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Materials & Techniques graphite

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms women

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William Hogarth Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
Joseph Mallord William Turner Dartmoor: The Source of the Tamar and the Torridge
Joseph Mallord William Turner, 1775–1851
Dartmoor: The Source of the Tamar and the Torridge
ca. 1813
William Blake "Hurry, hurry, to the field!" Design 75)
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
William Blake "The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
William Blake, 1757–1827
"The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
William Blake "At the chapel-door stand sentry... (Design 31)
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
William Blake "To him the mighty mother did unveil Her awful face..." (Design 49)
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
William Blake The Fatal Sisters, An Ode; Title Page
William Blake, 1757–1827
The Fatal Sisters, An Ode; Title Page
between 1797 and 1798
William Blake "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake "To chase the rolling circle's speed..." (Design 17)
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
William Blake "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
William Blake "Up stairs in a whirlwind rattle..." (Design 29)
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
William Blake Ode on the Spring; Title Page
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
William Blake "And purple tyrants vainly groan..." (Design 37)
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
William Blake Ode to Adversity; Title Page
William Blake, 1757–1827
Ode to Adversity; Title Page
between 1797 and 1798
William Blake "With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
William Blake, 1757–1827
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)
between 1797 and 1798
William Blake The Progress of Poesy, A Pindaric Ode; Title Page
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
William Blake "O'er thy country hangs The scourge of Heav'n..." (Design 59)
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
William Blake "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
William Blake Five Visionary Heads of Women
William Blake, 1757–1827
Five Visionary Heads of Women
1819 to 1820
George Romney Seated Woman Feeding a Dog
George Romney, 1734–1802
Seated Woman Feeding a Dog
late 1770s
George Romney Mythological Group of Women and Children
George Romney, 1734–1802
Mythological Group of Women and Children
late 1770s to early 1780s
Robert Smirke Allegorical Scene
Robert Smirke, 1752–1845
Allegorical Scene
undated
Robert Smirke Figure Study of a Bacchanalia Celebration in a Wooded Landscape
Robert Smirke, 1752–1845
Figure Study of a Bacchanalia Celebration in a Wooded Landscape
undated
Robert Smirke Figure Study of a Bacchanalia Celebration in a Wooded Landscape
Robert Smirke, 1752–1845
Figure Study of a Bacchanalia Celebration in a Wooded Landscape
undated
Robert Smirke Figure Study of a Bacchanalia Celebration in a Wooded Landscape
Robert Smirke, 1752–1845
Figure Study of a Bacchanalia Celebration in a Wooded Landscape
undated
Robert Smirke Study of a Woman, being Taken Away by a Winged Being
Robert Smirke, 1752–1845
Study of a Woman, being Taken Away by a Winged Being
undated
Robert Smirke Virgilia and Volumnia Plead with Coriolanus
Robert Smirke, 1752–1845
Virgilia and Volumnia Plead with Coriolanus
ca. 1795
Robert Smirke Scene of a Bacchanalia
Robert Smirke, 1752–1845
Scene of a Bacchanalia
undated
Robert Smirke Five Vignettes of Scenes from Antiquity
Robert Smirke, 1752–1845
Five Vignettes of Scenes from Antiquity
undated
Robert Smirke Bachanalia Scene
Robert Smirke, 1752–1845
Bachanalia Scene
undated
Thomas Rowlandson A Pier at Amsterdam
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam
1801
Thomas Rowlandson Harvesters Resting in a Corn Field
Thomas Rowlandson, 1756–1827
Harvesters Resting in a Corn Field
between 1805 and 1810
unknown artist The Arrival of Ferries at London Bridge (?)
unknown artist
The Arrival of Ferries at London Bridge (?)
undated
William Simpson The Blessing of the Suez Canal, November 16, 1869
William Simpson, 1823–1899
The Blessing of the Suez Canal, November 16, 1869
after 1869
William Alexander The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
William Alexander, 1767–1816
The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
ca. 1799
unknown artist Welsh Fisherwomen
unknown artist
Welsh Fisherwomen
undated
Thomas Rowlandson A Pier at Amsterdam (Version A)
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam (Version A)
1792
Thomas Rowlandson Angry Scene in a Street
Thomas Rowlandson, 1756–1827
Angry Scene in a Street
between 1805 and 1810
Paul Sandby A Good-bye
Paul Sandby, 1731–1809
A Good-bye
undated
George Sidney Shepherd Green Park
George Sidney Shepherd, 1784–1862
Green Park
ca. 1830
William Alexander Conway, North Wales: The Castle and the Old College House
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
Paul Sandby An Encampment in St. James Park
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
unknown artist Court Dress of the Duchess of Orleans and a Spanish Lady 1690, n.d.
unknown artist
Court Dress of the Duchess of Orleans and a Spanish Lady 1690, n.d
undated
unknown artist Two Women
unknown artist
Two Women
undated
W. R. Smith Dido and Aeneas; The Morning of the Chase
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842
John White Abbott A View of Core's Library, Dawlish, Devon
John White Abbott, 1763–1851
A View of Core's Library, Dawlish, Devon
1837
Louis Philippe Boitard Holbein's Gateway and Jones's Banqueting House, Whitehall...
