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Materials & Techniques graphite

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John Constable Landscape at East Bergholt
John Constable, 1776–1837
Landscape at East Bergholt
ca. 1805
Sir George Howland Beaumont seventh Baronet Ben Glog (North Wales)
Sir George Howland Beaumont seventh Baronet, 1753–1827
Ben Glog (North Wales)
undated
unknown artist Entrance to a Bull Ring
unknown artist
Entrance to a Bull Ring
undated
Capt. Thomas Hastings Sketch of Boatmen on the Shore, Ships in the Distance
Capt. Thomas Hastings, 1778–1854
Sketch of Boatmen on the Shore, Ships in the Distance
1827
Sir David Wilkie Shopping in the Rows, Chester
Sir David Wilkie, 1785–1841
Shopping in the Rows, Chester
1837
Sir David Wilkie Scene from Quentin Durward
Sir David Wilkie, 1785–1841
Scene from Quentin Durward
1833
Thomas Stothard Study of Trees
Thomas Stothard, 1755–1834
Study of Trees
undated
James Bruce An Old Man Walking
James Bruce, 1730–1794
An Old Man Walking
undated
Cornelius Varley Study of Sheep
Cornelius Varley, 1781–1873
Study of Sheep
undated
Augustus Welby Northmore Pugin Designs for Gothic Ornamentation
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation
undated
Thomas Rowlandson Bucks of the First Head
Thomas Rowlandson, 1756–1827
Bucks of the First Head
ca. 1785
Sawrey Gilpin Male Horse
Sawrey Gilpin, 1733–1807
Male Horse
undated
Sawrey Gilpin Standing Horse
Sawrey Gilpin, 1733–1807
Standing Horse
undated
Sawrey Gilpin Study of donkeys
Sawrey Gilpin, 1733–1807
Study of donkeys
undated
Sawrey Gilpin Country landscape with cattle crossing a stream
Sawrey Gilpin, 1733–1807
Country landscape with cattle crossing a stream
undated
Sawrey Gilpin Tiger
Sawrey Gilpin, 1733–1807
Tiger
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
Henry Fuseli Percival Frees Belisane from the Spell of Urma
Henry Fuseli, 1741–1825
Percival Frees Belisane from the Spell of Urma
1811
Mrs. P. D. H. Page Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]
Mrs. P. D. H. Page, 20th century
Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]
undated
Henry Thomas Alken Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
Henry Thomas Alken Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
Henry Thomas Alken Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
Peter Casteels Three Greyhounds in a Room
Peter Casteels, 1684–1749
Three Greyhounds in a Room
undated
James Ward Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
James Ward, 1769–1859
Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
ca. 1822
Thomas Daniell Architectural Study
Thomas Daniell, 1749–1840
Architectural Study
undated
Sydenham Teast Edwards Hound Standing: profile, facing left
Sydenham Teast Edwards, 1768–1819
Hound Standing: profile, facing left
1795
Henry Thomas Alken Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
Henry Thomas Alken Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
Thomas Sidney Cooper A Farm Horse, Harnessed to a Cart, Executed at or Near Canterbury, c. 1835
Thomas Sidney Cooper, 1803–1902
A Farm Horse, Harnessed to a Cart, Executed at or Near Canterbury, c. 1835
ca. 1835
Thomas Daniell Riverscape with Buildings
Thomas Daniell, 1749–1840
Riverscape with Buildings
undated
Thomas Daniell Tree Sketch
Thomas Daniell, 1749–1840
Tree Sketch
undated
Sawrey Gilpin Study of an Elephant
Sawrey Gilpin, 1733–1807
Study of an Elephant
undated
Frank Auerbach Mornington Crescent
Frank Auerbach, born 1931
Mornington Crescent
ca. 1970
George Chinnery A River Scene
George Chinnery, 1774–1852
A River Scene
undated
Isaac Cruikshank Comic Song: The Bold Dragoon
Isaac Cruikshank, 1764–1811
Comic Song: The Bold Dragoon
undated
Sawrey Gilpin Two Deer
Sawrey Gilpin, 1733–1807
Two Deer
undated
Charles Hamilton Smith Farming Village
Charles Hamilton Smith, 1776–1859
Farming Village
undated
Edward Francis Burney Bridge and Tower
Edward Francis Burney, 1760–1848
Bridge and Tower
undated
Edward Francis Burney Country House
Edward Francis Burney, 1760–1848
Country House
undated
David Lucas View on the Orwell
Print made by David Lucas, 1802–1881
View on the Orwell
1830
Capt. Thomas Hastings Undercroft, Cathedral of Canterbury
Capt. Thomas Hastings, 1778–1854
Undercroft, Cathedral of Canterbury
1812
Capt. Thomas Hastings Castle of Canterbury
Capt. Thomas Hastings, 1778–1854
Castle of Canterbury
1806