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Materials & Techniques graphite

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Period 18th century

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Work Type drawing

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George Romney Mother and Son
George Romney, 1734–1802
Mother and Son
late 1770s
On view at YUAG
George Romney Miranda, Prospero, and Caliban: The Tempest
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
ca. 1786–90
On view at YUAG
George Romney Sketchbook Including Drawings Relating to John Milton’s Paradise Lost
George Romney, 1734–1802
Sketchbook Including Drawings Relating to John Milton’s Paradise Lost
ca. 1793
On view at YUAG
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
ca. 1790–92
On view at YUAG
George Romney Viscountess Bulkeley as Hebe
George Romney, 1734–1802
Viscountess Bulkeley as Hebe
ca. 1776
On view at YUAG
George Romney Sketch for the Portrait of a Lady
George Romney, 1734–1802
Sketch for the Portrait of a Lady
late 1770s
On view at YUAG
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
ca. 1790–92
On view at YUAG
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
ca. 1790–92
On view at YUAG
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
ca. 1790–92
On view at YUAG
George Romney Study of Two Figures
George Romney, 1734–1802
Study of Two Figures
late 1770s
On view at YUAG
George Romney Study for the Portrait of George Spencer, Fourth Duke of Marlborough
George Romney, 1734–1802
Study for the Portrait of George Spencer, Fourth Duke of Marlborough
1778–1783
On view at YUAG
George Romney Study for the Portrait of George Spencer, Fourth Duke of Marlborough
George Romney, 1734–1802
Study for the Portrait of George Spencer, Fourth Duke of Marlborough
1770s–80s
On view at YUAG
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
ca. 1790–92
On view at YUAG
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
ca. 1790–92
On view at YUAG
George Romney Large Sketchbook
George Romney, 1734–1802
Large Sketchbook
ca. 1780s–early 1790s
On view at YUAG
George Stubbs A Foxhound on the Scent
George Stubbs, 1724–1806
A Foxhound on the Scent
1788
George Stubbs Study for the Self-portrait in Enamel
George Stubbs, 1724–1806
Study for the Self-portrait in Enamel
ca. 1781
John Flaxman Get Thee Behind Me, Satan
John Flaxman, 1755–1826
Get Thee Behind Me, Satan
between 1783 and 1787
On view at YUAG
William Hogarth The First Stage of Cruelty
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
William Hogarth Gabriel Hunt
William Hogarth, 1697–1764
Gabriel Hunt
undated
William Hogarth Study of a Female Nude
William Hogarth, 1697–1764
Study of a Female Nude
undated
William Hogarth Benjamin Read
William Hogarth, 1697–1764
Benjamin Read
ca. 1757
William Hogarth Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
William Hogarth George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
William Hogarth, 1697–1764
George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
William Hogarth George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
Joseph Mallord William Turner View of Ely Cathedral
Joseph Mallord William Turner, 1775–1851
View of Ely Cathedral
ca. 1796
Joseph Mallord William Turner Christ Church Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
ca. 1792–1794
Joseph Mallord William Turner Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
Joseph Mallord William Turner Landscape with Barn
Joseph Mallord William Turner, 1775–1851
Landscape with Barn
ca. 1795
Joseph Mallord William Turner A Three Storied Georgian House in a Park
Joseph Mallord William Turner, 1775–1851
A Three Storied Georgian House in a Park
ca. 1795
Joseph Mallord William Turner South Porch and Tower of an Unidentified Church
Joseph Mallord William Turner, 1775–1851
South Porch and Tower of an Unidentified Church
between 1790 and 1795
Joseph Mallord William Turner Villa in a Valley near Vietri sul Mare
Joseph Mallord William Turner, 1775–1851
Villa in a Valley near Vietri sul Mare
ca. 1794
Joseph Mallord William Turner Villa Salviati on the Arno
Joseph Mallord William Turner, 1775–1851
Villa Salviati on the Arno
between 1796 and 1797
Joseph Mallord William Turner Sir William Hamilton's Villa
Joseph Mallord William Turner, 1775–1851
Sir William Hamilton's Villa
ca. 1795
Joseph Mallord William Turner Santa Lucia, A Convent near Caserta
Joseph Mallord William Turner, 1775–1851
Santa Lucia, A Convent near Caserta
ca. 1795
Joseph Mallord William Turner A River View near Grindelwald, Looking towards the Wetterhorn
Joseph Mallord William Turner, 1775–1851
A River View near Grindelwald, Looking towards the Wetterhorn
ca. 1794–7
Joseph Mallord William Turner From the Isola Borromena, Lago Maggiore
Joseph Mallord William Turner, 1775–1851
From the Isola Borromena, Lago Maggiore
ca. 1795
Joseph Mallord William Turner Landscape with Waterfall
Joseph Mallord William Turner, 1775–1851
Landscape with Waterfall
ca. 1796
Joseph Mallord William Turner Landscape with Trees and Figures
Joseph Mallord William Turner, 1775–1851
Landscape with Trees and Figures
ca. 1796
Joseph Mallord William Turner Dent de Lion, near Margate
Joseph Mallord William Turner, 1775–1851
Dent de Lion, near Margate
ca. 1791
Joseph Mallord William Turner Villa d'Este
Joseph Mallord William Turner, 1775–1851
Villa d'Este
ca. 1796
Joseph Mallord William Turner Fisherman's Cottage, Dover
Joseph Mallord William Turner, 1775–1851
Fisherman's Cottage, Dover
ca. 1790s
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner Autumn Sowing of the Grain
Joseph Mallord William Turner, 1775–1851
Autumn Sowing of the Grain
ca. 1794
Joseph Mallord William Turner Newark-upon-Trent
Joseph Mallord William Turner, 1775–1851
Newark-upon-Trent
ca. 1794
Joseph Mallord William Turner The Hurries: Coal Boats Loading, Whitehaven
attributed to Joseph Mallord William Turner, 1775–1851
The Hurries: Coal Boats Loading, Whitehaven
ca. 1795
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
ca. 1793
Joseph Mallord William Turner Interior of St. John's Palace, Eltham
Joseph Mallord William Turner, 1775–1851
Interior of St. John's Palace, Eltham
ca. 1793
Joseph Mallord William Turner Tivoli with the Temple of the Sybil and the Cascades
Joseph Mallord William Turner, 1775–1851
Tivoli with the Temple of the Sybil and the Cascades
ca. 1794–97
Joseph Mallord William Turner The Angler
Joseph Mallord William Turner, 1775–1851
The Angler
1794
Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
Joseph Mallord William Turner Windsor
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1794
William Blake "We the reins to slaughter give..." (Design 73)
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
William Blake "Hurry, hurry, to the field!" Design 75)
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
William Blake The Descent of Odin, An Ode; Title Page
William Blake, 1757–1827
The Descent of Odin, An Ode; Title Page
between 1797 and 1798
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake The Prophetess Rising from Her Grave (Design 81)
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake The Triumphs of Owen, A Fragment; Title Page
William Blake, 1757–1827
The Triumphs of Owen, A Fragment; Title Page
between 1797 and 1798
William Blake The Bard Singing Owen's Praise (Design 89)
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
William Blake "The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
William Blake, 1757–1827
"The Pensive Selima, Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
William Blake "Fear to stop, and shame to fly..." (Design 91)
William Blake, 1757–1827
"Fear to stop, and shame to fly..." (Design 91)
between 1797 and 1798
William Blake Ode for Music, Performed in the Senate-House; Title Page
William Blake, 1757–1827
Ode for Music, Performed in the Senate-House; Title Page
between 1797 and 1798
William Blake A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake Poems by Mr. Gray; Title Page
William Blake, 1757–1827
Poems by Mr. Gray; Title Page
between 1797 and 1798
William Blake "At the chapel-door stand sentry... (Design 31)
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
William Blake "To him the mighty mother did unveil Her awful face..." (Design 49)
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
William Blake Elizabeth. "Girt with many a Baron bold..." (Design 63)
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake The Fatal Sisters, An Ode; Title Page
William Blake, 1757–1827
The Fatal Sisters, An Ode; Title Page
between 1797 and 1798
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
William Blake, 1757–1827
Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page
between 1797 and 1798
William Blake "Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
William Blake, 1757–1827
"Iron sleet of arrowy shower Hurtles in the darkened air..." (Design 71)
between 1797 and 1798
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake Epitaph on Mrs. Clarke; Title Page
William Blake, 1757–1827
Epitaph on Mrs. Clarke; Title Page
between 1797 and 1798
William Blake Elegy Written in a Country Church-Yard; Title Page
William Blake, 1757–1827
Elegy Written in a Country Church-Yard; Title Page
between 1797 and 1798
William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
William Blake, 1757–1827
The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)
between 1797 and 1798
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
William Blake, 1757–1827
"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)
between 1797 and 1798
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
William Blake "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
William Blake, 1757–1827
"Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake Ode on a Distant Prospect of Eton College; Title Page
William Blake, 1757–1827
Ode on a Distant Prospect of Eton College; Title Page
between 1797 and 1798
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
William Blake "To chase the rolling circle's speed..." (Design 17)
William Blake, 1757–1827
"To chase the rolling circle's speed..." (Design 17)
between 1797 and 1798
William Blake "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
William Blake "Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
William Blake, 1757–1827
"Where ignorance is bliss, 'Tis folly to be wise." (Design 21)
between 1797 and 1798
William Blake A Long Story; Title Page
William Blake, 1757–1827
A Long Story; Title Page
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
William Blake "Up stairs in a whirlwind rattle..." (Design 29)
William Blake, 1757–1827
"Up stairs in a whirlwind rattle..." (Design 29)
between 1797 and 1798
William Blake Ode on the Spring; Title Page
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
William Blake "And purple tyrants vainly groan..." (Design 37)
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
William Blake Ode to Adversity; Title Page
William Blake, 1757–1827
Ode to Adversity; Title Page
between 1797 and 1798