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
Thomas Shotter Boys Regent Street, Looking Toward Piccadilly From Waterloo Place
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
Gangaram Chintaman Navgire Tambat Portrait of a Woman, possibly Bibi Amber Kaur
Gangaram Chintaman Navgire Tambat, active 1790s
Portrait of a Woman, possibly Bibi Amber Kaur
between 1790 and 1796
John Martin Kensington Gardens
John Martin, 1789–1854
Kensington Gardens
undated
Joseph Nash Groups of Men and Women in Conversation
Joseph Nash, 1808–1878
Groups of Men and Women in Conversation
1827
Edmund Thomas Parris Sketches from Life
Edmund Thomas Parris, 1793–1873
Sketches from Life
1826
Edmund Thomas Parris Studies of Figures: Women, Tradespeople, etc.
Edmund Thomas Parris, 1793–1873
Studies of Figures: Women, Tradespeople, etc
undated
George Richmond Portrait of Catherine Blake
George Richmond, 1809–1896
Portrait of Catherine Blake
ca. 1830
Thomas Girtin The Village of Kirkstall, Yorkshire
Thomas Girtin, 1775–1802
The Village of Kirkstall, Yorkshire
1801
Ambrose Poynter Sketches from Life in Paris: Two Women
Ambrose Poynter, 1796–1886
Sketches from Life in Paris: Two Women
ca. 1835
unknown artist Faces
unknown artist
Faces
undated
Thomas Uwins The Death of - set by William Etty R.A.
Attributed to Thomas Uwins, 1782–1857
The Death of - set by William Etty R.A
undated
Thomas Rowlandson The Picnic
Thomas Rowlandson, 1756–1827
The Picnic
undated
Richard Bentley A Prospect of Vapourland
Richard Bentley, 1708–1782
A Prospect of Vapourland
1759
Paul Sandby London Cries: "Any Kitchen Stuff"
Paul Sandby, 1731–1809
London Cries: "Any Kitchen Stuff"
ca. 1759
Paul Sandby London Cries: A Milkmaid
Paul Sandby, 1731–1809
London Cries: A Milkmaid
ca. 1759
Robert Adam Headfort House, Ireland: Lady's Room Ceiling
Robert Adam, 1728–1792
Headfort House, Ireland: Lady's Room Ceiling
1772
William Simpson The Village Well
William Simpson, 1823–1899
The Village Well
1864
William Simpson The Dilkoosha, Lucknow in the Distance
William Simpson, 1823–1899
The Dilkoosha, Lucknow in the Distance
1866
Thomas Girtin The Guildhall, Exeter
Thomas Girtin, 1775–1802
The Guildhall, Exeter
ca. 1797
unknown artist Interior of Milan Cathedral
unknown artist
Interior of Milan Cathedral
undated
Thomas Shotter Boys A Christening
Thomas Shotter Boys, 1803–1874
A Christening
undated
John Thomas Smith The Reconcilation
John Thomas Smith, 1766–1833
The Reconcilation
1817
Thomas Rowlandson View on Exmoor
Thomas Rowlandson, 1756–1827
View on Exmoor
undated
Thomas Rowlandson Viewing at the Royal Academy
Thomas Rowlandson, 1756–1827
Viewing at the Royal Academy
ca. 1815
Thomas Rowlandson Picking Mulberries
Thomas Rowlandson, 1756–1827
Picking Mulberries
undated
Thomas Rowlandson Gardening
Thomas Rowlandson, 1756–1827
Gardening
undated
Thomas Rowlandson A Ball at Scarborough
Thomas Rowlandson, 1756–1827
A Ball at Scarborough
ca. 1820
Thomas Rowlandson Comforts of Bath: The Bath
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Bath
1798
Mrs. P. D. H. Page Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]
Mrs. P. D. H. Page, 20th century
Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]
undated
Henry Thomas Alken "Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
Henry Thomas Alken "Landscape Scenery", No. 10: Scenes with Wood-Cutters
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
Henry Thomas Alken Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
Henry Thomas Alken Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
Henry Thomas Alken Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
Henry Thomas Alken, 1785–1851
Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
Henry Thomas Alken Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated