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Materials & Techniques graphite

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Associated Places Rome

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Subject Terms walls

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The Gardens of the Villa Albani
Creator:
Edward Lear, 1812–1888
Date:
1840
Materials & Techniques:
Graphite, black chalk and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 8 1/2 x 16 1/4 inches (21.6 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
View from Behind the Colonnade, Piazza San Pietro, Rome
Creator:
John Brown, 1749–1787
Date:
ca. 1772
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 9 1/2 inches (22.2 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of the Wall of Rome Near the Villa Medici
Creator:
John Robert Cozens, 1752–1797
Date:
between 1782 and 1783
Materials & Techniques:
Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 5 7/16 x 6 3/8 inches (13.8 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Under the Walls of Rome
Creator:
Isaac Weld, 1774–1856
Date:
1818
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 11/16 x 13 5/16 inches (22.1 x 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Baths of Diocletian
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 x 6 7/8 inches (15.6 x 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
In the Gardens of the Villa Pamphili, July 1
Creator:
John Robert Cozens, 1752–1797
Date:
undated
Materials & Techniques:
Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:
Sheet: 6 1/4 x 9 5/8 inches (15.9 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection