attributed to Joseph Mallord William Turner, 1775–1851
The Hurries: Coal Boats Loading, Whitehaven
ca. 1795
4
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Stables
1790
5
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
6
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
7
Sir George Howland Beaumont seventh Baronet, 1753–1827
Between Llangollen and Oswestry
1790
8
Thomas Hearne, 1744–1817
View of Bath from Spring Gardens
1790
9
Thomas Hearne, 1744–1817
Unloading Pit Props at Coalbrookdale
after 1790
10
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
11
unknown artist
Gloucester Cathedral
ca. 1795
12
Humphry Repton, 1752–1818
Sarsden House and Gardens, Oxfordshire: Bird's-eye View
ca. 1795
13
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
14
Thomas Girtin, 1775–1802
Great Marlow Church, Buckinghamshire
ca. 1795
15
Thomas Girtin, 1775–1802
Eton College from Datchet Road
1790
16
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
17
Thomas Girtin, 1775–1802
Rye, Sussex
ca. 1795
18
Thomas Girtin, 1775–1802
The Land Gate, Rye, Sussex
ca. 1795
19
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
20
Thomas Girtin, 1775–1802
View of Winchelsea, Sussex
ca. 1795
21
Thomas Girtin, 1775–1802
Near Ramsgate, Kent
ca. 1795
22
Thomas Girtin, 1775–1802
Saltwood Castle, Kent
ca. 1795
23
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
24
Thomas Girtin, 1775–1802
Layer Marney Hall, Essex
ca. 1795
25
Thomas Girtin, 1775–1802
Tolleshunt-Beckingham, Essex
ca. 1795
26
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
27
Thomas Girtin, 1775–1802
Writtle Church, Essex
ca. 1795
28
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
29
Thomas Girtin, 1775–1802
Ruins of Savoy Palace
ca. 1795
30
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
31
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
32
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
33
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
34
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
35
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
36
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
37
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
38
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
39
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
40
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
41
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
42
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
43
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
44
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
45
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel