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Materials & Techniques graphite

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Classification Prints

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1. The Herdsman's Cottage

The Herdsman's Cottage
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1850
Materials & Techniques:
Etching and drypoint with chine collé, retouched with graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 8 9/16 inches (29.9 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Vine

The Vine
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1852
Materials & Techniques:
Etching and drypoint, retouched with graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 11 13/16 x 8 1/2 inches (30 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Skylark

No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1850
Materials & Techniques:
Etching and drypoint with chine collé, retouched with graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 13/16 x 4 inches (12.3 x 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink, with graphite; touched engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/8 × 14 inches (27.6 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Sheep-Washing, Windsor

Sheep-Washing, Windsor
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching with graphite; touched early proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 7/8 inches (23.2 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Dumbarton Rock

Dumbarton Rock
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching printed in brown ink, with graphite; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 inches (28.9 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Catania, Sicily

Catania, Sicily
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
ca. 1825
Materials & Techniques:
Mezzotint, with graphite and white chalk; touched trial proof on medium, slightly textured, cream wove paper
Dimensions:
Plate: 7 5/8 × 10 inches (19.4 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Gloucester Cathedral

Gloucester Cathedral
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1820 to 1825
Materials & Techniques:
Mezzotint, with graphite and white chalk; touched engraver's proof (a)
Dimensions:
Plate: 6 x 8 7/8in. (15.2 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Holy Island Cathedral

Holy Island Cathedral
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint printed in brown ink, with graphite and scratching out; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 11 1/4 inches (21.3 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Original Sketch of a Picture for W. Leader, Esq.

Original Sketch of a Picture for W. Leader, Esq.
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1809
Materials & Techniques:
Etching and mezzotint printed in brown ink, with graphite; touched engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/8 inches (22.2 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Inverary Pier, Loch Fyne, Morning

Inverary Pier, Loch Fyne, Morning
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink; touched engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. View on the Orwell

View on the Orwell
Creator:
Print made by David Lucas, 1802–1881
Date:
1830
Materials & Techniques:
Mezzotint and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 x 16 3/4 inches (30.8 x 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. A Shipwreck

A Shipwreck
Creator:
Print made by Charles Turner, 1774–1857
Date:
1806
Materials & Techniques:
Mezzotint with graphite and watercolor; engraver's proof (b) on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 24 3/4 × 35 inches (62.9 × 88.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance

View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching with graphite corrections on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/16 x 20 3/4 inches (21.4 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. View of Pont St. Michel, Taken from Pont Neuf

View of Pont St. Michel, Taken from Pont Neuf
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching, first engraver's proof, touched in graphite by the artist on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 x 16 1/2 inches (22.7 x 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Dido and Aeneas; The Morning of the Chase

Dido and Aeneas; The Morning of the Chase
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1842
Materials & Techniques:
Etching and engraving, with graphite and chine collé; touched engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/8 × 28 1/8 inches (53.7 × 71.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Ancient Italy

Ancient Italy
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1842
Materials & Techniques:
Etching and engraving, with graphite, white chalk, scraping out, and chine collé; touched engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 3/4 × 38 1/2 inches (67.9 × 97.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof (a) on thick, sightly textured, cream wove paper
Dimensions:
Sheet: 22 × 27 7/8 inches (55.9 × 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching and engraving, with chine collé and graphite; touched early engraver's proof on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 23 1/2 × 30 1/8 inches (59.7 × 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Modern Italy

Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching and engraving, with graphite and chine collé; touched engraver's proof (c) on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 26 1/4 × 39 3/4 inches (66.7 × 101 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Dead Eagle, Oran

The Dead Eagle, Oran
Creator:
Print made by William Miller, 1796–1882
Date:
1837
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/16 × 7 3/4 inches (31.3 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Banditti

Banditti
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and engraving, with scraping out and graphite; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Hannibal Passing the Alps

Hannibal Passing the Alps
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1830
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof (d) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 6 inches (27.6 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Scarborough

Scarborough
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1826
Materials & Techniques:
Mezzotint, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 13 1/2 inches (27.9 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Brienne

Brienne
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 16 3/8 inches (26.4 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. [One from] A Volume of Drawings and Prints

[One from] A Volume of Drawings and Prints
Creator:
Rev. James Bulwer, 1794–1879
Date:
1837
Materials & Techniques:
Etching on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 13 1/2 × 17 inches (34.3 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Château Hamelin

Château Hamelin
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 15/16 × 8 15/16 inches (15.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Plan of ground floor of Herstmonceux Castle

Plan of ground floor of Herstmonceux Castle
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving, with graphite on smooth, thin, cream wove paper
Dimensions:
Sheet: 8 5/8 × 5 1/2 inches (21.9 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Southwest view of Hertsmonceux Castle in the County of Sussex

The Southwest view of Hertsmonceux Castle in the County of Sussex
Creator:
Samuel Buck, 1696–1779
Date:
1737
Materials & Techniques:
Engraving with graphite on slightly textured, medium, cream laid paper
Dimensions:
Sheet: 10 5/8 × 16 3/4 inches (27 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Herstmonceux Castle for the history and description of the Sussex Coast

Herstmonceux Castle for the history and description of the Sussex Coast
Creator:
Charles John Smith, 1803–1838
Date:
undated
Materials & Techniques:
Engraving, with graphite on smooth, medium, beige wove paper
Dimensions:
Sheet: 9 × 7 1/8 inches (22.9 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Cologne on the Rhine

Cologne on the Rhine
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and engraving, with graphite and white chalk; early touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 25 1/2 inches (45.1 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Cologne on the Rhine

Cologne on the Rhine
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1824
Materials & Techniques:
Etching and engraving, with graphite; touched early engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 × 27 1/8 inches (50.8 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Aosta

Aosta
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1830
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 8 3/8 inches (11.4 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Walton Bridge on Thames, Surrey

Walton Bridge on Thames, Surrey
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Etching and engraving, with graphite; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Richmond Hill and Bridge, Surrey

Richmond Hill and Bridge, Surrey
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1832
Materials & Techniques:
Etching and engraving, with graphite and chine collé; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Pendennis Castle, and Entrance of Falmouth Harbour

Pendennis Castle, and Entrance of Falmouth Harbour
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching and engraving with graphite; touched proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/16 × 17 3/8 inches (29.1 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Portsmouth, Hampshire

Portsmouth, Hampshire
Creator:
Print made by William Miller, 1796–1882
Date:
1825
Materials & Techniques:
Etching and engraving, with graphite and chine collé; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Boscastle, Cornwall

Boscastle, Cornwall
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1814 to 1826
Materials & Techniques:
Etching and engraving with graphite; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. St. Julienne's Chapel

St. Julienne's Chapel
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite; touched engraver's proof (a) on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/2 × 12 1/4 inches (44.5 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Merrick Abbey, Swaledale

Merrick Abbey, Swaledale
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1822
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 11 13/16 inches (21.7 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Herstmonceux Castle, Sussex Pl. 4

Herstmonceux Castle, Sussex Pl. 4
Creator:
Sparrow, active 1773–1787
Date:
undated
Materials & Techniques:
Engraving, with graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 6 5/16 × 10 inches (16 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Herstmonceux Castle, Sussex

Herstmonceux Castle, Sussex
Creator:
John Greig, active 1803–1853
Date:
1815
Materials & Techniques:
Engraving, with graphite on smooth, medium, cream wove paper
Dimensions:
Sheet: 3 3/4 × 6 1/4 inches (9.5 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Herstmonceux Castle, Sussex

Herstmonceux Castle, Sussex
Creator:
William Tombleson, ca.1795–1835
Date:
undated
Materials & Techniques:
Engraving, (verso) graphite on smooth, medium, cream wove paper
Dimensions:
Sheet: 5 3/4 × 3 7/8 inches (14.6 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Herstmonceux Castle, Interior of Porter's Lodge and Gateway Tower

Herstmonceux Castle, Interior of Porter's Lodge and Gateway Tower
Creator:
William Henry Brooke, 1772–1860
Date:
undated
Materials & Techniques:
Engraving on smooth, medium, cream wove paper
Dimensions:
Sheet: 8 5/8 × 5 5/8 inches (21.9 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Temple of Aphaia at Aegina: Elevations

The Temple of Aphaia at Aegina: Elevations
Creator:
Edmund Turrell, active 1835–1860
Date:
undated
Materials & Techniques:
Line engraving with graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 18 inches (30.5 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. St. Julian's, Tours

St. Julian's, Tours
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
Creator:
unknown artist
Date:
printed 1740, drawn ca. 1760
Materials & Techniques:
Line engraving marked with pen and black ink, blue wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 15/16 × 28 3/4 inches (53.2 × 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
Creator:
Print made by James Basire II, 1769–1822
Date:
1828
Materials & Techniques:
Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 20 13/16 × 26 7/8 inches (52.9 × 68.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

House of Commons and the Entrance to the House of Lords with the Office of Ordnance
Creator:
Print made by Charles Grignion, 1717–1810
Date:
undated
Materials & Techniques:
Engraving with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/16 × 7 1/2 inches (11 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. The Painted Chamber, Westminster

The Painted Chamber, Westminster
Creator:
Print made by John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Line engraving marked with graphite on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 × 11 1/4 inches (20.3 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Exterior of Painted Chamber, North View

Exterior of Painted Chamber, North View
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Line engraving and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 × 3 1/2 inches (11.1 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. North East View of Henry VII Chapel Westminster

North East View of Henry VII Chapel Westminster
Creator:
Print made by unknown artist
Date:
ca. 1813
Materials & Techniques:
Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 15 3/4 × 20 1/2 inches (40 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Château of Amboise

Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite; touched engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 12 inches (22.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Gipsy

The Gipsy
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite; touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 13/16 × 5 7/8 inches (27.5 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. St. Pierre's Cottage

St. Pierre's Cottage
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving; with graphite and scraping out; touched engraver's proof (b) on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 9/16 × 12 3/16 inches (44.6 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. St. Anne's Hill, No. II

St. Anne's Hill, No. II
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite and scratching out; touched engraver's proof on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 3/8 × 11 3/4 inches (18.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Scott's Birthplace, No. 39, Castle Street, Edinburgh

Scott's Birthplace, No. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and engraving, with graphite and chine-collé; touched engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 8 3/8 inches (34.3 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. The Temple of Venus in the Port at Aegina: Elevations

The Temple of Venus in the Port at Aegina: Elevations
Creator:
Charles Robert Cockerell, 1788–1863
Date:
1811
Materials & Techniques:
Etching, proof with graphite notations on smooth, thin, white wove paper
Dimensions:
Sheet: 18 3/8 × 11 5/8 inches (46.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. The Temple of Aphaia at Aegina: Sections

The Temple of Aphaia at Aegina: Sections
Creator:
Edmund Turrell, active 1835–1860
Date:
1860
Materials & Techniques:
Etching with collaged graphite additions on slightly textured, moderately thick, cream wove paper with drawings in graphite on attached wove paper
Dimensions:
Sheet: 12 1/8 × 18 3/8 inches (30.8 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Fishing Boats off Calais (The Pas de Calais)

No cover image available
Creator:
Print made by William Davison, active 1813–1843
Date:
1830
Materials & Techniques:
Mezzotint, with graphite and white chalk; touched engraver's proof (b) on medium, slightly textured, cream wove paper, mounted on cream card
Dimensions:
Sheet: 19 × 25 3/4 inches (48.3 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Fishing Boats off Calais (The Pas de Calais)

No cover image available
Creator:
Print made by William Davison, active 1813–1843
Date:
1830
Materials & Techniques:
Mezzotint, with graphite, white chalk, and scraping out; touched engraver's proof (c) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/2 × 25 1/8 inches (47 × 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Shaftesbury House, Aldersgate Street

No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Aquatint on smooth, medium, white laid paper
Dimensions:
Sheet: 10 × 13 1/8 inches (25.4 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Heidelberg from the Opposite Bank of the Neckar

No cover image available
Creator:
Print made by Thomas Abiel Prior, 1809–1886
Date:
1846
Materials & Techniques:
Etching and engraving, with graphite and chine collé; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 7/8 × 27 1/8 inches (55.6 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. St. Mary, Rotherhithe

No cover image available
Creator:
Print made by Hanslip Fletcher, 1874–1955
Date:
1931
Materials & Techniques:
Etching on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 8 1/8 × 9 1/2 inches (20.6 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Roslin Castle

No cover image available
Creator:
Print made by Miss Frances Waring, active 1801–1826
Date:
1803
Materials & Techniques:
Lithograph with hand coloring in gouache and graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 5/8 × 13 3/8 inches (24.4 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Dunkeld Cathedral

No cover image available
Creator:
Print made by Miss Frances Waring, active 1801–1826
Date:
1803
Materials & Techniques:
Lithograph with hand coloring in gouache and graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 10 × 12 7/8 inches (25.4 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. The Bridge at Broar

No cover image available
Creator:
Print made by Miss Frances Waring, active 1801–1826
Date:
1803
Materials & Techniques:
Lithograph with hand coloring in gouache and graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 5/8 × 12 3/4 inches (24.5 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Lint Mills near Dunkeld

No cover image available
Creator:
Print made by Miss Frances Waring, active 1801–1826
Date:
1803
Materials & Techniques:
Lithograph with hand coloring in gouache and graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 7/8 × 13 inches (25.1 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Loch Lomond

No cover image available
Creator:
Print made by Miss Frances Waring, active 1801–1826
Date:
1803
Materials & Techniques:
Lithograph with hand coloring in gouache and graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 1/2 × 12 7/8 inches (24.1 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Stirling Castle

No cover image available
Creator:
Print made by Miss Frances Waring, active 1801–1826
Date:
1803
Materials & Techniques:
Lithograph with hand coloring in gouache and graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 3/4 × 13 1/4 inches (24.8 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Bothwell Castle

No cover image available
Creator:
Print made by Miss Frances Waring, active 1801–1826
Date:
1803
Materials & Techniques:
Lithograph with hand coloring in gouache and graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 10 × 13 5/8 inches (25.4 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Herstmonceux Castle, Sussex Pl. 2

No cover image available
Creator:
John Godfrey
Date:
undated
Materials & Techniques:
Engraving, with graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 6 5/16 × 10 inches (16 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Herstmonceux Castle

No cover image available
Creator:
Print made by unknown artist
Date:
1858
Materials & Techniques:
Engraving, with graphite on smooth, thin, cream wove paper
Dimensions:
Sheet: 3 3/4 × 6 3/16 inches (9.5 × 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Herstmonceux Castle, Sussex Pl. 1

No cover image available
Creator:
John Godfrey
Date:
undated
Materials & Techniques:
Engraving, with graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Herstmonceux Castle, Sussex Pl. 3

No cover image available
Creator:
John Godfrey
Date:
undated
Materials & Techniques:
Engraving, with graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 6 3/8 × 10 inches (16.2 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Herstmonceux Castle Sussex Pl. III with text

No cover image available
Creator:
John Godfrey
Date:
undated
Materials & Techniques:
Engraving, with graphite on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 12 7/8 × 9 1/2 inches (32.7 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Herstmonceux Castle Pl. I

No cover image available
Creator:
John Godfrey
Date:
1779
Materials & Techniques:
Engraving, with graphite on slightly textured, medium, cream laid paper on card
Dimensions:
Sheet: 5 3/8 × 8 1/2 inches (13.7 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Herstmonceux Church

No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving, with graphite on smooth, medium, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. The Temple of Aphaia at Aegina: Sections

No cover image available
Creator:
Edmund Turrell, active 1835–1860
Date:
1828
Materials & Techniques:
Line engraving with graphite on thin, smooth, cream laid paper mounted on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Fascally

No cover image available
Creator:
Print made by Miss Frances Waring, active 1801–1826
Date:
1803
Materials & Techniques:
Lithograph with hand coloring in gouache and graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Gretna Green

No cover image available
Creator:
Print made by Miss Frances Waring, active 1801–1826
Date:
1803
Materials & Techniques:
Lithograph with hand coloring in gouache and graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 5/8 × 13 1/8 inches (24.4 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

No cover image available
Creator:
Charles Robert Cockerell, 1788–1863
Date:
1860
Materials & Techniques:
Line engraving with graphite on smooth, thick, cream wove paper
Dimensions:
Sheet: 7 1/16 × 11 3/4 inches (17.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection