin, An Ode; Title Page
between 1797 and 1798
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake The Prophetess Rising from Her Grave (Design 81)
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake The Bard Singing Owen's Praise (Design 89)
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
William Blake Ode for Music, Performed in the Senate-House; Title Page
William Blake, 1757–1827
Ode for Music, Performed in the Senate-House; Title Page
between 1797 and 1798
William Blake A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake Poems by Mr. Gray; Title Page
William Blake, 1757–1827
Poems by Mr. Gray; Title Page
between 1797 and 1798
William Blake "At the chapel-door stand sentry... (Design 31)
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
William Blake "To him the mighty mother did unveil Her awful face..." (Design 49)
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake The Fatal Sisters, An Ode; Title Page
William Blake, 1757–1827
The Fatal Sisters, An Ode; Title Page
between 1797 and 1798
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
William Blake, 1757–1827
Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
between 1797 and 1798
William Blake "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
William Blake Ode on the Spring; Title Page
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
William Blake Ode to Adversity; Title Page
William Blake, 1757–1827
Ode to Adversity; Title Page
between 1797 and 1798
William Blake "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
William Blake The Progress of Poesy, A Pindaric Ode; Title Page
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
William Blake The Bard, A Pindaric Ode; Title Page
William Blake, 1757–1827
The Bard, A Pindaric Ode; Title Page
between 1797 and 1798
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
William Blake "O'er thy country hangs The scourge of Heav'n..." (Design 59)
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
William Blake "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
William Blake An Angel with a Trumpet
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
William Blake Study for a Destroying Deity
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
George Romney The Bath of Bath-sheba
George Romney, 1734–1802
The Bath of Bath-sheba
early 1770s
George Romney Achilles Wounded
George Romney, 1734–1802
Achilles Wounded
undated
George Romney Mythological Group of Women and Children
George Romney, 1734–1802
Mythological Group of Women and Children
late 1770s to early 1780s
Robert Smirke Allegorical Scene
Robert Smirke, 1752–1845
Allegorical Scene
undated
Robert Smirke Allegorical Scene
Robert Smirke, 1752–1845
Allegorical Scene
undated
Robert Smirke Figure Study of a Bacchanalia Celebration in a Wooded Landscape
Robert Smirke, 1752–1845
Figure Study of a Bacchanalia Celebration in a Wooded Landscape
undated
Robert Smirke Figure Study of a Bacchanalia Celebration in a Wooded Landscape
Robert Smirke, 1752–1845
Figure Study of a Bacchanalia Celebration in a Wooded Landscape
undated
Robert Smirke Figure Study of a Bacchanalia Celebration in a Wooded Landscape
Robert Smirke, 1752–1845
Figure Study of a Bacchanalia Celebration in a Wooded Landscape
undated
Robert Smirke Study of Abraham Being Tested by God
Robert Smirke, 1752–1845
Study of Abraham Being Tested by God
undated
Robert Smirke Study of a Woman, being Taken Away by a Winged Being
Robert Smirke, 1752–1845
Study of a Woman, being Taken Away by a Winged Being
undated
Robert Smirke Study of a Woman and Child
Robert Smirke, 1752–1845
Study of a Woman and Child
undated
Robert Smirke Scene of a Bacchanalia
Robert Smirke, 1752–1845
Scene of a Bacchanalia
undated
Robert Smirke Pan, Spying, From Behind a Tree, at Putti, Shooting Arrows
Robert Smirke, 1752–1845
Pan, Spying, From Behind a Tree, at Putti, Shooting Arrows
undated
Robert Smirke Diana, Goddess of the Hunt, with Satyrs, sleeping Cupid and a Pegasus in a Wooded Landscape
Robert Smirke, 1752–1845
Diana, Goddess of the Hunt, with Satyrs, sleeping Cupid and a Pegasus in a Wooded Landscape
undated
Robert Smirke Five Vignettes of Scenes from Antiquity
Robert Smirke, 1752–1845
Five Vignettes of Scenes from Antiquity
undated
Robert Smirke Bachanalia Scene
Robert Smirke, 1752–1845
Bachanalia Scene
undated
Henry Swinburne Capuchins of Our Lady of Médoux
Henry Swinburne, 1743–1803
Capuchins of Our Lady of Médoux
undated
Sir Robert Smirke the younger Interior of a Church
Sir Robert Smirke the younger, 1781–1867
Interior of a Church
1802-1804
Sir Robert Smirke the younger Cave of Trophonius
Sir Robert Smirke the younger, 1781–1867
Cave of Trophonius
1802-1804
Sir Robert Smirke the younger The Convent of St. Nicholas
Sir Robert Smirke the younger, 1781–1867
The Convent of St. Nicholas
1802-1804
Sir Robert Smirke the younger Nuns Praying at Altar of a Church
Sir Robert Smirke the younger, 1781–1867
Nuns Praying at Altar of a Church
1802-1804
W. R. Smith Dido and Aeneas; The Morning of the Chase
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842
Daniel Lysons Brass Chrism of Constance Bownell and her Baby from Heston Church
Attributed to Daniel Lysons, 1762–1834
Brass Chrism of Constance Bownell and her Baby from Heston Church
1796-1811
Gangaram Chintaman Navgire Tambat Sarvanubhuti Relief Sculpture in Indra Sabha Temple, Ellora
Gangaram Chintaman Navgire Tambat, active 1790s
Sarvanubhuti Relief Sculpture in Indra Sabha Temple, Ellora
between 1793 and 1795
Sadanand Vyas A Parsi Priest or Adam
Sadanand Vyas, active late 18th century
A Parsi Priest or Adam
undated
Sadanand Vyas A Lewsa of Jettee - A Kind of Hindu Monk
Sadanand Vyas, active late 18th century
A Lewsa of Jettee - A Kind of Hindu Monk
undated
Sadanand Vyas A Gosain - A Tribe of Hindu Religious Beggars
Sadanand Vyas, active late 18th century
A Gosain - A Tribe of Hindu Religious Beggars
undated
Sadanand Vyas A Mohamatan Fakir
Sadanand Vyas, active late 18th century
A Mohamatan Fakir
undated
Gangaram Chintaman Navgire Tambat A Mohametan with his Parrot
Gangaram Chintaman Navgire Tambat, active 1790s
A Mohametan with his Parrot
undated
Sadanand Vyas A Jungum, a religious Hindu Beggar
Sadanand Vyas, active late 18th century
A Jungum, a religious Hindu Beggar
undated
Robert Mabon Shiva Slaying Andhaka, Relief Sculpture at Elephanta
Robert Mabon, died 1798
Shiva Slaying Andhaka, Relief Sculpture at Elephanta
undated
Robert Mabon Buddhist Stele
Robert Mabon, died 1798
Buddhist Stele
undated
Robert Mabon Stele with Seated Figure in Bhumisparsa Gesture
Robert Mabon, died 1798
Stele with Seated Figure in Bhumisparsa Gesture
undated
Augustus Welby Northmore Pugin Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk
Augustus Welby Northmore Pugin, 1812–1852
Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk
undated
Benjamin Robert Haydon Study of a Biblical Scene
Benjamin Robert Haydon, 1786–1846
Study of a Biblical Scene
undated
Benjamin Robert Haydon Study of a Military Scene
Benjamin Robert Haydon, 1786–1846
Study of a Military Scene
undated
Benjamin Robert Haydon Study For, Christ's Entry into Jerusalem
Benjamin Robert Haydon, 1786–1846
Study For, Christ's Entry into Jerusalem
1810 to 1820
Edward John Poynter Study for an Allegorical Figure of Religion
Edward John Poynter, 1836–1919
Study for an Allegorical Figure of Religion
undated
John Flaxman The Adoration of the Magi, a Design for Bas Relief
John Flaxman, 1755–1826
The Adoration of the Magi, a Design for Bas Relief
undated
unknown artist Indian Statue
unknown artist
Indian Statue
undated
Thomas Shotter Boys A Christening
Thomas Shotter Boys, 1803–1874
A Christening
undated
Edward Francis Burney Allegory of Sea Trades
Edward Francis Burney, 1760–1848
Allegory of Sea Trades
undated
Edward Francis Burney Allegory of Drawing
Edward Francis Burney, 1760–1848
Allegory of Drawing
undated
Edward Francis Burney Allegory of Steam
Edward Francis Burney, 1760–1848
Allegory of Steam
undated
Mrs. P. D. H. Page Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]
Mrs. P. D. H. Page, 20th century
Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]
undated
Mrs. P. D. H. Page Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]
Mrs. P. D. H. Page, 20th century
Indians Dancing Around a Circle of Posts, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 42 A]
undated
Mrs. P. D. H. Page Group of Indians Roud a Fire, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 43 A]
Mrs. P. D. H. Page, 20th century
Group of Indians Roud a Fire, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 43 A]
undated
William Pars Sketch of Centaurs and Lapiths From a Frieze
William Pars, 1742–1782
Sketch of Centaurs and Lapiths From a Frieze
undated
Sir James Thornhill The Blinding of Elymas
Sir James Thornhill, 1675–1734
The Blinding of Elymas
between 1709 and 1717
Hamlet Winstanley The Adoration
Hamlet Winstanley, 1698–1756
The Adoration
1723
Richard Westall Rosebud, or the Judgment of Paris
Richard Westall, 1765–1836
Rosebud, or the Judgment of Paris
1791