Townsend's Building at Rousham, Oxfordshire: Elevation and Plan
ca. 1738
40
Michel Jean Cazabon, 1813–1888
The Reservoir at Maraval
1857
41
Michel Jean Cazabon, 1813–1888
Garden Estate, Arouca
1857
42
Michel Jean Cazabon, 1813–1888
The Cottage, Residence of the Governor
1857
43
Michel Jean Cazabon, 1813–1888
Residence at Orange Grove Estate, Tacarigua
1857
44
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
45
Thomas Malton, 1726–1801
Winchester Tower, Windsor Castle
undated
46
Edward Pierce, c.1630–1695
The Diana Fountain, Bushy Park: Original Design
undated
47
Sir Richard Westmacott, 1775–1856
Interior of Lancaster House
undated
48
John Michael Rysbrack, 1694–1770
Design for a Monument to Sir James Reade, Hatfield
undated
49
James Bruce, 1730–1794
Plan of upright of the semi circular Exedra of Temple at Baalbec
undated
50
James Bruce, 1730–1794
Order of the two courts of the Temple at Baalbec
undated
51
William Henry Lake Price, ca. 1810–ca. 1896
The Pont Neuf
undated
52
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Gothic Church
undated
53
David Roberts, 1796–1864
The Royal Palace, Madrid, 1832
1832
54
Harvey Wood, active 1825
Kirkstall Abbey, Yorkshire
undated
55
Attributed to Daniel Lysons, 1762–1834
Memorial to Sir Orlando Gee Knight from Isleworth Church
between 1796 and 1811
56
Attributed to Daniel Lysons, 1762–1834
Memorial to George and Elizabeth MacKenzie from Kensngton Church
between 1796 and 1811
57
David Roberts, 1796–1864
Aberothock Abbey
1848
58
Samuel Hieronymus Grimm, 1733–1794
Vanbrugh Castle, Greenwich
undated
59
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
undated
60
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
61
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
62
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
63
Henry Edridge, 1769–1821
Oakley Hall
1860
64
Frederick Mackenzie, 1788–1854
Old Palace Yard
1809
65
Thomas Daniell, 1749–1840
Tomb
undated
66
Lionel Edwards, 1878–1966
The Lodge Gate
1922
67
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
68
Lewis Vulliamy, 1791–1871
Unidentified Tower
between 1818 and 1822
69
Thomas Rowlandson, 1756–1827
Visitors Inspecting Abbey Ruins
undated
70
John Warwick Smith, 1749–1831
View from the Vidette Near Hakin on Signal Hill, Looking Beyond Nangle Point and Thorn Island, Pembrokeshire
1764-1831
71
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
72
Dr. William Crotch, 1775–1847
Windsor Castle - Devil's Tower, July 17, 1832 - 11 am
1832
73
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
undated
74
Attributed to Augustin Heckel, 1690–1770
Album of Fifty-five Ornamental Designs
undated
75
Thomas Girtin, 1775–1802
Glasgow Cathedral
between 1794 and 1795
76
David Roberts, 1796–1864
Interior of Durham Cathedral
undated
77
David Roberts, 1796–1864
The Duomo at Brescia
1851
78
Hercules Brabazon Brabazon, 1821–1906
Marrakech
undated
79
John Skinner Prout, 1806–1876
Isola Bella, Lago Maggiore
undated
80
John Sell Cotman, 1782–1842
Tower of the Village Church of Saint Maclou, Normandy
1818
81
Thomas Hartley Cromek, 1809–1873
The Cathedral and Palace of the Popes, Avignon
1836
82
John Sell Cotman, 1782–1842
Sculpture upon a House on the North Side of the Cathedral at Bayeux
1819
83
William Alexander, 1767–1816
Knaresborough Castle
undated
84
John Robert Cozens, 1752–1797
From the Top of the Arena, Verona
ca. 1783
85
unknown artist
Trerice Manor, Cornwall: View of the Front
undated
86
Jean B. C. Chatelain, 1710–1771
View with Figures in a Classical Landscape with Ruins